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The Vagina: A Literary and Cultural History

Author: Emma L. E. Rees

Publisher: Bloomsbury Publishing USA

Published: 2013-08-01

Total Pages: 328

ISBN-13: 1623560667

From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the 'c-word' obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly 'covert visibility'. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. The Vagina: A Literary and Cultural History examines the paradox of female genitalia through five fields of artistic expression: literature, film, TV, visual, and performance art. There is a peculiar paradox – unlike any other – regarding female genitalia. Rees focuses on this paradox of what is termed the 'covert visibility' of the vagina and on its monstrous manifestations. That is, what happens when the female body refuses to be pathologized, eroticized, or rendered subordinate to the will or intention of another? Common, and often offensive, slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women's lived sexual experiences such that we don't 'look' at the vagina itself – slang offers a convenient distraction to something so taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity

The Vagina: A Literary and Cultural History

Author: Emma L. E. Rees

Publisher: Bloomsbury Publishing USA

Published: 2013-08-01

Total Pages: 377

ISBN-13: 1623568714

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From South Park to Kathy Acker, and from Lars Von Trier to Sex and the City, women's sexual organs are demonized. Rees traces the fascinating evolution of this demonization, considering how calling the ‘c-word' obscene both legitimates and perpetuates the fractured identities of women globally. Rees demonstrates how writers, artists, and filmmakers contend with the dilemma of the vagina's puzzlingly ‘covert visibility'. In our postmodern, porn-obsessed culture, vaginas appear to be everywhere, literally or symbolically but, crucially, they are as silenced as they are objectified. The Vagina: A Literary and Cultural History examines the paradox of female genitalia through five fields of artistic expression: literature, film, TV, visual, and performance art. There is a peculiar paradox – unlike any other – regarding female genitalia. Rees focuses on this paradox of what is termed the ‘covert visibility' of the vagina and on its monstrous manifestations. That is, what happens when the female body refuses to be pathologized, eroticized, or rendered subordinate to the will or intention of another? Common, and often offensive, slang terms for the vagina can be seen as an attempt to divert attention away from the reality of women's lived sexual experiences such that we don't ‘look' at the vagina itself – slang offers a convenient distraction to something so taboo. The Vagina: A Literary and Cultural History is an important contribution to the ongoing debate in understanding the feminine identity

The Vagina: A Literary and Cultural History

Author: Emma L. E. Rees

Publisher: Bloomsbury Publishing USA

Published: 2013-08-01

Total Pages: 369

ISBN-13: 1623567890

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The Origin of the World

Author: Jelto Drenth

Publisher: Reaktion Books

Published: 2005

Total Pages: 496

ISBN-13: 9781861892102

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Jelto Drenth's study explores female sexuality in historical, anatomical, anthropological and biological terms. The author draws upon medical texts, science fiction and feminist and lesbian literature.

The Vagina Monologues

Author: Eve Ensler

Publisher: Villard Books

Published: 2008

Total Pages: 289

ISBN-13: 0375505121

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Drawing on conversations with hundreds of women about their genitalia, the author presents a collection of performance pieces from her one-woman show of the same name.

Impotence

Author: Angus McLaren

Publisher: University of Chicago Press

Published: 2008-09-15

Total Pages: 352

ISBN-13: 0226500934

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As anyone who has watched television in recent years can attest, we live in the age of Viagra. From Bob Dole to Mike Ditka to late-night comedians, our culture has been engaged in one long, frank, and very public talk about impotence—and our newfound pharmaceutical solutions. But as Angus McLaren shows us in Impotence, the first cultural history of the subject, the failure of men to rise to the occasion has been a recurrent topic since the dawn of human culture. Drawing on a dazzling range of sources from across centuries, McLaren demonstrates how male sexuality was constructed around the idea of potency, from times past when it was essential for the purpose of siring children, to today, when successful sex is viewed as a component of a healthy emotional life. Along the way, Impotence enlightens and fascinates with tales of sexual failure and its remedies—for example, had Ditka lived in ancient Mesopotamia, he might have recited spells while eating roots and plants rather than pills—and explanations, which over the years have included witchcraft, shell-shock, masturbation, feminism, and the Oedipal complex. McLaren also explores the surprising political and social effects of impotence, from the revolutionary unrest fueled by Louis XVI’s failure to consummate his marriage to the boost given the fledgling American republic by George Washington’s failure to found a dynasty. Each age, McLaren shows, turns impotence to its own purposes, using it to help define what is normal and healthy for men, their relationships, and society. From marraige manuals to metrosexuals, from Renaissance Italy to Hollywood movies, Impotence is a serious but highly entertaining examination of a problem that humanity has simultaneously regarded as life’s greatest tragedy and its greatest joke.

