Phrasing and Articulation

Phrasing and Articulation PDF

Author: Hermann Keller

Publisher: W W Norton & Company Incorporated

Published: 1973-01

Total Pages: 117

ISBN-13: 9780393006810

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Various aspects of each of these subjects are studied: the construction of phrases, their connection, extension, overlapping; the application of legato, staccato, and other types of articulation. In this discussion the author draws upon contemporary theoretical writings and methods, as well as upon his own extensive experience as an editor of music. Part Two is devoted to specific problems in the works of the three masters Bach, Mozart, and Beethoven, and includes a chapter on the nineteenth century. The Norton Library edition of Phrasing and Articulation includes a new preface by Mr. Gerdine.

The Real Jazz Pedagogy Book

The Real Jazz Pedagogy Book PDF

Author: Ray Smith

Publisher: Outskirts Press

Published: 2019-01-16

Total Pages: 501

ISBN-13: 1977208150

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Written by a jazz teacher for jazz teachers, "The Real Jazz Pedagogy Book" is based on the premise that successful jazz teachers must be constantly working four main areas: 1) the wind instruments-including tone production, intonation, and section playing skills; 2) playing styles correctly-such as rhythmic and time feel approach, articulation approach, and phrasing; 3) the rhythm section-playing the instruments, time feel and concept, coordination of comping, harmonic voicings, drum fills and setups, stylistic differences; and 4) the soloists-developing improvisational skills (both right brain and left brain), jazz theory, the ballad soloist, and the vocal soloist. Ray Smith, who has taught and directed jazz ensembles, including the acclaimed Brigham Young University group, Synthesis, and given private lessons for over forty years, also discusses the details of running school programs. Smith's YouTube channel complements "The Real Jazz Pedagogy Book."

Forward Motion

Forward Motion PDF

Author: Hal Galper

Publisher: "O'Reilly Media, Inc."

Published: 2011-01-12

Total Pages: 214

ISBN-13: 1457101394

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The same notes can sound square or swinging, depending on how the music is phrased. This revolutionary book shows how many people misunderstand jazz phrasing and shows how to replace stiff phrasing with fluid lines that have the right jazz feeling. In this book, master pianist Hal Galper also shows how get that feeling of forward motion and also how to use melody guide tones correctly, how to line up the strong beat in a bar with the strongest chord notes, and much more!

Baroque Music

Baroque Music PDF

Author: Robert Donington

Publisher: W. W. Norton & Company

Published: 1982

Total Pages: 232

ISBN-13: 9780393300529

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The fruit of a lifetime's research into baroque performing practice.

The Art of Musical Phrasing in the Eighteenth Century

The Art of Musical Phrasing in the Eighteenth Century PDF

Author: Stephanie Vial

Publisher: University Rochester Press

Published: 2008

Total Pages: 382

ISBN-13: 9781580460347

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This book is the collection of papers that came out of an interdisciplinary symposium held in the spring of 1991 in the Republic of San Marino. The conference "Effects of War on Society" was planned as the first in a series aimed ultimately at placing in perspective the sociocultural variables that make outbreaks of war probable, and delineating for researchers and policy makers alike some important steps that can be taken to control these variables. This is Volume 1 of a series entitled "Studies on the Nature of War", which the University of Rochester Press has been publishing from Volume 2 (War and Ethnicity: Global Connections and Local Violence (1997)). after much demand, we are now distributing this book on behalf of the conference organizers, The Center for Interdisciplinary Research on Social Stress, in San Marino.

Jazz Guitar Technique

Jazz Guitar Technique PDF

Author: Andrew Green

Publisher: Mel Bay Publications

Published: 2018-09-13

Total Pages: 112

ISBN-13: 1619118408

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When improvising, what your mind hears is more often than not determined by what your body can reproduce on your instrument. Much of your conception as an improviser is determined by your technique. If you can't play certain types of ideas, you are simply not going to conceive of them while you are improvising. Even if you could, it wouldn't matter, since you couldn't play them anyway. This book presents serious chops-building technical studies for single note lines and chords. Plus, the examples feature a lot of harmonic content. The material is written in standard notation.

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