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The New Grove Guide to Wagner and His Operas

Author: Barry Millington

Publisher: Oxford University Press

Published: 2006-08-15

Total Pages: 208

ISBN-13: 0195345517

One of the most controversial figures in the history of ideas as well as music, Richard Wagner continues to stimulate debate whenever his works are performed. Drawing upon the scholarship of The New Grove Dictionary of Opera, the most comprehensive dictionary of opera in the world, Barry Millington offers a concise, portable survey and guide, which will make a welcome addition to the shelf of anyone who loves opera. Millington has completely updated the original pieces and contributed four new chapters on Wagner, including a summary of Wagner productions from 1876 to the present day, a suggested listening and viewing gyide, complete chronology of Wagner's operas, and a glossary of terms that will delight any opera-goer. In addition, there are detailed entries on each of Wagner's operas, a main biographical section, and a group of separate articles on such topics as Leitmotif and Gesamtkunstwerk, as well as a newly revised updated article on Bayreuth. Complete with a new preface, updated bibliography, glossary, and discography--including first release dates of each recording--The New Grove Guide to Wagner and his Operas furnishes both seasoned Wagner-lovers and neophytes with all they require for an in-depth appreciation of this unique historical figure.

The New Grove Guide to Wagner and His Operas

Author: Barry Millington

Publisher: Oxford University Press

Published: 2006-08-15

Total Pages: 208

ISBN-13: 0190295155

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The New Grove Guide to Mozart and His Operas

Author: Julian Rushton

Publisher: Oxford University Press, USA

Published: 2007

Total Pages: 264

ISBN-13:

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"Rushton has based this volume on articles in The New Grove Dictionary of Opera that feature information on the life of Mozart, his works, librettists, and interpreters, and the places where his works have been performed. Rushton compiles these meticulously researched articles into an organized narrative, designed to make finding information on Mozart as easy as possible without sacrificing readability This volume is completely up-to-date, and includes a suggested listening guide and a six-page photo gallery."--BOOK JACKET.

Wagner and His Operas

Author: Stanley Sadie

Publisher: MacMillan Publishing Company

Published: 2000-01

Total Pages: 219

ISBN-13: 9780333790212

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Wagner and his Operas is derived from the prestigious New Grove Dictionary of Opera, the world's leading reference work on opera. Wagner and his Operas brings together in one affordable volume the story of Richard Wagner's life and career, and synopses and authoritative appreciations of all his operas from Die Feen ('The Fairies') to Die Walkre ('The Valkyrie'). A chronological table will help the reader to situate Wagner's operas in the wider context of his life and career, and a glossary will provide readers with concise and informative explanations of any operatic terms used in the text. Generously illustrated, Wagner and his Operas will be an enjoyable and enlightening read for opera lovers of all levels.

The Sorcerer of Bayreuth

Author: Barry Millington

Publisher: Oxford University Press

Published: 2012-10-29

Total Pages: 320

ISBN-13: 0199986959

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Richard Wagner (1813-1883) is one of the most influential - and also one of the most controversial - composers in the history of music. Over the course of his long career, he produced a stream of spellbinding works that challenged musical convention through their richness and tonal experimentation, ultimately paving the way for modernism. This book presents an in-depth but easy-to-read overview of Wagner's life, work and times. It considers a wide range of themes, including the composer's original sources of inspiration; his fetish for exotic silks; his relationship with his wife, Cosima, and with his mistress, Mathilde Wesendonck; the anti-semitism that is undeniably present in the operas; their proto-cinematic nature; and the turbulent legacy both of the Bayreuth Festival and of Wagnerism itself. Making use of the very latest scholarship - much of it undertaken by the author himself in connection with his editorship of The Wagner Journal - Millington reassesses received notions about Wagner and his work, demolishing ill-informed opinion in favour of proper critical understanding. It is a radical - and occasionally controversial - reappraisal of this most perplexing of composers. The volume's arrangement - unique among books on the composer -combines an accessible text, intriguing images and original documents, thus ensuring a consistently fresh approach. Bringing new insights to an endlessly fascinating subject, The Sorcerer of Bayreuth will charm anyone interested in music and in the wider cultural life of the 19th century and beyond.

