Western Himalayan Temple Records

Western Himalayan Temple Records PDF

Author: Mahesh Sharma

Publisher: BRILL

Published: 2009

Total Pages: 421

ISBN-13: 9004176934

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While numerous studies exist on major South-Asian temples, surprisingly little is known about minor shrines and lesser states . Here fifty-five new documents, in a western-Himalayan script and language, and belonging to a small Siddha shrine, redress this remarkable gap in our knowledge. The documents cover a wide spectrum from revenue grants to those dealing with ritual, pilgrimage, legality and temple-economy thus building a picture of the relationship between state and shrine, and particularly so for the minor centres: their popularity and relationship with major temples; mundane matters; notices, petitions, and law-suits. It becomes clear how lesser states , despite their limited resources, patronized numerous small shrines, along with major temples; and the role played by the Nath-Siddha-ascetics in creating consent-to-rule, acculturation, and constructing hybridity between the Hindu and Tibetan-Buddhist traditions.

Gaddi Land in Chamba

Gaddi Land in Chamba PDF

Author: Omacanda Hāṇḍā

Publisher: Indus Publishing

Published: 2005

Total Pages: 236

ISBN-13: 9788173871740

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On temple architecture of Chamba District and religious life of Gaddis, Indic people; a study.

Pahāṛi Styles of Indian Murals

Pahāṛi Styles of Indian Murals PDF

Author: Sukh Dev Singh Charak

Publisher: Abhinav Publications

Published: 1998

Total Pages: 310

ISBN-13: 9788170173564

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The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.