Yoruba Art and Language

Yoruba Art and Language PDF

Author: Rowland Abiodun

Publisher: Cambridge University Press

Published: 2014-11-13

Total Pages: 415

ISBN-13: 1139992872

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The Yoruba was one of the most important civilizations of sub-Saharan Africa. While the high quality and range of its artistic and material production have long been recognized, the art of the Yoruba has been judged primarily according to the standards and principles of Western aesthetics. In this book, which merges the methods of art history, archaeology, and anthropology, Rowland Abiodun offers new insights into Yoruba art and material culture by examining them within the context of the civilization's cultural norms and values and, above all, the Yoruba language. Abiodun draws on his fluency and prodigious knowledge of Yoruba culture and language to dramatically enrich our understanding of Yoruba civilization and its arts. The book includes a companion website with audio clips of the Yoruba language, helping the reader better grasp the integral connection between art and language in Yoruba culture.

Yoruba

Yoruba PDF

Author: Henry John Drewal

Publisher: Abrams

Published: 1989

Total Pages: 264

ISBN-13:

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The Yoruba people of Nigeria and Benin, over 15 million strong, are heirs to one of the oldest and greatest artistic traditions in West Africa. This text offers a look at Yoruba civilization. Over 200 photographs illustrate rarely seen objects from museums and private collections.

Yoruba Creativity

Yoruba Creativity PDF

Author: Toyin Falola

Publisher: Africa World Press

Published: 2005

Total Pages: 362

ISBN-13: 9781592213368

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In songs, dance and drama the fame of the Yoruba of Nigeria is firmly established and universally acknowledged. Also an established writing and literary tradition, the Yoruba have asserted themselves as a dominant force in the world of creativity. Such stars are represented here, as in the works of Wole Soyinka and Zulu Sofola. The future of language in the making of new idioms and dictionaries is also examined in an attempt to position the Yoruba and their cultures in the ever-changing world of cultural inventions.

The Yoruba

The Yoruba PDF

Author: Akinwumi Ogundiran

Publisher: Indiana University Press

Published: 2020-11-03

Total Pages: 370

ISBN-13: 0253051525

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The Yoruba: A New History is the first transdisciplinary study of the two-thousand-year journey of the Yoruba people, from their origins in a small corner of the Niger-Benue Confluence in present-day Nigeria to becoming one of the most populous cultural groups on the African continent. Weaving together archaeology with linguistics, environmental science with oral traditions, and material culture with mythology, Ogundiran examines the local, regional, and even global dimensions of Yoruba history. The Yoruba: A New History offers an intriguing cultural, political, economic, intellectual, and social history from ca. 300 BC to 1840. It accounts for the events, peoples, and practices, as well as the theories of knowledge, ways of being, and social valuations that shaped the Yoruba experience at different junctures of time. The result is a new framework for understanding the Yoruba past and present.

Manipulating the Sacred

Manipulating the Sacred PDF

Author: Mikelle Smith Omari-Tunkara

Publisher: Wayne State University Press

Published: 2005

Total Pages: 228

ISBN-13: 9780814328521

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The first art historical study of Yoruba-descended African Brazilian religious art based on an author's long-term participation in and observation of private and public rituals.

African Renaissance

African Renaissance PDF

Author: M Okediji

Publisher:

Published: 2002-09-15

Total Pages: 228

ISBN-13:

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African Renaissance: New Forms, Old Images in Yoruba Art describes, analyzes, and interprets the historical and cultural contexts of an African art renaissance using the twentieth- and twenty-first-century transformation of ancient Yoruba artistic heritage. Juxtaposing ancient and contemporary Yoruba art, Moyo Okediji defines this art history through the lens of colonialism, an experience that served to both destroy ancient art traditions and revive Yoruba art in the twentieth century. With vivid reproductions of paintings, prints, and drawings, Okediji describes how Yoruba art has replenished and redefined itself. Okediji groups the text into several broadly overlapping periods that intricately detail the journey of Yoruba art and artists: first through oppression by European colonialism, then the attainment of Nigeria’s independence and the new nation’s subsequent military coup, and ending with present-day native Yoruban artists fleeing their homeland.