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Concerto in G major for violin, string orchestra and basso continuo
Concerto in A minor, for violin, string orchestra, and basso continuo, op. VII
Concerto for violin, strings and basso continuo in E major
Concerto in E♭ major per violino solo
Concerto in G major, D. 82
Concerto in E minor
Concerto for Violin, Strings and Basso Continuo
Author:
Publisher: Dowani Ag
Published: 2006-04
Total Pages: 42
ISBN-13: 9783905476736
DOWNLOAD EBOOK →(Dowani Book/CD). Dowani 3 Tempi Play Along is an effective and time-tested method of practicing that offers more than conventional play-long editions. Dowani 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi. The first thing you hear on the CD is the concert version in a first-class recording with solo instrument and orchestral, continuo, or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at a slow tempo. Finally, you can play at the original tempo to the accompaniment of an orchestra, piano, or basso continuo. All versions appearing on the CD were recorded live by renowned soloists, accompanists, and orchestras. There are no synthesised sounds in a Dowani edition!
Concerto RV 216
Author: Antonio Vivaldi
Publisher:
Published: 2017-04
Total Pages: 18
ISBN-13: 9788881920228
DOWNLOAD EBOOK →(String Ensemble). Casa Ricordi Milano in partnership with Fondazione Giorgio Cini, Venezia (Istituto Antonio Vivaldi). Critical edition by Alessandro Borin. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was probably modest even to assume that the collection was published without the composer's assistance and perhaps even his agreement these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, a change evident both from the systematic adoption of the three-movement plan and from the absence of any supplementary solo parts beyond the principal violin. This critical edition is based on the first edition of Opus VI and its reprints, but takes also into consideration all the sources of single concertos printed into anthologies or transmitted in manuscript form (Wiesentheid and Dresden). The information gathered through the comparative analysis of the manuscript and the printed traditions of Vivaldi's Opus 6 has permitted us to reconstruct the links among the sources, to clarify some problematic editorial decisions and formulate new hypotheses on the genesis and the intrinsic nature of the collection as a whole.
Concerto for Violin, Strings and Basso Continuo, D Major, Op. 7/11
