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Yeats and Artistic Power

Author: Phillip L. Marcus

Publisher: Syracuse University Press

Published: 2001-09-01

Total Pages: 0

ISBN-13: 9780815629160

The first book to consider William Butler Yeats's aesthetic of artistic power, demonstrating the centrality in his work—from his earliest essay to the great poems and plays of his last years—of the concept that art shapes life. Drawing on the Irish bardic tradition as well as such figures as Shelley, Blake, and Wilde, Yeats developed a stance that enabled him to reconcile the exacting demands of literary craftsmanship, his interest in occult thought, and his desire to advance the cause of Irish nationalism. For this edition, new material has been added, connecting the argument of the original book to recent developments in theory and adding a Jungian perspective.

Yeats and the Visual Arts

Author: Elizabeth Bergmann Loizeaux

Publisher: Syracuse University Press

Published: 2003-03-01

Total Pages: 276

ISBN-13: 9780815629955

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This beautifully illustrated book traces W. B. Yeats's fascination with the visual arts from his early years, which were strongly influenced by his father's paintings and the Pre-Raphaelite brotherhood, to his celebration in his old age of Greek sculpture, Byzantine mosaics, and Michaelangelo's art.

Yeats and European Drama

Author: Michael McAteer

Publisher: Cambridge University Press

Published: 2010-08-05

Total Pages: 237

ISBN-13: 0521769116

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Michael McAteer examines the plays of W. B. Yeats, considering their place in European theatre during the late nineteenth and early twentieth century. This original study considers the relationship Yeats's work bore with those of the foremost dramatists of the period, drawing comparisons with Henrik Ibsen, Maurice Maeterlinck, August Strindberg, Luigi Pirandello and Ernst Toller. It also shows how his plays addressed developments in theatre at the time, with regard to the Naturalist, Symbolist, Surrealist and Expressionist movements, and how symbolism identified Yeats's ideas concerning labour, commerce and social alienation. This book is invaluable to graduates and academics studying Yeats but also provides a fascinating account for those in Irish studies and in the wider field of drama.

Great Art Beaten Down

Author: William Butler Yeats

Publisher:

Published: 2011-05-01

Total Pages: 16

ISBN-13: 9781258019785

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Article From College English, V13, No. 5, February, 1952.

Yeats and the Logic of Formalism

Author: Vereen M. Bell

Publisher: University of Missouri Press

Published: 2006

Total Pages: 214

ISBN-13: 0826264840

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"Attempts to balance traditional and modern criticism of Yeats by linking formalism and philosophy in the context of Yeats' work and evaluates its credibility in Yeats's practice in relation to other theoretical discourses and in the context of the turbulent cultural and historical circumstances under which Yeats worked"--Provided by publisher.

The Influence of Oscar Wilde on W.B. Yeats

Author: Noreen Doody

Publisher: Springer

Published: 2018-08-07

Total Pages: 340

ISBN-13: 3319895486

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This book asserts that Oscar Wilde (1854 – 1900) was a major precursor of W.B. Yeats (1865 – 1939), and shows how Wilde’s image and intellect set in train a powerful influence within Yeats’s creative imagination that remained active throughout the poet’s life. The intellectual concepts, metaphysical speculations and artistic symbols and images which Yeats appropriated from Wilde changed the poet’s perspective and informed the imaginative system of beliefs that Yeats formulated as the basis of his dramatic and poetic work. Section One, 'Influence and Identity' (1888 – 1895), explores the personal relationship of these two writers, their nationality and historical context as factors in influence. Section Two, 'Mask and Image' (1888 – 1917), traces the creative process leading to Yeats’s construction of the antithetical mask, and his ideas on image, in relation to the role of Wilde as his precursor. Finally, 'Salomé: Symbolism, Dance and Theories of Being' (1891 – 1939) concentrates on the immense influence that Wilde’s symbolist play, Salomé, wrought on Yeats’s imaginative work and creative sensibility.

Yeats and the Beginning of the Irish Renaissance

Author: Phillip L. Marcus

Publisher: Syracuse University Press

Published: 1986-12-01

Total Pages: 352

ISBN-13: 9780815623984

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W. B. Yeats was the outstanding figure in the early years of the Irish Literary Renaissance. This study offers the fullest, most detailed picture available of Yeats's impact on that movement between 1885 and 1899 and sheds new light upon the development of the movement itself. For this new edition, Professor Marcus has added an introductory essay surveying work in the field since the original publication of the study and offering important new interpretive material of his own.

Making the Void Fruitful

Author: Patrick J. Keane

Publisher:

Published: 2021

Total Pages: 272

ISBN-13: 9781800643222

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Shedding fresh light on the life and work of William Butler Yeats--widely acclaimed as the major English-language poet of the twentieth century--this new study by leading scholar Patrick J. Keane questions established understandings of the Irish poet's long fascination with the occult: a fixation that repelled literary contemporaries T.S. Eliot and W.H. Auden, but which enhanced Yeats's vision of life and death.

The Cutting of an Agate

Author: W. B. Yeats

Publisher: DigiCat

Published: 2022-09-15

Total Pages: 127

ISBN-13:

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This work contains essays concerning artistic criticism of plays, poetry, and paintings by W.B. Yeats, the Irish writer who is one of the central figures of 20th-century literature. He talked about these subjects reasonably, logically, and clearly.

Reveries over Childhood and Youth

Author: W. B. Yeats

Publisher: DigiCat

Published: 2022-08-10

Total Pages: 89

ISBN-13:

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Reveries over Childhood and Youth by W. B. Yeats is Yeats's autobiography. It includes poetic descriptions from and about one of the most influential poets of the twentieth century. Excerpt: "My first memories are fragmentary and isolated and contemporaneous, as though one remembered vaguely some early day of the Seven Days. It seems as if time had not yet been created, for all are connected with emotion and place and without sequence."