A History of Chinese Martial Arts Fiction

A History of Chinese Martial Arts Fiction PDF

Author: Chen Pingyuan

Publisher: Cambridge University Press

Published: 2016-10-13

Total Pages: 277

ISBN-13: 1107069882

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The seminal work on the evolution, aesthetics and politics of modern martial arts fiction from one of China's leading scholars.

Chinese Martial Arts Cinema

Chinese Martial Arts Cinema PDF

Author: Stephen Teo

Publisher: Edinburgh University Press

Published: 2015-11-13

Total Pages: 240

ISBN-13: 1474403883

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This is the first comprehensive, fully-researched account of the historical and contemporary development of the traditional martial arts genre in the Chinese cinema known as wuxia (literal translation: martial chivalry) - a genre which audiences around the world became familiar with through the phenomenal 'crossover' hit Crouching Tiger, Hidden Dragon (2000). The book unveils rich layers of the wuxia tradition as it developed in the early Shanghai cinema in the late 1920s, and from the 1950s onwards, in the Hong Kong and Taiwan film industries. Key attractions of the book are analyses of:*The history of the tradition as it began in the Shanghai cinema, its rise and popularity as a serialized form in the silent cinema of the late 1920s, and its eventual prohibition by the government in 1931.*The fantastic characteristics of the genre, their relationship with folklore, myth and religion, and their similarities and differences with the kung fu sub-genre of martial arts cinema.*The protagonists and heroes of the genre, in particular the figure of the female knight-errant.*The chief personalities and masterpieces of the genre - directors such as King Hu, Chu Yuan, Zhang Che, Ang Lee, Zhang Yimou, and films such as Come Drink With Me (1966), The One-Armed Swordsman (1967), A Touch of Zen (1970-71), Hero (2002), House of Flying Daggers (2004), and Curse of the Golden Flower (2006).

Stars of Chaos: Sha Po Lang (Novel) Vol. 3

Stars of Chaos: Sha Po Lang (Novel) Vol. 3 PDF

Author: priest

Publisher: Seven Seas Entertainment

Published: 2024-05-07

Total Pages: 426

ISBN-13:

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With the Westerners and their allies pressing in on all sides, the empire of Great Liang enters its darkest hour. Under these desperate conditions, Gu Yun leads the beleaguered Black Iron Battalion to hold the borders. Meanwhile, Chang Geng makes his move in the imperial court, sweeping corrupt officials aside in an effort to stabilize the nation before it's too late. As the two struggle to hold the tattered pieces of the empire together, Gu Yun uncovers a shocking truth about the curse slowly tightening its grip on Chang Geng's mind. But are the deepest secrets of Cheng Geng's past enough to move even the iron heart of the nation's most fearsome general?

Mulberry and Peach

Mulberry and Peach PDF

Author: Hualing Nie

Publisher: Feminist Press at CUNY

Published: 1998

Total Pages: 244

ISBN-13: 9781558611825

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A brilliantly crafted picaresque novel, sensual, harrowing and even comic, of an Asian-American woman's exile

Revolution Plus Love

Revolution Plus Love PDF

Author: Liu Jianmei

Publisher: University of Hawaii Press

Published: 2003-09-30

Total Pages: 294

ISBN-13: 9780824825867

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In the aftermath of the May Fourth movement, a growing expectation of revolution raised important intellectual issues about the position of the individual within a society in turmoil and the shifting boundaries of political and sexual identities. The theme of "revolution plus love," a literary response to the widespread insurrections and upheaval, was first popularized in the late 1920s. In her examination of this popular but understudied literary formula, Liu Jianmei argues that revolution and love are culturally variable entities, their interplay a complex and constantly changing literary practice that is socially and historically determined. Liu looks at the formulary writing of "revolution plus love" from the 1930s to the 1970s as a case study of literary politics. Favored by leftist writers during the early period of revolutionary literature, it continued to influence mainstream Chinese literature up to the 1970s. By drawing a historical picture of the articulation and rearticulation of this theme, Liu shows how changes in revolutionary discourse force unpredictable representations of gender rules and power relations, and how women's bodies reveal the complex interactions between political representation and gender roles. Revolution Plus Love is a nuanced and carefully considered work on gender and modernity in China, unmatched in its broad use of literary resources. It will be of considerable interest to scholars and students of modern Chinese literature, women’s studies, cultural studies, and comparative literature.