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Author: Harvey Sachs
Publisher: New York : W.W. Norton
Published: 1988
Total Pages: 271
ISBN-13: 9780393025637
DOWNLOAD EBOOK →Looks at the ways Mussolini's government attempted to control music, describes the reactions of individual composers and musicians, and examines Mussolini's own musical pretenstions
Author: Anna Harwell Celenza
Publisher: Cambridge University Press
Published: 2017-03-06
Total Pages: 269
ISBN-13: 1107169771
DOWNLOAD EBOOK →This book examines the arrival of jazz in Italy, its reception and development, and how its distinct style influenced musicians in America.
Author: Alessandro Carrieri
Publisher: Springer Nature
Published: 2021-05-13
Total Pages: 210
ISBN-13: 3030529312
DOWNLOAD EBOOK →This book is the first collection of multi-disciplinary research on the experience of Italian-Jewish musicians and composers in Fascist Italy. Drawing together seven diverse essays from both established and emerging scholars across a range of fields, this book examines multiple aspects of this neglected period of music history, including the marginalization and expulsion of Jewish musicians and composers from Italian theatres and conservatories after the 1938–39 Race Laws, and their subsequent exile and persecution. Using a variety of critical perspectives and innovative methodological approaches, these essays reconstruct and analyze the impact that the Italian Race Laws and Fascist Italy’s musical relations with Nazi Germany had on the lives and works of Italian Jewish composers from 1933 to 1945. These original contributions on relatively unresearched aspects of historical musicology offer new insight into the relationship between the Fascist regime and music.
Author: Ben Earle
Publisher: Cambridge University Press
Published: 2013-08-15
Total Pages: 321
ISBN-13: 0521844037
DOWNLOAD EBOOK →Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
Author: Ben Earle
Publisher: Cambridge University Press
Published: 2013-08-15
Total Pages: 321
ISBN-13: 1107433797
DOWNLOAD EBOOK →Luigi Dallapiccola is widely considered a defining figure in twentieth-century Italian musical modernism, whose compositions bear passionate witness to the historical period through which he lived. In this book, Ben Earle focuses on three major works by the composer: the one-act operas Volo di notte ('Night Flight') and Il prigioniero ('The Prisoner'), and the choral Canti di prigionia ('Songs of Imprisonment'), setting them in the context of contemporary politics to trace their complex path from fascism to resistance. Earle also considers the wider relationship between musical modernism and Italian fascism, exploring the origins of musical modernism and investigating its place in the institutional structures created by Mussolini's regime. In doing so, he sheds new light on Dallapiccola's work and on the cultural politics of the early twentieth century to provide a history of musical modernism in Italy from the fin de siècle to the early Cold War.
Author: Roberto Illiano
Publisher: Brepols Publishers
Published: 2004
Total Pages: 766
ISBN-13:
DOWNLOAD EBOOK →In the present volume 23 specialists investigate a number of significant aspects of Italian music history during the Fascist period. Included are also unpublished documents and fresh information on composers like Ferruccio Busoni, Alfredo Casella, Aldo Finzi, Adriano Lualdi, Gian Francesco Malipiero and Ottorino Respighi. The last section of the book commemorates the centenary of the birth of Luigi Dallapiccola (Pisino dIstria 1904 - Firenze 1975) by collecting the most recent research on his music. The authors featured are: Vincenzo Alaimo, Chiara Bianchi, Eleonora Carapella, Ermanno Comuzio, Mila De Santis, Benjamin Earle, Christoph Flamm, Roberto Illiano, Erik Levi, Charles Maier, Fiamma Nicolodi, Carlo Piccardi, Luca Sala, Massimiliano Sala, Michela Niccolai, Giovanella Pacini, Karen Painter, Gemma Perez-Zalduondo, Luigi Pestalozza, Graham Phipps, Laureto Rodoni, Michael Walter and Martina Weindel.
Author: Catherine E. Paul
Publisher: Liverpool University Press
Published: 2016-06-21
Total Pages: 368
ISBN-13: 1942954069
DOWNLOAD EBOOK →By bringing Italian primary sources and new approaches to the cultural project of Mussolini’s regime to bear on Ezra Pound’s prose work, this book shows how Pound’s modernism changed as a result of involvement in Italian politics and culture.
Author: David I. Kertzer
Publisher:
Published: 2014
Total Pages: 587
ISBN-13: 0198716168
DOWNLOAD EBOOK →The compelling story of Pope Pius XI's secret relations with Benito Mussolini. A ground-breaking work, based on seven years of research in the Vatican and Fascist archives by US National Book Award-finalist David Kertzer, it will forever change our understanding of the Vatican's role in the rise of Fascism in Europe.
Author: Simonetta Falasca-Zamponi
Publisher: Univ of California Press
Published: 2023-09-01
Total Pages: 318
ISBN-13: 0520926153
DOWNLOAD EBOOK →This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.
Author: Roberto Illiano
Publisher:
Published: 2024-07
Total Pages: 0
ISBN-13: 9782503611846
DOWNLOAD EBOOK →In the 1920s and 1930s, the entire process of renovation of the cultural institutions conducted by the Fascists, implemented through the Ministry of National Education, imposed a strong concentration of power on the Italian school administrations, especially the universities, and created new national institutions. At the same time, the Fascist Cultural Institute (IFC), which under the leadership of Giovanni Gentile aspired to be a charitable organisation for the promotion of the culture typical of pre-Fascist associations, was placed after 1937 directly under the National Fascist Party, which changed its name to the National Institute of Fascist Culture (INCF), with the aim of giving the party itself the task of educating the new leadership. The relationship between intellectuals and power under Fascism was aligned into a perspective of orientation that attributed the party with the role of educator of homo novus, summarised in a phrase from Mussolini himself: "Fascism is a great orchestra, where everyone plays a different instrument". A particular concern of the ruling class was to develop a production-fruition process involving all social classes, in order to offer them the feeling of being part of a solid, free and fair system. However, this conception was not explicit in the artistic expressions of the regime: the construction of a social apparatus proceeded underground through the channels of the productive and hierarchical apparatus of the institutions, rather than through the creation of a tangible aesthetic of the regime. In summary: culture had to be the expression of a common heritage belonging both to the people and to the intellectuals; it bore the task of providing a fascist conception of the world.
