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Ozu

Author: Donald Richie

Publisher: Univ of California Press

Published: 1977-03-15

Total Pages: 300

ISBN-13: 9780520032774

"Substantially the book that devotees of the director have been waiting for: a full-length critical work about Ozu's life, career and working methods, buttressed with reproductions of pages from his notebooks and shooting scripts, numerous quotes from co-workers and Japanese critics, a great many stills and an unusually detailed filmography."—Sight and Sound Yasujiro Ozu, the man whom his kinsmen consider the most Japanese for all film directors, had but one major subject, the Japanese family, and but one major theme, its dissolution. The Japanese family in dissolution figures in every one of his fifty-three films. In his later pictures, the whole world exists in one family, the characters are family members rather than members of a society, and the ends of the earth seem no more distant than the outside of the house.

Ozu's Anti-cinema

Author: Yoshishige Yoshida

Publisher: U of M Center for Japanese Studies

Published: 2003

Total Pages: 208

ISBN-13:

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A luminous exploration of one filmmaker's work by another, an artist's personal journey, a manifesto

Ozu's Tokyo Story

Author: David Desser

Publisher: Cambridge University Press

Published: 1997-04-13

Total Pages: 192

ISBN-13: 9780521484350

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Ozu's Tokyo Story is generally regarded as one of the finest films ever made. Universal in its appeal, it is also considered to be 'particularly Japanese'. Exploring its universality and cultural specificity, this collection of specially commissioned essays demonstrates the multiple planes on which the film may be appreciated. The introduction outlines Ozu's career as both a contract director of a major studio and as a singular figure in Japanese film history, and also analyses the director's cinematic style, particularly his narrative strategies and spatial compositions. Other essays situate Ozu's cinema in its relationship to Hollywood film-making: his relationship to aspects of Japanese tradition, situating the film within artistic modes, religious systems and beliefs, and socio-cultural and familial formations. Also included is an analysis of how Ozu has been misunderstood in Western criticism.

Ozu and the Poetics of Cinema

Author: David Bordwell

Publisher: BFI Publishing

Published: 1988

Total Pages: 406

ISBN-13: 9780691055169

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Over the last two decades, Yasujiro Ozu has won international recognition as a major filmmaker. Combining biographical information with discussions of the films' aesthetic strategies and cultural significance, David Bordwell questions the popular image of Ozu as the traditional Japanese artisan and examines the aesthetic nature and functions of his cinema.

Cinema of Ozu Yasujiro

Author: Woojeong Joo

Publisher: Edinburgh University Press

Published: 2017-05-18

Total Pages: 288

ISBN-13: 0748696334

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A re-interpretation of the master of Japanese cinema from a socio-historical perspectiveOne of the most well regarded of non-Western film directors, responsible for acknowledged classics like Tokyo Story (1953), Ozu Yasujiro worked during a period of immense turbulence for Japan and its population. This book offers a new interpretation of Ozus career, from his earliest work in the 1920s up to his death in 1963, focusing on Ozus depiction of the everyday life and experiences of ordinary Japanese people during a time of depression, war and economic resurgence. Firmly situating him within the context of the Japanese film industry, Woojeong Joo examines Ozus work as a studio director and his relation to sound cinema, and looks in-depth at his wartime experiences and his adaptation to post-war Japanese society. Drawing on Japanese materials not previously examined in western scholarship, this is a ground-breaking new study of a master of cinema.Case studies include:Ozus shAshimin films Ozus wartime films, including the script of The Flavour of Green Tea over RicePostwar script of The Moon Has RisenTokyo Story

