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Pseudo-Dionysius and Christian Visual Culture, c.500–900

Author: Francesca Dell’Acqua

Publisher: Springer Nature

Published: 2019-11-20

Total Pages: 351

ISBN-13: 3030247694

This book uses Pseudo-Dionysius and his mystic theology to explore attitudes and beliefs about images in the early medieval West and Byzantium. Composed in the early sixth century, the Corpus Dionysiacum, the collection of texts transmitted under the name of Dionysius the Areopagite, developed a number of themes which have a predominantly visual and spatial dimension. Pseudo-Dionysius’ contribution to the development of Christian visual culture, visual thinking and figural art-making are examined in this book to systematically investigate his long-lasting legacy and influence. The contributors embrace religious studies, philosophy, theology, art, and architectural history, to consider the depth of the interaction between the Corpus Dionysiacum and various aspects of contemporary Byzantine and western cultures, including ecclesiastical and lay power, politics, religion, and art.

Iconophilia

Author: Francesca Dell'Acqua

Publisher: Routledge

Published: 2020-05-07

Total Pages: 505

ISBN-13: 135181110X

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Between the late seventh and the mid-ninth centuries, a debate about sacred images – conventionally addressed as ‘Byzantine iconoclasm’ – engaged monks, emperors, and popes in the Mediterranean area and on the European continent. The importance of this debate cannot be overstated; it challenged the relation between image, text, and belief. A series of popes staunchly in favour of sacred images acted consistently during this period in displaying a remarkable iconophilia or ‘love for images’. Their multifaceted reaction involved not only council resolutions and diplomatic exchanges, but also public religious festivals, liturgy, preaching, and visual arts – the mass-media of the time. Embracing these tools, the popes especially promoted themes related to the Incarnation of God – which justified the production and veneration of sacred images – and extolled the role and the figure of the Virgin Mary. Despite their profound influence over Byzantine and western cultures of later centuries, the political, theological, and artistic interactions between the East and the West during this period have not yet been investigated in studies combining textual and material evidence. By drawing evidence from texts and material culture – some of which have yet to be discussed against the background of the iconoclastic controversy – and by considering the role of oral exchange, Iconophilia assesses the impact of the debate on sacred images and of coeval theological controversies in Rome and central Italy. By looking at intersecting textual, liturgical, and pictorial images which had at their core the Incarnate God and his human mother Mary, the book demonstrates that between c.680–880, by unremittingly maintaining the importance of the visual for nurturing beliefs and mediating personal and communal salvation, the popes ensured that the status of sacred images would remain unchallenged, at least until the Protestant Reformation in the sixteenth century.

From Idols to Icons

Author: Robin M. Jensen

Publisher: Univ of California Press

Published: 2022-09-20

Total Pages: 269

ISBN-13: 0520975731

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Even the briefest glance at an art museum’s holdings or an introductory history textbook demonstrates the profound influence of Christian images and art. From Idols to Icons tells the fascinating history of the dramatic shift in Christian attitudes toward sacred images from the third through the early seventh century. From attacks on the cult images of polytheism to the emergence of Christian narrative iconography to the appearance of portrait-type representations of holy figures, this book examines the primary theological critiques and defenses of holy images in light of the surviving material evidence for early Christian visual art. Against the previous assumption that fourth- and fifth-century Christians simply forgot or ignored their predecessors’ censure and reverted to more alluring pagan practices, Robin M. Jensen contends that each stage of this profound change was uniquely Christian. Through a careful consideration of the cults of saints’ remains, devotional portraits, and pilgrimages to sacred sites, Jensen shows how the Christian devotion to holy images came to be rooted in their evolving conviction that the divine was accessible in and through visible objects.

The Reception of the Virgin in Byzantium

Author: Thomas Arentzen

Publisher: Cambridge University Press

Published: 2019-08-15

Total Pages: 381

ISBN-13: 1108476287

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Images and texts tell various stories about the Virgin Mary in Byzantium, reflecting an important cult with strong doctrinal foundations.

Late Antique Portraits and Early Christian Icons

Author: Andrew Paterson

Publisher: Taylor & Francis

Published: 2022-06-30

Total Pages: 258

ISBN-13: 100060022X

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This book focuses on the earliest surviving Christian icons, dated to the sixth and seventh centuries, which bear many resemblances to three other well-established genres of ‘sacred portrait’ also produced during late antiquity, namely Roman imperial portraiture, Graeco-Egyptian funerary portraiture and panel paintings depicting non-Christian deities. Andrew Paterson addresses two fundamental questions about devotional portraiture – both Christian and non-Christian – in the late antique period. Firstly, how did artists visualise and construct these images of divine or sanctified figures? And secondly, how did their intended viewers look at, respond to, and even interact with these images? Paterson argues that a key factor of many of these portrait images is the emphasis given to the depicted gaze, which invites an intensified form of personal encounter with the portrait’s subject. The book will be of interest to scholars working in art history, theology, religion and classical studies.

