Yves Bonnefoy and Jean-Luc Nancy

Yves Bonnefoy and Jean-Luc Nancy PDF

Author: Emily McLaughlin

Publisher: Oxford University Press, USA

Published: 2020-05-06

Total Pages: 185

ISBN-13: 0198849583

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This volume explores how poets use different kinds of formal experimentation to change the way we think, and to allow us to try out new ways of perceiving existence and positioning ourselves within the world. Yves Bonnefoy and Jean-Luc Nancy: Ontological Performance examines the affinities that exist between Bonnefoy's poetry and Nancy's philosophy. It analyses how Bonnefoy experiments with the poem's act of address, its material disposition, and sonorous performance. It scrutinises how he foregrounds the bodily and material forces that are at play within language in order to makes us feel the diverse worldly forces that are active within us and to make us perceive our own human existence in more interconnected ways. Exploring how Bonnefoy and Nancy share the desire to resist detached ways of perceiving existence, this book analyses how they present interaction as the generative dynamic that drives all existence and use the text's resonant play to make us aware of how all bodies--human, material, or poetic--emerge from a complex interplay of worldly forces.

Yves Bonnefoy and Jean-Luc Nancy

Yves Bonnefoy and Jean-Luc Nancy PDF

Author: Emily McLaughlin

Publisher: Oxford University Press

Published: 2020-05-06

Total Pages: 192

ISBN-13: 0192589431

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This volume explores how poets use different kinds of formal experimentation to change the way we think, and to allow us to try out new ways of perceiving existence and positioning ourselves within the world. Yves Bonnefoy and Jean-Luc Nancy: Ontological Performance examines the affinities that exist between Bonnefoy's poetry and Nancy's philosophy. It analyses how Bonnefoy experiments with the poem's act of address, its material disposition, and sonorous performance. It scrutinises how he foregrounds the bodily and material forces that are at play within language in order to makes us feel the diverse worldly forces that are active within us and to make us perceive our own human existence in more interconnected ways. Exploring how Bonnefoy and Nancy share the desire to resist detached ways of perceiving existence, this book analyses how they present interaction as the generative dynamic that drives all existence and use the text's resonant play to make us aware of how all bodies—human, material, or poetic—emerge from a complex interplay of worldly forces.

Multiple Arts

Multiple Arts PDF

Author: Jean-Luc Nancy

Publisher: Stanford University Press

Published: 2006

Total Pages: 292

ISBN-13: 9780804739542

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This collection of writings by the renowned French critic and poet Jean-Luc Nancy delves into the history of philosophy in order to locate a fundamentally poetic modus operandi, representing a mix of philosophical essays, writings about artworks and the author's own artistic creations.

Twentieth-Century French Poetry

Twentieth-Century French Poetry PDF

Author: Hugues Azérad

Publisher: Cambridge University Press

Published: 2010-05-20

Total Pages: 357

ISBN-13: 0521886422

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A selection of modern French poems with critical commentary, glossary of literary terms, biographies and bibliography.

The Pleasure in Drawing

The Pleasure in Drawing PDF

Author: Jean-Luc Nancy

Publisher: Fordham University Press

Published: 2013-07-16

Total Pages: 128

ISBN-13: 0823252329

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Originally written for an exhibition Jean-Luc Nancy curated at the Museum of Fine Arts in Lyon in 2007, this book addresses the medium of drawing in light of the question of form—of form in its formation, as a formative force, as a birth to form. In this sense, drawing opens less toward its achievement, intention, and accomplishment than toward a finality without end and the infinite renewal of ends, toward lines of sense marked by tracings, suspensions, and permanent interruptions. Recalling that drawing and design were once used interchangeably, Nancy notes that drawing designates a design that remains without project, plan, or intention. His argument offers a way of rethinking a number of historical terms (sketch, draft, outline, plan, mark, notation), which includes rethinking drawing in its graphic,filmic, choreographic, poetic, melodic, and rhythmic senses. If drawing is not reducible to any form of closure, it never resolves a tension specific to itself. Rather, drawing allows the pleasure in and of drawing, the gesture of a desire that remains in excess of all knowledge, to come to appearance. Situating drawing in these terms, Nancy engages a number of texts in which Freud addresses the force of desire in the rapport between aesthetic and sexual pleasure, texts that also turn around questions concerning form in its formation, form as a formative force. Between the sections of the text, Nancy has placed a series of “sketchbooks” on drawing, composed of a broad range of quotations on art from different writers, artists, or philosophers.

Earth and Mind: Dreaming, Writing, Being

Earth and Mind: Dreaming, Writing, Being PDF

Author: Michael Bishop

Publisher: BRILL

Published: 2019-01-04

Total Pages: 166

ISBN-13: 9004367764

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In Earth and Mind : Dreaming, Writing, Being Michael Bishop examines very recent work by nine major French and Francophone writers : Bonnefoy, Risset, Stétié, Khoury-Ghata, Ben Jelloun, Velter, Bancquart, Pinson and Dupin, dealing with the mind’s complex modes of relating to its experience of presence to the world.

Doing

Doing PDF

Author: Jean-Luc Nancy

Publisher: French List

Published: 2020

Total Pages: 0

ISBN-13: 9780857427847

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Originally published in the French in 2016 by âEditions Galilâee.

Dis-Enclosure

Dis-Enclosure PDF

Author: Jean-Luc Nancy

Publisher: Fordham Univ Press

Published: 2009-08-25

Total Pages: 203

ISBN-13: 0823228371

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From one of France’s leading contemporary thinkers, “an astutely reasoned philosophical text, offering a revolutionary analysis of theistic religion” (The Midwest Book Review). This book is a profound and eagerly anticipated investigation into what is left of a monotheistic religious spirit—notably, a minimalist faith that is neither confessional nor credulous. Articulating this faith as works and as an objectless hope, Nancy deconstructs Christianity in search of the historical and reflective conditions that provided its initial energy. Working through Blanchot and Nietzsche, re-reading Heidegger and Derrida, Nancy turns to the Epistle of Saint James rather than those of Saint Paul, discerning in it the primitive essence of Christianity as hope. The “religion that provided the exit from religion,” as he terms Christianity, consists in the announcement of an end. It is the announcement that counts, however, rather than any finality. In this announcement there is a proximity to others and to what was once called parousia. But parousia is no longer presence; it is no longer the return of the Messiah. Rather, it is what is near us and does not cease to open and to close, a presence deferred yet imminent. In a demystified age where we are left with a vision of a self-enclosed world—in which humans are no longer mortals facing an immortal being, but entities whose lives are accompanied by the time of their own decline—parousia stands as a question. Can we venture the risk of a decentered perspective, such that the meaning of the world can be found both inside and outside, within and without our so-immanent world?