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Author: Eric Bentley
Publisher: Hal Leonard Corporation
Published: 1997
Total Pages: 500
ISBN-13: 9781557832795
DOWNLOAD EBOOK →(Applause Books). Including Antoin Artaud, Bertolt Brecht, E. Gordon Craig, Luigi Pirandello, Konstantin Stanislavsky, W. B. Yeats, and Emile Zolaing.
Author: Austin E. Quigley
Publisher: Routledge
Published: 2015-08-11
Total Pages: 358
ISBN-13: 1317619641
DOWNLOAD EBOOK →Modern plays are strikingly diverse and, as a result, any attempt to locate an underlying unity between them encounters difficulties: to focus on what they have in common is often to overlook what is of primary importance in particular plays; to focus on their differences is to note the novelty of the plays without increasing their accessibility. In this study, first published in 1985, Austin E. Quigley takes as his paradigm case the relationship between the world of the stage and the world of the audience, and explores various modes of communication between domains. He asks how changes in the structure of the drama relate to changes in the structure of the theatre, and changes in the role of the audience. Detailed interpretations of plays by Pinero, Ibsen, Strindberg, Brecht, Ionesco, Beckett and Pinter question principles about the modern theatre and establish links between drama structure and theatre structure, theme, and performance space.
Author: J. L. Styan
Publisher: Cambridge University Press
Published: 1981
Total Pages: 224
ISBN-13: 9780521296281
DOWNLOAD EBOOK →This 1981 volume begins with the French revolt against naturalism in theatre and then covers the European realist movement.
Author: Julia Jarcho
Publisher: Cambridge University Press
Published: 2017-04-18
Total Pages: 287
ISBN-13: 1107132355
DOWNLOAD EBOOK →This book presents a new argument that reimagines modern theater's critical power and places innovative writing at the heart of the experimental stage.
Author: Allison K. Deutermann
Publisher: Springer Nature
Published: 2021-05-07
Total Pages: 299
ISBN-13: 3030523322
DOWNLOAD EBOOK →What did publicity look like before the eighteenth century? What were its uses and effects, and around whom was it organized? The essays in this collection ask these questions of early modern London. Together, they argue that commercial theater was a vital engine in celebrity’s production. The men and women associated with playing—not just actors and authors, but playgoers, characters, and the extraordinary local figures adjunct to playhouse productions—introduced new ways of thinking about the function and meaning of fame in the period; about the networks of communication through which it spread; and about theatrical publics. Drawing on the insights of Habermasean public sphere theory and on the interdisciplinary field of celebrity studies, Publicity and the Early Modern Stage introduces a new and comprehensive look at early modern theories and experiences of publicity.
