Zimbabwe Township Music

Zimbabwe Township Music PDF

Author: Joyce Jenje-Makwenda

Publisher:

Published: 2005

Total Pages: 204

ISBN-13:

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Zimbabwe Township Music is a celebration of age-old popular music, which was evolved by the early urban settlers as far back as the 1930's. Urban culture in those days was a product of mixed traditional, contemporary and Western influences, which all moulded into the unique township music. It is therefore the musical off-spring and melodic fusion of several tribal and cultural urban settlers in the early Black townships; typified by such variants as kwe la, tsabatsaba, marabiand afro-jazz.Township Music often became a symbol of identity and dissent in the Black townships, which did not go so well with the authorities of the day. As the political situation became tense, the music went under around 1963, when the Federation of Rhodesia and Nyasaland came to an end. At Zimbabwe's independence in 1980, Township Music resurfaced and trickled slowly back into the country, to a much awaited reception and revival. Today the Township Music craze is gripping the country, drawing even youthful enthusiasts in its wake. It would be painstaking to list the numerous pace-setters along the milestones of this musical odyssey. It suffices to mention only a representative few: Josaya Hadebe, Kenneth and Lina Mattaka, Evelyn and Simon Juba, Augustine Musarurwa, Moses Mphahlo-Mafuruse, Sonny Sondo, Simanga Tutani, John White, Andrew Chakanyuka, Dorothy Masuka, Faith Dauti, Paul Lunga, Tanga wekwa Sando, Prudence Katomeni Mbofana and Duduzile Manhenga.

African Music, Power, and Being in Colonial Zimbabwe

African Music, Power, and Being in Colonial Zimbabwe PDF

Author: Mhoze Chikowero

Publisher: Indiana University Press

Published: 2015-11-24

Total Pages: 364

ISBN-13: 0253018099

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In this new history of music in Zimbabwe, Mhoze Chikowero deftly uses African sources to interrogate the copious colonial archive, reading it as a confessional voice along and against the grain to write a complex history of music, colonialism, and African self-liberation. Chikowero's book begins in the 1890s with missionary crusades against African performative cultures and African students being inducted into mission bands, which contextualize the music of segregated urban and mining company dance halls in the 1930s, and he builds genealogies of the Chimurenga music later popularized by guerrilla artists like Dorothy Masuku, Zexie Manatsa, Thomas Mapfumo, and others in the 1970s. Chikowero shows how Africans deployed their music and indigenous knowledge systems to fight for their freedom from British colonial domination and to assert their cultural sovereignty.

Oliver Mtukudzi

Oliver Mtukudzi PDF

Author: Jennifer W. Kyker

Publisher: Indiana University Press

Published: 2016-10-31

Total Pages: 305

ISBN-13: 025302238X

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Oliver "Tuku" Mtukudzi, a Zimbabwean guitarist, vocalist, and composer, has performed worldwide and released some 50 albums. One of a handful of artists to have a beat named after him, Mtukudzi blends Zimbabwean traditional sounds with South African township music and American gospel and soul, to compose what is known as Tuku Music. In this biography, Jennifer W. Kyker looks at Mtukudzi's life and art, from his encounters with Rhodesian soldiers during the Zimbabwe war of liberation to his friendship with American blues artist Bonnie Raitt. With unprecedented access to Mtukudzi, Kyker breaks down his distinctive performance style using the Shona concept of "hunhu," or human identity through moral relationships, as a framework. By reading Mtukudzi's life in connection with his lyrics and the social milieu in which they were created, Kyker offers an engaging portrait of one of African music's most recognized performers. Interviews with family, friends, and band members make this a penetrating, sensitive, and uplifting biography of one of the world's most popular musicians.

