Gothic Britain

Gothic Britain PDF

Author:

Publisher: University of Wales Press

Published: 2018-04-15

Total Pages: 269

ISBN-13: 1786832348

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Gothic Britain is the first collection of essays to consider how the Gothic responds to, and is informed by, the British regional experience. Acknowledging how the so-called United Kingdom has historically been divided on nationalistic lines, the twelve original essays in this volume interrogate the interplay of ideas and generic innovations generated in the spaces between the nominal kingdom and its component nations and, innovatively, within those national spaces. Concentrating upon fictions depicting England, Scotland and Wales specifically, Gothic Britain comprehends the generic possibilities of the urban and the rural, of the historical and the contemporary, of the metropolis and the rural settlement – as well as exploring uniquely the fluid space that is the act of travel itself. Reading the textuality of some two hundred years of national and regional identity, Gothic Britain interrogates how the genre has depicted and questioned the natural and built environments of the island of Britain.

Gothic Kings of Britain

Gothic Kings of Britain PDF

Author: Philip J. Potter

Publisher: McFarland

Published: 2009-01-14

Total Pages: 197

ISBN-13: 078645248X

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This biographical history tells the story of 31 Gothic monarchs who fought in the crusades, enforced their feudal rights throughout the kingdom, sponsored the growth of representative government through a parliament, and ultimately created a military power that would dominate European affairs. In the process, the narrative recaptures the dramatic and chaotic span of the years between 1000 and 1400, when the great European monarchies were still in their formative stages. The book discusses the lives of English and Scottish kings in the context of their eras, discussing their achievements and failures, their relations with the Church and foreign powers, and their overall influence on the suppression of the nobility and the development of the monarchy as the primary governing institution of both Scotland and England.

Gothic Britain

Gothic Britain PDF

Author: William Hughes

Publisher: University of Wales Press

Published: 2018-04-15

Total Pages: 290

ISBN-13: 1786832356

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Coverage of canonical and less-explored texts in fiction, film and museology. Innovative vision of how Gothic evokes the regions of Great Britain. The first work to consider Gothic and the regional experience at length.

Gothic for Girls

Gothic for Girls PDF

Author: Julia Round

Publisher: Univ. Press of Mississippi

Published: 2019-10-29

Total Pages: 344

ISBN-13: 1496824490

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Winner of the 2019 Broken Frontier Award for Best Book on Comics Today fans still remember and love the British girls’ comic Misty for its bold visuals and narrative complexities. Yet its unique history has drawn little critical attention. Bridging this scholarly gap, Julia Round presents a comprehensive cultural history and detailed discussion of the comic, preserving both the inception and development of this important publication as well as its stories. Misty ran for 101 issues as a stand-alone publication between 1978 and 1980 and then four more years as part of Tammy. It was a hugely successful anthology comic containing one-shot and serialized stories of supernatural horror and fantasy aimed at girls and young women and featuring work by writers and artists who dominated British comics such as Pat Mills, Malcolm Shaw, and John Armstrong, as well as celebrated European artists. To this day, Misty remains notable for its daring and sophisticated stories, strong female characters, innovative page layouts, and big visuals. In the first book on this topic, Round closely analyzes Misty’s content, including its creation and production, its cultural and historical context, key influences, and the comic itself. Largely based on Round’s own archival research, the study also draws on interviews with many of the key creators involved in this comic, including Pat Mills, Wilf Prigmore, and its art editorial team Jack Cunningham and Ted Andrews, who have never previously spoken about their work. Richly illustrated with previously unpublished photos, scripts, and letters, this book uses Misty as a lens to explore the use of Gothic themes and symbols in girls’ comics and other media. It surveys existing work on childhood and Gothic and offers a working definition of Gothic for Girls, a subgenre which challenges and instructs readers in a number of ways.

