Beginnings in Classical Literature

Beginnings in Classical Literature PDF

Author: Francis M. Dunn

Publisher: Cambridge University Press

Published: 1992-03-26

Total Pages: 258

ISBN-13: 0521413192

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This volume explores the various ways in which literary works begin, with essays on nearly all the major genres of Greek and Latin literature (including epic and lyric poetry, tragedy and comedy, history, philosophy, and biography). This collection offers an important perspective by bringing together a variety of authors and a broad range of approaches, from formal analysis of opening devices to post-structural interpretation.

The Art and Rhetoric of the Homeric Catalogue

The Art and Rhetoric of the Homeric Catalogue PDF

Author: Benjamin Sammons

Publisher: Oxford University Press, USA

Published: 2010

Total Pages: 244

ISBN-13: 0195375688

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This book takes a fresh look at a familiar element of the Homeric epics - the poetic catalogue. It shows that in a variety of contexts, Homer uses catalogue poetry not only to develop his themes, but to comment on the ideals and limitations of the epic genre itself.

Hesiod and Classical Greek Poetry

Hesiod and Classical Greek Poetry PDF

Author: Zoe Stamatopoulou

Publisher: Cambridge University Press

Published: 2017-06-16

Total Pages: 281

ISBN-13: 1107162998

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Surveys the complex landscape of Hesiodic reception in lyric poetry and drama in the fifth century BCE.

The Nature of Early Greek Lyric

The Nature of Early Greek Lyric PDF

Author: Robert L. Fowler

Publisher: University of Toronto Press

Published: 1987-12-15

Total Pages: 160

ISBN-13: 1487597185

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Three important literary questions in early Greek lyrics are addressed in this study. First, Fowler attempts to determine the extent that Homer and epic poetry generally influenced the lyric poets, with respect to both the style of compositions and their content. Identifying the certain examples of influence – which are far fewer than often thought – he analyses the technique of imitation, tracing a development from simpler to more complex as the archaic period proceeds. Throughout this and the following chapter, he often finds occasion to take issue with the famous and influential view of the early Greek mind championed by Bruno Snell and Hermann Fränkel. In the second chapter Fowler studies the organization of individual poems, identifying compositional principles that may be used to solve literary and textual problems. Some of these principles, like ring-composition, are old familiars; others are not. All are found to be more pervasive than is often realized, and reflect an attitude to composition rather different from the disorderly and associative techniques traditionally ascribed to the lyrics poets. The last chapter explores the nature of genres in the archaic period, starting from the vexed question of the definition of elegy. In all the genres associated with particular occasions, the author finds that the poets' professional skills and self-consciousness became more important than the purely occasional aspects of their composition. Observations of interest are made on, among others, citharodic songs, epigrams and epinician odes; and elegy in the end turns out, paradoxically, not to be a true genre at all.

Homer’s Iliad

Homer’s Iliad PDF

Author: Martha Krieter-Spiro

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2015-07-31

Total Pages: 214

ISBN-13: 150150178X

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This commentary on the 3rd book of the Iliad concentrates on the interpretation of the ceremonial single combat between the rivals for Helen, Paris and Menelaus, a scene that reflects the origins of the Trojan War. The famous parade before the walls presents Agamemnon, Odysseus and Ajax, and reveals just how much in love Paris and Helen are in spite of internal and external conflicts.

Desiring Discourse

Desiring Discourse PDF

Author: James J. Paxson

Publisher: Susquehanna University Press

Published: 1998

Total Pages: 252

ISBN-13: 9781575910130

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These essays examine the central role played by Ovid in medieval amatory literature. In so doing, they address the theoretical problems of the entrenched "aesthetics of reception" long tied to the Ovidian Middle Ages, while they also seek at times to overturn many of the prior critical perceptions associated with Ovidian suasive discourse - in particular the unproblematized assertion of male will and the erasure of female voice. Responding to the great fund of critical work done on amatory literature in the Middle Ages - a literature thus far organized into an array of categories such as the rhetorical institution of persuasion and seduction, the Ovidian heritage, aetas ovidiana, the language of amatory trial, the genealogy of the romance, and the convention of courtly love - this volume seeks to provide a comprehensive look at the rhetorical and social conditions of desire.