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Author: Daniel Frampton
Publisher: Columbia University Press
Published: 2006
Total Pages: 266
ISBN-13: 1904764851
DOWNLOAD EBOOK →'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.
Author: Daniel Frampton
Publisher: Wallflower Press
Published: 2006
Total Pages: 274
ISBN-13: 9781904764847
DOWNLOAD EBOOK →'Filmosophy' is a manifesto for a radically philosophical way of understanding cinema. The book coalesces 20th century ideas of film as thought into a practical theory of 'film-thinking', arguing that film style conveys poetic ideas through a constant dramatic 'intent' about the characters, spaces, and events of film.
Author: Daniel Frampton
Publisher: Columbia University Press
Published: 2006-12-12
Total Pages: 265
ISBN-13: 0231850107
DOWNLOAD EBOOK →Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of "film-thinking," arguing that film style conveys poetic ideas through a constant dramatic "intent" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY ® is a registered U.S. trademark owned by Valentin Stoilov (www.filmosophy.com) for educational services in the field of motion picture history theory and production. Mr. Stoilov is not the source or origin of this book and has not sponsored or endorsed it or its author.
Author: Martin Thiele
Publisher: GRIN Verlag
Published: 2009
Total Pages: 53
ISBN-13: 3640335104
DOWNLOAD EBOOK →Seminar paper from the year 2009 in the subject Film Science, grade: 1,3, University of Potsdam, course: Film + Philosophy = Filmosophy, language: English, abstract: Because the times in film production change, a change in reception is also necessary. In Frampton's theory, film is no longer a photographic reproduction of a past performance. This is not simply be-cause nowadays there are countless assumed realistic film images which were never shot as they are presented later. Frampton concedes that film uses material of the real world but finally - and hence his theory is one of reception - this material becomes its own world with its own processes and even its own thoughts. To draw a consistent picture of his theory he developed a kind of unique language to speak about film.
Author: Todd McGowan
Publisher: State University of New York Press
Published: 2012-02-01
Total Pages: 268
ISBN-13: 0791480364
DOWNLOAD EBOOK →Examines the gaze in Lacanian film theory.
Author: Christian Schliebs
Publisher: GRIN Verlag
Published: 2015-10-28
Total Pages: 15
ISBN-13: 3668076340
DOWNLOAD EBOOK →Seminar paper from the year 2009 in the subject Communications - Public Relations, Advertising, Marketing, Social Media, grade: 1,3, University of Potsdam, language: English, abstract: With filmosophy, Daniel Frampton tries to establish a brand new way to encounter the phenomena of film experience. He claims that „borrowed“ theories like narrativity from literature don ́t get close enough to, on the one hand how film connects with the individual filmgoer and on the other hand how reality is processed by the filmmakers into films. Filmosophy offers multiple accessions to analyze the film experience. As it is labeled as a manifesto, the whole concept keeps an open form, which is in perpetual development. With this assignment I am trying to achieve three aims. Firstly I try to accept Frampton ́s invitation to rethink the traditional way to think about film. The second, less abstract, aim is to convey Frampton ́s concept from feature films to spot advertisement. In this context I ́m going to give a brief introduction to four specific categories Frampton established in his manifesto, namely „filmind“, „film-thinking“, „fluid images“ and „the filmgoer“. These categories will be, if needed, altered for the analysis of commercials. In a second step I am going to apply these categories on the commercial „meinestadt.de - open city“. The third and final aim of this assignment is to evaluate the adaptability of Frampton ́s manifesto for the commercial genre.
Author: Martin P. Rossouw
Publisher: BRILL
Published: 2021-05-31
Total Pages: 333
ISBN-13: 900446087X
DOWNLOAD EBOOK →Charting new routes for film ethics, Transformational Ethics of Film develops a critical account of the ethics of personal transformation at work within the ‘film as philosophy’ debate.
Author: Alberto Baracco
Publisher: Springer
Published: 2017-10-09
Total Pages: 321
ISBN-13: 3319654004
DOWNLOAD EBOOK →This book identifies a new methodological strategy for the interpretation of film philosophizing. Many recent works in film philosophy, adopting the approach identified with the term film as philosophy, have considered film as capable of doing philosophy. Focused on the basic relationship between film and filmgoer, the proposed method is founded on the concept of the film world. Combining Merleau-Ponty’s and Ricœur’s philosophies, and reconsidering Goodman’s theory of worldmaking, the film world becomes the hermeneutic horizon from which film philosophical thought can emerge. The book shows how Ricœurian methodology has the potential to provide a valuable resource for film studies by inviting scholars to consider film interpretation in terms of film world hermeneutics.
Author: Calum Neill
Publisher: Springer Nature
Published: 2020-12-18
Total Pages: 237
ISBN-13: 3030567540
DOWNLOAD EBOOK →This book provides a collection of Lacanian responses to Denis Villeneuve’s Blade Runner 2049 from leading theorists in the field. Like Ridley Scott’s original Blade Runner film, its sequel is now poised to provoke philosophical and psychoanalytic arguments, and to provide illustrations and inspiration for questions of being and the self, for belief and knowledge, the human and the post-human, amongst others. This volume forms the vanguard of responses from a Lacanian perspective, satisfying the hunger to extend the theoretical considerations of the first film in the various new directions the second film invites. Here, the contributors revisit the implications of the human-replicant relationship but move beyond this to consider issues of ideology, politics, and spectatorship. This exciting collection will appeal to an educated film going public, in addition to students and scholars of Lacanian psychoanalysis, psychoanalytic theory, cultural studies, film theory, philosophy and applied psychoanalysis.
Author: Jason Wood
Publisher: Wallflower Press
Published: 2006
Total Pages: 262
ISBN-13: 9781904764908
DOWNLOAD EBOOK →'Talking Movies' is a collection of interviews with some of the most audacious and respected contemporary filmmakers of the present generation.