Portraiture and British Gothic Fiction

Portraiture and British Gothic Fiction PDF

Author: Kamilla Elliott

Publisher: JHU Press

Published: 2012-12-01

Total Pages: 353

ISBN-13: 1421408643

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Examples from British writers of the eighteenth and nineteenth centuries show how portraits became a new mode of identity for the middle class. Traditionally, kings and rulers were featured on stamps and money, the titled and affluent commissioned busts and portraits, and criminals and missing persons appeared on wanted posters. British writers of the eighteenth and nineteenth centuries, however, reworked ideas about portraiture to promote the value and agendas of the ordinary middle classes. According to Kamilla Elliott, our current practices of “picture identification” (driver’s licenses, passports, and so on) are rooted in these late eighteenth- and early nineteenth-century debates. Portraiture and British Gothic Fiction examines ways writers such as Horace Walpole, Ann Radcliffe, Mary Shelley, and C. R. Maturin as well as artists, historians, politicians, and periodical authors dealt with changes in how social identities were understood and valued in British culture—specifically, who was represented by portraits and how they were represented as they vied for social power. Elliott investigates multiple aspects of picture identification: its politics, epistemologies, semiotics, and aesthetics, and the desires and phobias that it produces. Her extensive research not only covers Gothic literature’s best-known and most studied texts but also engages with more than 100 Gothic works in total, expanding knowledge of first-wave Gothic fiction as well as opening new windows into familiar work.

Imperial Gothic

Imperial Gothic PDF

Author: G. A. Bremner

Publisher: Paul Mellon Centre

Published: 2013

Total Pages: 0

ISBN-13: 9780300187038

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Traces the global reach & influence of the Gothic Revival throughout Britain's empire. Focusing on religious buildings, this book examines the reinvigoration of the colonial & missionary agenda of the Church of England & its relationship with the rise of Anglian ecclesiology.

Britain, France and the Gothic, 1764-1820

Britain, France and the Gothic, 1764-1820 PDF

Author: Angela Wright

Publisher: Cambridge University Press

Published: 2013-04-18

Total Pages: 235

ISBN-13: 110703406X

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Explores the development of the Gothic through the history of martial, political and literary conflict between Britain and France.

21st-Century British Gothic

21st-Century British Gothic PDF

Author: Emily Horton

Publisher: Bloomsbury Publishing

Published: 2024-01-25

Total Pages: 273

ISBN-13: 1350286575

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In this innovative re-casting of the genre and its received canon, Emily Horton explores fictional investments in the Gothic within contemporary British literature, revealing how such concepts as the monstrous, spectral and uncanny work to illuminate the insecure, uneven and precarious experience of 21st-century life. Reading contemporary works of Gothic fiction by Helen Oyeyemi, Kazuo Ishiguro, Sarah Moss, Patrick McGrath and M.R. Carey alongside writers not previously grouped under this umbrella, including Brian Chikwava, Chloe Aridjis and Mohsin Hamid, Horton illuminates the way the Gothic has been engaged and reread by contemporary writers to address the cultural anxieties invoked living under neocolonial and neoliberal governance, including terrorism, migration, homelessness, racism, and climate change. Marshalling new modes of diasporic and cross-disciplinary critical theory concerned with the violent dimensions of contemporary life, this book sets the Gothic aesthetics in such works as White is for Witching, Double Vision, Never Let Me Go, The Wasted Vigil and Ghost Wall against a backdrop of key events in the 21st-century. Drawing connections between moments of anxiety, such as 9/11, the wars in Afghanistan and Iraq, ecological disaster, the refugee crisis, Brexit, the pandemic, and the Gothic, Horton demonstrates how British literature mediates transnational experiences of trauma and horror, while also addressing local and national insecurities and preoccupations. As a result, 21st-Century British Gothic can tests geographical, psychological, cultural, and aesthetic borders to expose an often spectralised experience of human and planetary vulnerability and speaks back against the brutality of global capitalism.

Britain, France and the Gothic, 1764–1820

Britain, France and the Gothic, 1764–1820 PDF

Author: Angela Wright

Publisher: Cambridge University Press

Published: 2013-04-18

Total Pages: 235

ISBN-13: 1107067839

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In describing his proto-Gothic fiction, The Castle of Otranto (1764), as a translation, Horace Walpole was deliberately playing on national anxieties concerning the importation of war, fashion and literature from France in the aftermath of the Seven Years' War. In the last decade of the eighteenth century, as Britain went to war again with France, this time in the wake of revolution, the continuing connections between Gothic literature and France through the realms of translation, adaptation and unacknowledged borrowing led to strong suspicions of Gothic literature taking on a subversive role in diminishing British patriotism. Angela Wright explores the development of Gothic literature in Britain in the context of the fraught relationship between Britain and France, offering fresh perspectives on the works of Walpole, Radcliffe, 'Monk' Lewis and their contemporaries.