The Loggia of Raphael

The Loggia of Raphael PDF

Author: Nicole Dacos

Publisher: Abbeville Press

Published: 2008

Total Pages: 374

ISBN-13:

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"Art historian Nicole Dacos, the foremost authority on Raphael's Loggia, has distilled decades of research into the first comprehensive study of this remarkable monument to be published in English. In the first and second parts of her text, she examines the ornaments and the scenes from the Bible, respectively, clarifying their iconography and uncovering their sources in antique and Renaissance art. In the third part, she identifies in the Loggia the hands of Raphael's various collaborators, including not only his well known pupils, like Giulio Romano, Giovanfrancesco Penni, and Giovanni da Udine, but also many other artists, Italian, French, and Spanish, who traveled to Rome to work with the master. Finally, in the fourth part, she traces the enduring legacy of the Loggia: the style of grotesque ornament elaborated by Raphael has been imitated as far afield as the corridors of the United States Capitol, and the Bible scenes were widely circulated in engravings and copied in every medium, from painting to pottery." "The newly commissioned color photographs herein give the reader unprecedented access to the manifold visual splendors of the gallery, which is closed to the public. Also illustrated with an abundance of comparative images, this landmark volume affirms the central importance of Raphael's Loggia to the history of art."--BOOK JACKET.

Bramante and Raphael at the Vatican

Bramante and Raphael at the Vatican PDF

Author: Richard Joseph Powers

Publisher:

Published: 1993

Total Pages: 464

ISBN-13:

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During the year 1505 Donato Bramante began work on three major commissions at the Vatican for Pope Julius II: a new St. Peter's church, a cortile to the papal villa and the modernization of the palace. A powerful pope needed a suitable backdrop to display his masterly leadership of the christian res publica. Basic to that aim was the need to give the tomb of St. Peter a notable church, so the architect proposed a central form with a massive dome. To retain a connection with Constantinian origins, the old nave would be retained as the entry into the new domed church. A double road, the cortile, would connect the palace with the villa while also providing parks in front of both structures. The east side of the cortile would be a battered defensive wall, but the inner construction would be three levels of open loggias. These would continue south to become a facade for the palace. Then they would extend as a facade for the Cortile of the Swiss and for the atrium of the church. The basic structure would be a series of square bays on piers and pilasters joined by arches, supporting domes, Bramante's breakthrough design for combining gothic statics with Roman vaults. His project was continued by Raphael and marked a successful advance in a new architectural technology which flowered in the next century.

Tracing the Visual Language of Raphael’s Circle to 1527

Tracing the Visual Language of Raphael’s Circle to 1527 PDF

Author: Alexis R. Culotta

Publisher: BRILL

Published: 2020-06-22

Total Pages: 238

ISBN-13: 9004430482

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Alexis R. Culotta explores how the Renaissance master’s recombination of visual sources ultimately served as a springboard for artistic innovation for his close associates as they collaborated in the years following Raphael’s death.

Making Copies in European Art 1400-1600

Making Copies in European Art 1400-1600 PDF

Author:

Publisher: BRILL

Published: 2018-11-26

Total Pages: 541

ISBN-13: 9004379592

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A team of 16 experts underline the binds and exchanges between different contexts and artistic techniques that copies established in the Renaissance, and how the history of taste is sophisticated and complex.

The Life of Raphael

The Life of Raphael PDF

Author: Giorgio Vasari

Publisher: Getty Publications

Published: 2018-04-03

Total Pages: 129

ISBN-13: 1606065637

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Giorgio Vasari, Florentine painter and architect, friend of Michelangelo and intimate of the Medici, is best known for his Lives of the Most Excellent Painters, Sculptors and Architects, published in 1550 and in an enlarged edition in 1568. With more than two hundred biographies, it has for centuries been recognized as a seminal text in art history and one of the most important sources on the Italian Renaissance. It is to Vasari that we owe much of our knowledge of Raphael (1483–1520), who in his day was considered perhaps the greatest painter of all time. Rich in colorful anecdotes, The Life of Raphael is important for its sustained attention to the range of Raphael’s art, whose chronology and development Vasari describes in detail, together with the painter’s ample love life and spectacular social career. It also pays attention, unprecedented for its time, to theoretical issues. This edition, introduced by the scholar Jill Burke, includes thirty pages of color illustrations covering the entire span of Raphael’s oeuvre.