Nationalists, Cosmopolitans, and Popular Music in Zimbabwe

Nationalists, Cosmopolitans, and Popular Music in Zimbabwe PDF

Author: Thomas Turino

Publisher: University of Chicago Press

Published: 2008-06-20

Total Pages: 420

ISBN-13: 0226816966

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Hailed as a national hero and musical revolutionary, Thomas Mapfumo, along with other Zimbabwean artists, burst onto the music scene in the 1980s with a unique style that combined electric guitar with indigenous Shona music and instruments. The development of this music from its roots in the early Rhodesian era to the present and the ways this and other styles articulated with Zimbabwean nationalism is the focus of Thomas Turino's new study. Turino examines the emergence of cosmopolitan culture among the black middle class and how this gave rise to a variety of urban-popular styles modeled on influences ranging from the Mills Brothers to Elvis. He also shows how cosmopolitanism gave rise to the nationalist movement itself, explaining the combination of "foreign" and indigenous elements that so often define nationalist art and cultural projects. The first book-length look at the role of music in African nationalism, Turino's work delves deeper than most books about popular music and challenges the reader to think about the lives and struggles of the people behind the surface appeal of world music.

A History of Zimbabwe

A History of Zimbabwe PDF

Author: A. S. Mlambo

Publisher: Cambridge University Press

Published: 2014-04-07

Total Pages: 313

ISBN-13: 1107021707

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Examines Zimbabwe's pre-colonial, colonial and postcolonial social, economic and political history and relates historical factors and trends to more recent developments in the country.

Music and the Racial Imagination

Music and the Racial Imagination PDF

Author: Ronald M. Radano

Publisher: University of Chicago Press

Published: 2000-12

Total Pages: 728

ISBN-13: 9780226701998

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"A specter lurks in the house of music, and it goes by the name of race," write Ronald Radano and Philip Bohlman in their introduction. Yet the intimate relationship between race and music has rarely been examined by contemporary scholars, most of whom have abandoned it for the more enlightened notions of ethnicity and culture. Here, a distinguished group of contributors confront the issue head on. Representing an unusually broad range of academic disciplines and geographic regions, they critically examine how the imagination of race has influenced musical production, reception, and scholarly analysis, even as they reject the objectivity of the concept itself. Each essay follows the lead of the substantial introduction, which reviews the history of race in European and American, non-Western and global musics, placing it within the contexts of the colonial experience and the more recent formation of "world music." Offering a bold, new revisionist agenda for musicology in a postmodern, postcolonial world, this book will appeal to students of culture and race across the humanities and social sciences.

Music, Performance and African Identities

Music, Performance and African Identities PDF

Author: Toyin Falola

Publisher: Routledge

Published: 2012-03-15

Total Pages: 377

ISBN-13: 1136830278

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Cutting across countries, genres, and time periods, this volume explores topics ranging from hip hop’s influence on Maasai identity in current day Tanzania to jazz in Bulawayo during the interwar years, using music to tell a larger story about the cultures and societies of Africa.

Women Musicians of Zimbabwe

Women Musicians of Zimbabwe PDF

Author: Joyce Jenje-Makwenda

Publisher: Storytime Promotions

Published: 2013

Total Pages: 194

ISBN-13: 9780797434769

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Music has been part of African women's lives since time immemorial. Zimbabwean women sang songs to communicate, express their feelings or celebrate life changes. During pasichigare (pre-colonial times) women used the song to cope with the day to day challenges of life, to manage their daily chores, to deal with their emotions, to air their grievances, to challenge oppression, and to celebrate womanhood. Through music, women were able to put themselves at the centre-stage of their communities. They were an integral part of the structures of the society and they found it easier to use music as a communication tool. Women Musicians of Zimbabwe explores the role played by women in the development of music genres in Zimbabwe and to explore why there are very few women musicians in Zimbabwe compared to men.

Singing Culture

Singing Culture PDF

Author: Ezra Chitando

Publisher: Nordic Africa Institute

Published: 2002

Total Pages: 114

ISBN-13: 9789171064943

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"This study examines the historical development, social, political and economic significance of gospel music in Zimbabwe. It approaches music with Christian theological ideas and popular appeal as a cultural phenomenon with manifold implications. Applying a history of religious approach to the study of a widespread religious phenomenon, the study seeks to link religious studies with popular culture. It argues that gospel music represents a valuable entry point into a discussion of contemporary African cultural production. Gospel music successfully blends the musical traditions of Zimbabwe, influences from other African countries, and music styles from other parts of the world."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

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