The Street of Crocodiles

The Street of Crocodiles PDF

Author: Bruno Schulz

Publisher: Penguin

Published: 1977

Total Pages: 164

ISBN-13: 9780140186253


The Street of Crocodiles in the Polish city of Drogobych is a street of memories and dreams where recollections of Bruno Schulz's uncommon boyhood and of the eerie side of his merchant family's life are evoked in a startling blend of the real and the fantastic. Most memorable - and most chilling - is the portrait of the author's father, a maddened shopkeeper who imports rare birds' eggs to hatch in his attic, who believes tailors' dummies should be treated like people, and whose obsessive fear of cockroaches causes him to resemble one. Bruno Schulz, a Polish Jew killed by the Nazis in 1942, is considered by many to have been the leading Polish writer between the two world wars.

The Fictions of Bruno Schulz

The Fictions of Bruno Schulz PDF

Author: Bruno Schulz

Publisher: Picador USA

Published: 2012-01-05

Total Pages: 304

ISBN-13: 9781447219477


The stories in these pages comprise all the surviving fiction of a man described by John Updike in the introduction as 'one of the great transmogrifiers of the world into words'. They portray the doom-ridden yet comic world of a small Polish town in the years before the war, a world brought vividly to life in prose as memorable and as unique as are the brushstrokes of Marc Chagall.

Engendering Realism and Postmodernism

Engendering Realism and Postmodernism PDF

Author: Beate Neumeier

Publisher: Rodopi

Published: 2001

Total Pages: 432

ISBN-13: 9789042014374


This volume assembles critical essays on, and excerpts from, works of contemporary women writers in Britain. Its focus is the interaction of aesthetic play and ethical commitment in the fictional work of women writers whose interest in testing and transgressing textual boundaries is rooted in a specific awareness of a gendered multicultural reality. This position calls for a distinctly critical impetus of their writing involving the interaction of the political and the literary as expressed in innovative combinations of realist and postmodern techniques in works by A. S. Byatt, Maureen Duffy, Zoe Fairbairns, Eva Figes, Penelope Lively, Sara Maitland, Suniti Namjoshi, Ravinder Randhawa, Joan Riley, Michele Roberts, Emma Tennant, Fay Weldon, Jeanette Winterson. All contributions to this volume address aspects of these writers' positions and techniques with a clear focus on their interest in transgressing boundaries of genre, gender and (post)colonial identity. The special quality of these interpretations, first given in the presence of writers at a symposium in Potsdam, derives from the creative and prosperous interactions between authors and critics. The volume concludes with excerpts from the works of the participating writers which exemplify the range of concrete concerns and technical accomplisments discussed in the essays. They are taken from fictional works by Debjani Chatterjee, Maureen Duffy, Zoe Fairbairns, Eva Figes, Sara Maitland, and Ravinder Randhawa. They also include the creative interactions of Suniti Namjoshi and Gillian Hanscombe in their joint writing and Paul Magrs' critical engagement with Sara Maitland.

Screening the City

Screening the City PDF

Author: Mark Shiel

Publisher: Verso

Published: 2003

Total Pages: 282

ISBN-13: 9781859846902


In this provocative collection of essays, a diverse selection of films are examined in terms of the relationship between cinema and the changing urban experience in Europe and the United States since the early 20th century.

The Fiction of Rushdie, Barnes, Winterson and Carter

The Fiction of Rushdie, Barnes, Winterson and Carter PDF

Author: Gregory J. Rubinson

Publisher: McFarland

Published: 2005-08-24

Total Pages: 237

ISBN-13: 0786422874


Literature often reflects societal change, but it can also effect change by inspiring people to think in new ways. Four authors who encourage readers to question traditional boundaries are Salman Rushdie, Julian Barnes, Jeanette Winterson and Angela Carter. This book takes an in-depth look at the works of these authors with specific emphasis on how they challenge religion (especially in its fundamentalist forms) and its intersections with history, politics, gender and sexuality. The study notes both differences and similarities among the four authors, whose writings broadly represent the major themes in contemporary British literature. Divided into two primary sections, the volume first takes a look at Rushdie and Barnes and their stance regarding historical and political issues. The second section concentrates on gender and sexuality in the writings of Winterson and Carter. Among the works examined are Rushdie's The Satanic Verses and Midnight's Children; Barnes' Flaubert's Parrot and A History of the World in 10 1⁄2 Chapters; Winterson's Boating for Beginners and Written on the Body; and Carter's The Passion of New Eve and Heroes and Villains. The final chapter includes a brief survey of other significant figures in postmodern British literature, including Martin Amis, Ian McEwan, D.M. Thomas, Fay Weldon and Emma Tennant.

