Reflections on the History of Art

Reflections on the History of Art PDF

Author: Ernst Hans Gombrich

Publisher: Univ of California Press

Published: 1987-01-01

Total Pages: 258

ISBN-13: 9780520061897

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Essays discuss Greek and Chineese art, Da Vinci, Michelangelo, Dutch genre painting, Rubens, Rembrandt, art collecting, museums, and Freud's aesthetics

Experiences of Art

Experiences of Art PDF

Author: Hilda Werschkul

Publisher: Antique Collector's Club

Published: 2017

Total Pages: 199

ISBN-13: 9781939621603

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'Experiences of Art: Reflections on Masterpiece's is a book that explores themes in the history of art through the insights of students. The book engages themes such as the origins of creativity in prehistoric art, the meaning and significance of the classical paradigm in art history since antiquity, the actual application of Renaissance art theory to an examination of famous masterpieces, an exploration of a new area of philosophical inquiry that reexamines the 18th century as both a period of rationalism and anti-rationalism (rather than the "Age of Reason"), and the tradition of individual subjectivity and expression in modern art reaching back to van Gogh. AUTHOR: Hilda Werschkul holds a doctorate in art history from Columbia University. Her areas of specialisation lay in the drawings of the Old Masters and drawing theory, as well as Post-War American art. 'Experiences of Art: Reflections on Masterpieces' draws upon her ten-plus years of teaching experience. SELLING POINTS: * A key reference text for students of art history, of interest to anybody who wants to learn more about this field * Sumptuous pictures accompany the text, allowing for detailed image study 200 colour

Toward Forever

Toward Forever PDF

Author: Tony McKenna

Publisher: John Hunt Publishing

Published: 2020-03-27

Total Pages: 261

ISBN-13: 1789043581

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Toward Forever: Radical Reflections on History and Art is a diverse, colourful and eclectic set of essays of historical and cultural analyses. From the genesis of Islam as a social movement, to an account of Goya's art in the context of feudal absolutism and the Napoleonic wars, to The Da Vinci Code, and much more besides. McKenna is a classical Marxist not shy of addressing popular culture, past and present, works often ignored by other Marxist critics increasingly confined to Academia and its high-brow concerns.

The Practice of Art History

The Practice of Art History PDF

Author: Otto Pächt

Publisher: Harvey Miller

Published: 1999

Total Pages: 156

ISBN-13:

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This is a classic essay on how to approach the subject of art history. Pächt aims to sharpen perceptions by recreating the social and cultural context in which an art object was made.

Teaching Art History with New Technologies

Teaching Art History with New Technologies PDF

Author: Kelly Donahue-Wallace

Publisher: Cambridge Scholars Publishing

Published: 2009-05-05

Total Pages: 160

ISBN-13: 1443810304

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Digital images, Internet resources, presentation and social software, interactive animation, and other new technologies offer a host of new possibilities for art history instruction. Teaching Art History with New Technologies: Reflections and Case Studies assists faculty in negotiating the digital teaching terrain. The text documents the history of computer-mediated art history instruction in the last decade and provides an analysis of the increasing number of tools now at the disposal of art historians. It presents a series of reflections and case-studies by early adopters who have not just replaced older materials with new, but who have advanced the discipline's pedagogy in doing so. The essays illustrate how new technologies are changing the way art history is taught, summarize lessons learned, and identify challenges that remain. Given the transitional state of the field, with faculty ranging from the computer-phobic to the computer-savvy, these case studies represent a broad spectrum, from those that focus on the thoughtful integration of new technologies into traditional teaching to others that look beyond the familiar art history lecture or seminar format. They provide both practical suggestions and theoretical models for historians of art and visual culture interested in what computer-mediated applications have been successful in art history teaching and where such new approaches may be leading us.

Encounters & Reflections

Encounters & Reflections PDF

Author: Arthur C. Danto

Publisher: Univ of California Press

Published: 1997-01-01

Total Pages: 374

ISBN-13: 9780520208469

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Provides a collection of essays on modern art covering such artists as Andy Warhol, David Hockney, and Robert Mapplethorpe

African Reflections

African Reflections PDF

Author: Enid Schildkrout

Publisher: Amer Museum of Natural History

Published: 1990

Total Pages: 271

ISBN-13: 9780295969619

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Comprises studies on the bibliographic control of various collections (e.g., films, museum materials, publications in African languages), background information on interlibrary cooperation, and an essay on improved online access to Africa-related materials in undergraduate collection. A companion to an exhibition developed by the American Museum of Natural History, the sophisticated text and stunning illustrations (249 in all, 128 in glorious color) trace the art history of northeastern Zaire from before the first encounters with Europeans in the 1870s to the present. The authors contrast the traditional design aesthetic with the naturalistic and representational style of art that flourished after 1900. Annotation copyrighted by Book News, Inc., Portland, OR

Late Thoughts

Late Thoughts PDF

Author: Karen Painter

Publisher: Getty Publications

Published: 2006

Total Pages: 252

ISBN-13: 9780892368136

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Collects nine essays that discusses the creativity of influential artists, as well as the legacy of their work following their deaths, and covers Wolfgang Amadeus Mozart, Piet Mondrian, Frank Gehry, and others.

Reflections

Reflections PDF

Author: VENETIA. PORTER

Publisher:

Published: 2021-01-05

Total Pages:

ISBN-13: 9780714111957

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Reflections: Contemporary Art of the Middle East and North Africa brings together an extraordinary collection of work from the British Museum for the first time. The contemporary art of the Middle East and North Africa is rich and vibrant. Whether living in their countries of birth or in diaspora, the featured artists are part of the globalised world of art. Here we see artists responding to and making work about their present, histories, traditions and cultures, reflecting on a part of the world that has experienced extraordinary change in living memory.The British Museum has been acquiring the work of Middle Eastern and North African artists since the 1980s, and the collection - principally works on paper - is one of the most extensive in the public sphere. Collected within the context of a museum of history, the works offer insights into the nature of civil societies, the complex politics of the region, and cultural traditions in their broadest sense, from the relationship with Islamic art, to the deep engagement with literature.The introduction to the book by curator Venetia Porter explores the history of the collection and the works included. The essential framework for understanding the politics and context within which the artists are working is provided by Charles Tripp's essay. The works are grouped into seven chapters, each beginning with a short introduction. The authors explore the selection within themes such as faith, abstraction and the female gaze.

Imagined Battles

Imagined Battles PDF

Author: Peter Paret

Publisher: UNC Press Books

Published: 1997

Total Pages: 168

ISBN-13: 9780807823569

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For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.