Vagina Obscura: An Anatomical Voyage

Author: Rachel E. Gross

Publisher: W. W. Norton & Company

Published: 2022-03-29

Total Pages: 253

ISBN-13: 1324006323

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Shortlisted for the 2023 Andrew Carnegie Medal for Excellence in Nonfiction and the PEN/E.O. Wilson Literary Science Writing Award One of Five Books Best Literary Science Writing titles in 2023 A New York Times Editors' Choice A Science Friday Best Science Book to Read This Summer A myth-busting voyage into the female body. A camera obscura reflects the world back but dimmer and inverted. Similarly, science has long viewed woman through a warped lens, one focused narrowly on her capacity for reproduction. As a result, there exists a vast knowledge gap when it comes to what we know about half of the bodies on the planet. That is finally changing. Today, a new generation of researchers is turning its gaze to the organs traditionally bound up in baby-making—the uterus, ovaries, and vagina—and illuminating them as part of a dynamic, resilient, and ever-changing whole. Welcome to Vagina Obscura, an odyssey into a woman’s body from a fresh perspective, ushering in a whole new cast of characters. In Boston, a pair of biologists are growing artificial ovaries to counter the cascading health effects of menopause. In Melbourne, a urologist remaps the clitoris to fill in crucial gaps in female sexual anatomy. Given unparalleled access to labs and the latest research, journalist Rachel E. Gross takes readers on a scientific journey to the center of a wonderous world where the uterus regrows itself, ovaries pump out fresh eggs, and the clitoris pulses beneath the surface like a shimmering pyramid of nerves. This paradigm shift is made possible by the growing understanding that sex and gender are not binary; we all share the same universal body plan and origin in the womb. That’s why insights into the vaginal microbiome, ovarian stem cells, and the biology of menstruation don’t mean only a better understanding of female bodies, but a better understanding of male, non-binary, transgender, and intersex bodies—in other words, all bodies. By turns funny, lyrical, incisive, and shocking, Vagina Obscura is a powerful testament to how the landscape of human knowledge can be rewritten to better serve everyone.

From Aphra Behn to Fun Home

Author: Carey Purcell

Publisher: Rowman & Littlefield

Published: 2019-12-04

Total Pages: 309

ISBN-13: 1538115263

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Theatre has long been considered a feminine interest for which women consistently purchase the majority of tickets, while the shows they are seeing typically are written and brought to the stage by men. Furthermore, the stories these productions tell are often about men, and the complex leading roles in these shows are written for and performed by male actors. Despite this imbalance, the feminist voice presses to be heard and has done so with more success than ever before. In From Aphra Behn to Fun Home: A Cultural History of Feminist Theatre, Carey Purcell traces the evolution of these important artists and productions over several centuries. After examining the roots of feminist theatre in early Greek plays and looking at occasional works produced before the twentieth century, Purcell then identifies the key players and productions that have emerged over the last several decades. This book covers the heyday of the second wave feminist movement—which saw the growth of female-centric theatre groups—and highlights the work of playwrights such as Caryl Churchill, Pam Gems, and Wendy Wasserstein. Other prominent artists discussed here include playwrights Paula Vogel Lynn and Tony-award winning directors Garry Hynes and Julie Taymor. The volume also examines diversity in contemporary feminist theatre—with discussions of such playwrights as Young Jean Lee and Lynn Nottage—and a look toward the future. Purcell explores the very nature of feminist theater—does it qualify if a play is written by a woman or does it just need to feature strong female characters?—as well as how notable activist work for feminism has played a pivotal role in theatre. An engaging survey of female artists on stage and behind the scenes, From Aphra Behn to Fun Home will be of interest to theatregoers and anyone interested in the invaluable contributions of women in the performing arts.

Making Sex

Author: Thomas Laqueur

Publisher: Harvard University Press

Published: 1992-02

Total Pages: 342

ISBN-13: 9780674543553

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History of sex in the West from the ancients to the moderns by describing the developments in reproductive anatomy and physiology.

The Female Body in Medicine and Literature

Author: Andrew Mangham

Publisher: Liverpool University Press

Published: 2011-02-08

Total Pages: 241

ISBN-13: 1781386544

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The Female Body in Medicine and Literature features essays that explore literary texts in relation to the history of gynaecology and women’s surgery. Gender studies and feminist approaches to literature have become busy and enlightening fields of enquiry in recent times, yet there remains no single work that fully analyses the impact of women’s surgery on literary production or, conversely, ways in which literary trends have shaped the course of gynaecology and other branches of women’s medicine. This book will demonstrate how fiction and medicine have a long-established tradition of looking towards each other for inspiration and elucidation in questions of gender. Medical textbooks and pamphlets have consistently cited fictional plots and characterisations as a way of communicating complex or ‘sensitive’ ideas. Essays explore historical accounts of clinical procedures, the relationship between gynaecology and psychology, and cultural conceptions of motherhood, fertility, and the female organisation through a broad range of texts including Henry More’s Pre-Existency of the Soul (1659), Charlotte Brontë’s Villette (1855), and Eve Ensler’s Vagina Monologues (1998). The Female Body in Medicine and Literature raises important theoretical questions on the relationship between popular culture, literature, and the growth of women’s medicine and will be required reading for scholars in gender studies, literary studies and the history of medicine. This collection explores the complex intersections between literature and the medical treatment of women between 1600 and 2000. Employing a range of methodologies, it furthers our understanding of the development of women’s medicine and comments on its wider cultural ramifications. Although there has been an increase in critical studies of women’s medicine in recent years, this collection is a key contributor to that field because it draws together essays on a wide range of new topics from varying disciplines. It features, for instance, studies of motherhood, fertility, clinical procedure, and the relationship between gynaecology and psychology. Besides offering essays on subjects that have received a lack of critical attention, the essays presented here are truly interdisciplinary; they explore the complex links between gynaecology, art, language, and philosophy, and underscore how popular art forms have served an important function in the formation of ‘women’s science’ prior to the twenty-first century. This book also demonstrates how a number of high-profile controversies were taken up and reworked by novelists, philosophers, and historians. Focusing on the vexed and convoluted story of women’s medicine, this volume offers new ways of thinking about gender, science, and the Western imagination. List of contributors: Janice Allan, Madeleine K. Davies, Greta Depledge, Laurie Garrison, Joanna Grant, Lori Schroeder Haslem, Dominic Janes, Emma L. Jones, Karín Lesnik-Oberstein, Pam Lieske, Andrew Mangham, Emma L. E. Rees, Sheena Sommers, Susan C. Staub, and Carolyn D.Williams.