More Rock Family Trees

More Rock Family Trees PDF

Author: Pete Frame

Publisher: Omnibus Press& Schirmer Trade Books

Published: 1998

Total Pages: 36

ISBN-13: 9780711968790

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In his fourth volume of Family Trees, celebrated rock historian Pete Frame spans several decades and many musical styles to offer another unique insight into the development of popular culture. Among the featured artists are Jeff Beck, Black Sabbath, CSN&Y, The Cult, Dr Feelgood, Bob Dylan, Happy Mondays, Buddy Holly, Iron Maiden, The Lightning Seeds, The Lovin' Spoonful, The Mamas And The Papas, New Order, Oasis Ozzy Osbourne, Pink Floyd, Public Image Limited, Santana, Sex Pistols, Siouxsie & The Banshees, The Smiths, Spirit, Stone Roses, The Velvet Underground.

Even More Rock Family Trees

Even More Rock Family Trees PDF

Author: Pete Frame

Publisher: Omnibus Press

Published: 2011

Total Pages: 0

ISBN-13: 9781844490073

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Frame is justly celebrated for his unique contribution to the literature of the music he loves. This latest set includes newly drawn family trees of Elton John, the Allman Brothers Band, Fleetwood Mac, the Beach Boys, Eric Clapton, and many others.

The Seventh Stream

The Seventh Stream PDF

Author: Philip H. Ennis

Publisher: Wesleyan University Press

Published: 1992-12

Total Pages: 472

ISBN-13: 9780819562579

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A cultural and social study of the origins and evolution of “rocknroll”.

Rock: The Primary Text

Rock: The Primary Text PDF

Author: Allan F Moore

Publisher: Routledge

Published: 2018-09-28

Total Pages: 348

ISBN-13: 0429954107

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This thoroughly revised third edition of Allan F. Moore's ground-breaking book, now co-authored with Remy Martin, incorporates new material on rock music theory, style change and the hermeneutic method developed in Moore’s Song Means (2012). An even larger array of musicians is discussed, bringing the book right into the 21st century. Rock's 'primary text' – its sounds – is the focus of attention here. The authors argue for the development of a musicology particular to rock within the context of the background to the genres, the beat and rhythm and blues styles of the early 1960s, 'progressive' rock, punk rock, metal and subsequent styles. They also explore the fundamental issue of rock as a medium for self-expression, and the relationship of this to changing musical styles. Rock: The Primary Text remains innovative in its exploration of an aesthetics of rock.

Rock Music Styles

Rock Music Styles PDF

Author: Katherine Charlton

Publisher: McGraw-Hill Humanities, Social Sciences & World Languages

Published: 1998

Total Pages: 308

ISBN-13:

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From AC/DC to the Zulu Nation, this book details the history of rock music beginning with the slide and twang of its country and blues roots, through the backbeats of the British invasion, to a sampling of today's alternative and hip-hop artists. This comprehensive resource includes sections on garage bands, power pop, funk, and disco, along with complete listening guides in each chapter to supplement your tour of the living history of rock and roll.

Rock of Ages

Rock of Ages PDF

Author: Ed Ward

Publisher:

Published: 1986

Total Pages: 698

ISBN-13:

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Attempts to track rock and roll -- as music, as culture, as headline maker, as business -- from its hazy origins to the present day.

The CD Rock & Roll Library

The CD Rock & Roll Library PDF

Author: Bill Shapiro

Publisher:

Published: 1988

Total Pages: 220

ISBN-13:

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Reviewing more than 500 discs of rock and roll music, the author analyzes the source of the recording (analog or digital) and rates each disc for content and sound quality.

Art Into Pop

Art Into Pop PDF

Author: Simon Frith

Publisher: Routledge

Published: 2016-04-14

Total Pages: 214

ISBN-13: 1317228030

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This book, first published in 1987, tells the intriguing and culturally complex story of the art school influence on postwar British popular music. Following Romantic attitudes from life class to recording studio, it focuses on two key moments – the early 1960s, when art students like John Lennon and Eric Clapton begin to play their own versions of American rock and blues and inflected youth music with Bohemian dreams, and the late 1970s, when punk musicians emerged from design courses and fashion departments to disrupt what were, by then, art-rock routines. Sixties rock Bohemians and seventies pop Situationists were, in their different ways, trying to solve the art students’ perennial problem – how to make a living from their art. Art Into Pop shows how this problem has been shaped by the history of British art education, from its nineteenth-century origins to current arguments about ‘pure’ and ‘applied’ training. In their simultaneous pursuit of authenticity and artifice, art school musicians exemplify the postmodern condition, the collapse of any distinction between ‘high’ and ‘low’ culture, the confusions of personal and commercial creativity. And so high pop theorists rub shoulders here with low pop practitioners, experimental musicians debate avant-garde ideas with corporate packagers, and artistic integrity becomes a matter of making oneself up.