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Author: David Wiles
Publisher: Cambridge University Press
Published: 2020-02-06
Total Pages: 381
ISBN-13: 1108498876
DOWNLOAD EBOOK →Outlining a classical 'rhetorical' system, this is the first serious overview of how European actors c.1550-1800 thought about acting.
Author: William Shakespeare
Publisher: Cambridge University Press
Published: 1998
Total Pages: 148
ISBN-13: 9780521653909
DOWNLOAD EBOOK →Now available in paperback, this is the only modernised critical edition of the 1603 quarto of Shakespeare's Hamlet in print.
Author: Hardin L. Aasand
Publisher: Fairleigh Dickinson Univ Press
Published: 2003
Total Pages: 242
ISBN-13: 9780838639467
DOWNLOAD EBOOK →The subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a rigorous examination in the fifteen essays contained in this collection. This volume encompasses essays that are guardedly inductive in their critical approaches, as well as those that critique modern productions that attempt to achieve Shakespearean effect through a modern aesthetic. The volume also includes essays that enunciate the production of stage business as a cultural interplay between productions and social agencies outside the theater.
Author: Marvin Rosenberg
Publisher: University of Delaware Press
Published: 1992
Total Pages: 1006
ISBN-13: 9780874134803
DOWNLOAD EBOOK →Every reader is an actor according to Rosenberg. To prepare the actor-reader for insights, Rosenberg draws on major intepretations of the play worldwide, in theatre and in criticism, wherever possible from the first known performances to the present day. The book is rich and provocative on every question about the play.
Author: Sir Peter Hall
Publisher: Methuen Drama
Published: 2022-08-11
Total Pages: 0
ISBN-13: 1350262730
DOWNLOAD EBOOK →The best-selling guide to acting Shakespeare in a new smaller and lighter handbook size. Shakespeare tells the actor when to go fast and when to go slow; when to pause, when to come in on cue and when to accent a word. His text is full of such clues. He tells the actor when but never tells him why or how. That is up to the actor. Much like bringing a musical score to life, Peter Hall guides us to 'speak the speech'. An essential text for classical training at drama school and an invaluable reference book for actors and directors working on Shakespeare productions. Peter Hall makes watching or reading Shakespeare a richer experience, for audiences as well as actors.
Author: Robert Weimann
Publisher: Cambridge University Press
Published: 2000-07-27
Total Pages: 324
ISBN-13: 9780521787352
DOWNLOAD EBOOK →Redefines the relationship between writing and performance in Shakespeare's theatre.
Author: John Barton
Publisher: Anchor
Published: 2010-11-10
Total Pages: 286
ISBN-13: 0307773914
DOWNLOAD EBOOK →Playing Shakespeare is the premier guide to understanding and appreciating the mastery of the world’s greatest playwright. Together with Royal Shakespeare Company actors–among them Patrick Stewart, Judi Dench, Ian McKellen, Ben Kingsley, and David Suchet–John Barton demonstrates how to adapt Elizabethan theater for the modern stage. The director begins by explicating Shakespeare’s verse and prose, speeches and soliloquies, and naturalistic and heightened language to discover the essence of his characters. In the second section, Barton and the actors explore nuance in Shakespearean theater, from evoking irony and ambiguity and striking the delicate balance of passion and profound intellectual thought, to finding new approaches to playing Shakespeare’s most controversial creation, Shylock, from The Merchant of Venice. A practical and essential guide, Playing Shakespeare will stand for years as the authoritative favorite among actors, scholars, teachers, and students.
Author: Arthur Edward Phillips
Publisher:
Published: 1909
Total Pages: 394
ISBN-13:
DOWNLOAD EBOOK →Author: Maurice Charney
Publisher: Routledge
Published: 2014-02-03
Total Pages: 146
ISBN-13: 1317814428
DOWNLOAD EBOOK →"But in a fiction, in a dream of passion..." In an extended commentary on this passage this book offers a rationale for the excellence and primacy of this play among the tragedies. Throughout, emphasis is placed on Hamlet's fantasies and imaginations rather than on ethical criteria, and on the depiction of Hamlet as a revenge play through an exploration of its dark and mysterious aspects. The book stresses the importance of Passion and Its Fictions in the play and attempts to explore the very Pirandellian topic of Hamlet's passion and dream of passion. It goes on to examine the organization of dramatic energies in the play - the use Shakespeare makes of analogy and infinite regress and of scene rows, broken scenes and impacted scenes, and the significance of the exact middle of Hamlet. The final section is devoted to conventions of style, imagery, and genre in the play - what is the stage situation of asides, soliloguies, and offstage speech? How is the imagery of skin disease and sealing distinctive? In what sense is Hamlet a comedy, or does it use comedy significantly?