Great Operas of Wagner

Author: Michael Steen

Publisher: Great Opera Companion - Individual Guides to a Hundred Best Operas

Published: 2019-04-24

Total Pages: 400

ISBN-13: 9780995538580

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The Wagner Compendium

Author: Barry Millington

Publisher: Thames & Hudson

Published: 2013-04-08

Total Pages: 570

ISBN-13: 0500770980

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The Wagner Compendium presents a comprehensive survey of the man, his oeuvre and his times. The musical and intellectual background and influences which helped shape the Wagnerian canon are considered in their historical and political contexts. Wagners character, opinions and behaviour are examined along with a special chapter on Myths and Legends, which wittily corrects the misconceptions with which he has become associated. Wagners musical and literary style are treated in depth, and his operas, orchestral and choral music analysed together with the lesser-known works for solo voice, the piano music, and the projected operas. Chapters on orchestration and Wagner in performance are complemented by accounts of the reception and influence of his music. The bibliography accompanies the most complete list ever published of his writings, speeches, open letters and reviews, as well as a glossary explaining the meanings of Wagnerian terms, a calendar of his life and a Whos Who of his contemporaries.

Opera 101

Author: Fred Plotkin

Publisher: Hachette Books

Published: 2013-07-16

Total Pages: 444

ISBN-13: 1401306004

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Opera is the fastest growing of all the performing arts, attracting audiences of all ages who are enthralled by the gorgeous music, vivid drama, and magnificent production values. If you've decided that the time has finally come to learn about opera and discover for yourself what it is about opera that sends your normally reserved friends into states of ecstatic abandon, this is the book for you. Opera 101 is recognized as the standard text in English for anyone who wants to become an opera lover--a clear, friendly, and truly complete handbook to learning how to listen to opera, whether on the radio, on recordings, or live at the opera house. Fred Plotkin, an internationally respected writer and teacher about opera who for many years was performance manager of the Metropolitan Opera, introduces the reader (whatever his or her level of musical knowledge) to all the elements that make up opera, including: A brief, entertaining history of opera; An explanation of key operatic concepts, from vocal types to musical conventions; Hints on the best way to approach the first opera you attend and how to best understand what is happening both offstage and on; Lists of recommended books and recordings, and the most complete traveler's guide to opera houses around the world. The major part of Opera 101 is devoted to an almost minute-by-minute analysis of eleven key operas, ranging from Verdi's thunderous masterpiece Rigoletto and Puccini's electrifying Tosca through works by Mozart, Donizetti, Rossini, Offenbach, Tchaikovsky, and Wagner, to the psychological complexities of Richard Strauss's Elektra. Once you have completed Opera 101, you will be prepared to see and hear any opera you encounter, thanks to this book's unprecedentedly detailed and enjoyable method of revealing the riches of opera.

Richard Wagner

Author: Barry Millington

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780500516430

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Published in the run-up to the 200th anniversary of the composer's birth in 2013, and written by one of the most distinguished Wagner scholars in the world, this will be the Wagner book of the bicentenary. Richard Wagner (18131883) is one of the most influential and also one of the most polarizing composers in the history of music. Over the course of his long career, he produced a stream of spellbinding works that challenged musical convention through their richness and tonal experimentation, ultimately paving the way for modernism. This book presents an in-depth but easy-to-read overview of Wagners life, work and times. Making use of the very latest scholarship much of it undertaken by the author himself in connection with his editorship of The Wagner Journal Millington reassesses received notions about Wagner and his work, demolishing ill-informed opinion in favour of proper critical understanding It is a radical and occasionally controversial reappraisal of this most perplexing of composers.

Operas in German

Author: Margaret Ross Griffel

Publisher: Rowman & Littlefield

Published: 2018-01-23

Total Pages: 1046

ISBN-13: 1442247975

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With nearly three thousand new entries, the revised edition of Operas in German: A Dictionary is the most current encyclopedic treatment of operas written specifically to a German text from the seventeenth century through 2016. Musicologist Margaret Ross Griffel details the operas’ composers, scores, librettos, first performances, and bibliographic sources. Four appendixes then list composers, librettists, authors whose works inspired or were adapted for the opera librettos, and a chronological listing of the entries in the A–Z section. The bibliography details other dictionaries and encyclopedias, performance studies, collections of plot summaries, general studies on operas, sources on locales where opera premieres took place, works on the history of operas in German, and selective volumes on individual opera composers, librettists, producers, directors, and designers. Finally, two indexes list the main characters in each opera and the names of singers, conductors, producers, composers, directors, choreographers, and arrangers. The revised edition of Operas in German provides opera historians, musicologists, performers, and opera lovers with an invaluable resource for continued study and enjoyment. As the most current encyclopedic collection of German opera from the seventeenth century through the twenty-first, Operas in German is an invaluable resource for opera historians, musicologists, performers, and opera lovers.