Eros in Neoplatonism and its Reception in Christian Philosophy

Author: Dimitrios A. Vasilakis

Publisher: Bloomsbury Publishing

Published: 2020-12-24

Total Pages: 233

ISBN-13: 1350163872

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Showing the ontological importance of eros within the philosophical systems inspired by Plato, Dimitrios A. Vasilakis examines the notion of eros in key texts of the Neoplatonic philosophers, Plotinus, Proclus, and the Church Father, Dionysius the Areopagite. Outlining the divergences and convergences between the three brings forward the core idea of love as deficiency in Plotinus and charts how this is transformed into plenitude in Proclus and Dionysius. Does Proclus diverge from Plotinus in his hierarchical scheme of eros? Is the Dionysian hierarchy to be identified with Proclus' classification of love? By analysing The Enneads, III.5, the Commentary on the First Alcibiades and the Divine Names side by side, Vasilakis uses a wealth of modern scholarship, including contemporary Greek literature to explore these questions, tracing a clear historical line between the three seminal late antique thinkers.

The Oxford Handbook of Divine Revelation

Author: Balázs M. Mezei

Publisher: Oxford University Press

Published: 2021

Total Pages: 716

ISBN-13: 0198795351

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This Handbook offers a systemic approach to the notion of revelation in its various theoretical contexts. It provides in-depth coverage of the theoretical and historical fields in which the notion of revelation is discussed.

Liturgy, Theurgy, and Active Participation

Author: Kjetil Kringlebotten

Publisher: Wipf and Stock Publishers

Published: 2023-09-08

Total Pages: 259

ISBN-13: 1666771252

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Providing a metaphysical grounding for liturgical participation, this book argues that “active participation” in the liturgy must be understood principally as our participation in God’s act, particularly in the act of Christ, and only secondarily as our ritual involvement. Utilizing Neoplatonist philosophy, Kjetil Kringlebotten proposes that this should be understood in terms of theurgy, which is the human participation in divine action, which finds its consummation in the incarnation of Christ. Without the incarnation all acts will remain extrinsic and imposed but acts can become real and intrinsic precisely because the incarnation makes possible true union with the divine, a metaphysical union-in-distinction, without confusion, because this union is not extrinsic. Through union with Christ, as the one common focus of the divine-human relation, we can have true union with God and may offer true worship. In order to make sense of active participation, then, we need to understand theology in theurgic terms, where theurgy is understood not as a mechanical “coercion” of God but as a participation in His act, in creation and through Christ as the true theurgist, the “master theurgist,” Whose work transforms our act and the liturgy.

Incomprehensible Certainty

Author: Thomas Pfau

Publisher: University of Notre Dame Pess

Published: 2022-06-01

Total Pages: 1268

ISBN-13: 0268202478

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Thomas Pfau’s study of images and visual experience is a tour de force linking Platonic metaphysics to modern phenomenology and probing literary, philosophical, and theological accounts of visual experience from Plato to Rilke. Incomprehensible Certainty presents a sustained reflection on the nature of images and the phenomenology of visual experience. Taking the “image” (eikōn) as the essential medium of art and literature and as foundational for the intuitive ways in which we make contact with our “lifeworld,” Thomas Pfau draws in equal measure on Platonic metaphysics and modern phenomenology to advance a series of interlocking claims. First, Pfau shows that, beginning with Plato’s later dialogues, being and appearance came to be understood as ontologically distinct from (but no longer opposed to) one another. Second, in contrast to the idol that is typically gazed at and visually consumed as an object of desire, this study positions the image as a medium whose intrinsic abundance and excess reveal to us its metaphysical function—namely, as the visible analogue of an invisible, numinous reality. Finally, the interpretations unfolded in this book (from Plato, Plotinus, Pseudo-Dionysius, John Damascene via Bernard of Clairvaux, Bonaventure, Julian of Norwich, and Nicholas of Cusa to modern writers and artists such as Goethe, Ruskin, Turner, Hopkins, Cézanne, and Rilke) affirm the essential complementarity of image and word, visual intuition and hermeneutic practice, in theology, philosophy, and literature. Like Pfau’s previous book, Minding the Modern, Incomprehensible Certainty is a major work. With over fifty illustrations, the book will interest students and scholars of philosophy, theology, literature, and art history.