Time Images

Time Images PDF

Author: Tyrus Miller

Publisher: Cambridge Scholars Publishing

Published: 2020-07-13

Total Pages: 230

ISBN-13: 1527556646


The concept of “time-image,” this book argues, holds broad potential for the historical interpretation of cultural and aesthetic works. Many works that would not ordinarily be thought to be historical artifacts reveal their intrinsic historical character in light of this innovative interpretative concept. The book’s first section,“Time-Images as Theory and Historiography,” considers alternative temporalities underlying historicizing theories and specific practices of history. Examples treated here include the notion of “retro-avantgardism,” works by the Frankfurt School on the interrelations of images and history, and Mass Observation’s dream documentation project. The second section, “Time-Images in Modernist and Postmodernist Literature,” considers literary instances in which alternative notions of historical time are engaged. These include discussions of Wyndham Lewis and “cultural revolution,” Theodor Adorno’s reading of Samuel Beckett’s Endgame, and Pier Paolo Pasolini’s use of Antonio Gramsci in the practice of poetry and philology. The third section, “Moving Images of Time,” discusses questions of cinema including children’s experience in films depicting traumatic historical events, the Quay Brothers’ animated adaptation of Bruno Schulz’s “Street of Crocodiles,” and Sergei Eisenstein’s and Charles Olson’s engagements in Mexico with pictographic representation, etymology, and archeological time.

Flat Aesthetics

Flat Aesthetics PDF

Author: Christian Moraru

Publisher: Bloomsbury Publishing USA

Published: 2022-12-15

Total Pages: 289

ISBN-13: 1501355287


Flat Aesthetics seeks to secure a more granular and ontologically demotic handle on the contemporary in American literature. While contemporaneity can be viewed as “our” period, Christian Moraru approaches the contemporary as some-thing made by things themselves. The making of the contemporary is variously restaged by the body of fictional prose under scrutiny here. Thus, this corpus itself participates in the making of contemporaneity. In dialogue with object-oriented ontology and various new materialisms, Moraru contends that the contemporary does not preexist objects or the novels featuring them; it is not their background but an outcome of things' self-presentation. As objects, beings, or existents present themselves in the present, in our “now,” they foster thing-configurations that together compose the form of, and essentially make, the contemporary - the present's cultural-material signature, as Moraru calls it. To decipher this signature, Flat Aesthetics provides a cross-sectional reading of postmillennial American fiction. Discussed are solely post-2000 works by writers who have also established themselves over the past two decades or so, from Nicole Krauss, Michael Chabon, and Ben Lerner to Colson Whitehead and Emily St. John Mandel. Their output, Moraru claims, bears witness to the onset of a “flat” aesthetics in American letters after September 11, 2001. Organized into five parts, the books canvases objectual constellations of contemporaneity shaped by material dynamics of language, museality and display, spatiality, zombification and thing-rhetoric, and post-anthropocentric kinship.

Witness Through the Imagination

Witness Through the Imagination PDF

Author: S. Lillian Kremer

Publisher: Wayne State University Press

Published: 1989

Total Pages: 410

ISBN-13: 9780814321171


Criticism of Holocaust literature is an emerging field of inquiry, and as might be expected, the most innovative work has been concentrated on the vanguard of European and Israeli Holocaust literature. Now that American fiction has amassed an impressive and provocative Holocaust canon, the time is propitious for its evaluation. Witness through the Imagination presents a critical reading of themes and stylistic strategies of major American Holocaust fiction to determine its capacity to render the prelude, progress, and aftermath of the Holocaust. The unifying critical approach is the textual explication of themes and literary method, occasional comparative references to international Holocaust literature, and a discussion of extra-literary Holocaust sources that have influenced the creative writers' treatment of the Holocaust universe.