Ozu

Author: Kathe Geist

Publisher: Hong Kong University Press

Published: 2022-06-28

Total Pages: 301

ISBN-13: 9888754173

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Based on a close reading of Japanese director Yasujiro Ozu’s extant films, this book provides insights into the ways the director created narrative structures and used symbolism to construct meaning in his films. Against critics’ insistence that Ozu was indifferent to plot and unlikely to use symbols, Geist demonstrates otherwise, revealing the director’s subtle iconographic paradigms. Her incisive understanding of the historical and cultural context in which the films were conceived amplifies her analysis of the films’ structure and meaning. Ozu: A Closer Look guides the reader through Ozu’s early, silent films and his sound films made during Japan’s wars in Asia and the subsequent American Occupation, then takes up specific themes relevant to his later, better-known films. These themes include religion, gender, and the influence of traditional Japanese painting. Geist also examines the impact that Ozu’s films had on specific directors in Europe, America, and Japan. Intended for film scholars, students, and fans of the director, this book provides fresh insights into the director’s films and new challenges for those who study him. “Kathe Geist has woven an elegantly textured tapestry in this illuminating survey of Ozu’s films and their endless sense of pattern, rhythm, and cultural renewal. Melding form, narrative, iconography, and context, the book traces old and new patterns of meaning and critical debate.”—Alastair Phillips, University of Warwick; author of the BFI Film Classic on Tokyo Story (2022) “Ozu: A Closer Look provides one of the most comprehensive and meticulous analyses so far on Ozu Yasujiro. With her great attention to small textual details, along with intertextual and contextual comparisons, Geist achieves a significant reinterpretation of the director’s work, opening up new possibilities in future Ozu studies.”—Woojeong Joo, Nagoya University; author of The Cinema of Ozu Yasujiro: Histories of the Everyday

Reorienting Ozu

Author: Jinhee Choi

Publisher: Oxford University Press

Published: 2018

Total Pages: 329

ISBN-13: 0190254971

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Considered by many film critics as the master of Japanese Cinema, director Ozu Yasujiro still inspires filmmakers both within and outside of Japan. The Cinema of Ozu presents new perspectives on Ozu's aesthetic sensibility and his influence on global art cinema directors.

Ozu International

Author: Wayne Stein

Publisher: Bloomsbury Publishing USA

Published: 2016-09-22

Total Pages: 219

ISBN-13: 1501320041

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In Japan and much of Europe, Ozu is widely considered to be one of the finest film directors who ever lived. While Ozu has a strong reputation in the West, his films are not as well-known or widely appreciated in the U.S. as they are elsewhere. A notable exception to this trend is film critic Roger Ebert, who recently wrote that Ozu is one of his ?three or four? favorite directors. Also, moving beyond the view that Tokyo Story is a masterful exception in the Ozu canon, Ebert sees Ozu's films as ?nearly always of the same high quality.? Ozu International will reflect on Ebert's view of Ozu by arguing that this director deserves broader recognition in the U.S., and that his entire canon is worthy of serious study. With the recent release of more than 15 Ozu DVDs in the Criterion Collection, covering every phase of his career at least in part (including silent films, black-and-white talkies, and color films), Ozu International helps to fill a lingering gap in English-language scholarship on Ozu by giving this new generation of scholars a book-length forum to explore new critical perspectives on an unfairly neglected director. Contributions include specialists in Japanese culture, academics from a range of disciplines, and professional films critics.

Cinema of Ozu Yasujiro

Author: Woojeong Joo

Publisher: Edinburgh University Press

Published: 2017-05-18

Total Pages: 288

ISBN-13: 1474424546

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Directed by Yasujiro Ozu

Author: Shiguéhiko Hasumi

Publisher: Univ of California Press

Published: 2024-03-12

Total Pages: 389

ISBN-13: 0520396723

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First published in 1983, Shiguéhiko Hasumi's Directed by Yasujirō Ozu has become one of the most influential books on cinema written in Japanese. This pioneering translation brings Hasumi's landmark work to an English-speaking public for the first time, inviting a new readership to engage with this astutely observed, deeply moving meditation on the oeuvre of one of the giants of world cinema. Complemented by a critical introduction from acclaimed film scholar Aaron Gerow and rendered fluidly in Ryan Cook's agile translation, this volume will grace the shelves of cinephiles for many years to come.