-PDF Download- Writing Russia In The Age Of Shakespeare EBOOK

Writing Russia in the Age of Shakespeare

Author: Daryl W. Palmer

Publisher: Routledge

Published: 2017-03-02

Total Pages: 288

ISBN-13: 1351870769

This study commences with a simple question: how did Russia matter to England in the age of William Shakespeare? In order to answer the question, the author studies stories of Lapland survival, diplomatic envoys, merchant transactions, and plays for the public theaters of London. At the heart of every chapter, Shakespeare and his contemporaries are seen questioning the status of writing in English, what it can and cannot accomplish under the influence of humanism, capitalism, and early modern science. The phrase 'Writing Russia' stands for the way these English writers attempted to advance themselves by conjuring up versions of Russian life. Each man wrote out of a joint-stock arrangement, and each man's relative success and failure tells us much about the way Russia mattered to England.

Russian Essays on Shakespeare and His Contemporaries

Author: Aleksandr Tikhonovich Parfenov

Publisher: University of Delaware Press

Published: 1998

Total Pages: 216

ISBN-13: 9780874136197

DOWNLOAD EBOOK →

Throughout his career, from the early play Love's Labour's Lost to one of his last romances, The Winter's Tale, Shakespeare was intrigued by Russia. Reciprocating that intrigue over the last few centuries, Russia, as so many other countries, has claimed Shakespeare as its own. The essays in this book represent the work of Russian and Ukrainian scholars from three different perspectives: explaining the plays to Russian audiences, discussing Russian theater for Western audiences, and dealing with contemporary criticism.

Russian Literature: A Very Short Introduction

Author: Catriona Kelly

Publisher: OUP Oxford

Published: 2001-08-23

Total Pages: 184

ISBN-13: 9780191577505

DOWNLOAD EBOOK →

This book is intended to capture the interest of anyone who has been attracted to Russian culture through the greats of Russian literature, either through the texts themselves, or encountering them in the cinema, or opera. Rather than a conventional chronology of Russian literature, the book will explore the place and importance of literature of all sorts in Russian culture. How and when did a Russian national literature come into being? What shaped its creation? How have the Russians regarded their literary language? The book will uses the figure of Pushkin, 'the Russian Shakespeare' as a recurring example as his work influenced every Russian writer who came after hime, whether poets or novelists. It will look at such questions as why Russian writers are venerated, how they've been interpreted inside Russia and beyond, and the influences of such things as the folk tale tradition, orthodox religion, and the West ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Shakespeare and Literature in Nineteenth Century Russia

Author: Iurii D. Levin

Publisher: Berg Publishers

Published:

Total Pages: 368

ISBN-13: 9780854968633

DOWNLOAD EBOOK →

Sir Jerome Horsey’s Travels and Adventures in Russia and Eastern Europe

Author: John Anthony Butler

Publisher: Cambridge Scholars Publishing

Published: 2018-10-29

Total Pages: 301

ISBN-13: 1527520633

DOWNLOAD EBOOK →

This volume details Sir Jerome Horsey’s account of his experiences in Russia and other countries. Horsey, who spent the better part of seventeen years in the country until leaving in 1591, was an employee of the Muscovy Company, but also operated as an unofficial ambassador for both the English and Russian governments. He was personally acquainted with such people as Ivan the Terrible, Tsar Fyodor I and Boris Godunov, and gives lively and interesting accounts of his interactions with them, as well as with many other prominent people, both Russian and English. Horsey has been accused of exaggeration, chicanery and self-advertisement, but his account is by far the most readable and enjoyable of the many books written by English people sojourning in Russia. It has been published only twice, both times in conjunction with Giles Fletcher’s contemporary and more “professional” account of the Russian state; this edition, with a full introduction and extensive notes, is the first to present Horsey’s book on its own. It is a travel-book, an adventure story and an autobiography of a controversial and significant figure.

Musical Cultures in Seventeenth-Century Russia

Author: Claudia R. Jensen

Publisher: Indiana University Press

Published: 2009-10-05

Total Pages: 377

ISBN-13: 0253003474

DOWNLOAD EBOOK →

Claudia R. Jensen presents the first unified study of musical culture in the court and church of Muscovite Russia. Spanning the period from the installation of Patriarch Iov in 1589 to the beginning of Peter the Great's reign in 1694, her book offers detailed accounts of the celebratory musical performances for Russia's first patriarch -- events that were important displays of Russian piety and power. Jensen emphasizes music's varied roles in Muscovite society and the equally varied opinions and influences surrounding it. In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.

Rosa Newmarch and Russian Music in Late Nineteenth and Early Twentieth-Century England

Author: PhilipRoss Bullock

Publisher: Routledge

Published: 2017-07-05

Total Pages: 208

ISBN-13: 1351550519

DOWNLOAD EBOOK →

Philip Ross Bullock looks at the life and works of Rosa Newmarch (1857-1940), the leading authority on Russian music and culture in late nineteenth- and early twentieth-century England. Although Newmarch's work and influence are often acknowledged - most particularly by scholars of English poetry, and of the role of women in English music - the full range of her ideas and activities has yet to be studied. As an inveterate traveller, prolific author, and polyglot friend of some of Europe's leading musicians, such as Elgar, Sibelius and Jank, Newmarch deserves to be better appreciated. On the basis of both published and archival materials, the details of Newmarch's busy life are traced in an opening chapter, followed by an overview of English interest in Russian culture around the turn of the century, a period which saw a long-standing Russophobia (largely political and military) challenged by a more passionate and well-informed interest in the arts Three chapters then deal with the features that characterize Newmarch's engagement with Russian culture and society, and - more significantly perhaps - which she also championed in her native England; nationalism; the role of the intelligentsia; and feminism. In each case, Newmarch's interest in Russia was no mere instance of ethnographic curiosity; rather, her observations about and passion for Russia were translated into a commentary on the state of contemporary English cultural and social life. Her interest in nationalism was based on the conviction that each country deserved an art of its own. Her call for artists and intellectuals to play a vital role in the cultural and social life of the country illustrated how her Russian experiences could map onto the liberal values of Victorian England. And her feminism was linked to the idea that women could exercise roles of authority and influence in society through participation in the arts. A final chapter considers how her late interest in the music of Czechoslovakia pi

The Edge of Christendom on the Early Modern Stage

Author: Lisa Hopkins

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2022-03-07

Total Pages: 281

ISBN-13: 1501514172

DOWNLOAD EBOOK →

Throughout the sixteenth and seventeenth centuries, the edges of Europe were under pressure from the Ottoman Turks. This book explores how Shakespeare and his contemporaries represented places where Christians came up against Turks, including Malta, Tunis, Hungary, and Armenia. Some forms of Christianity itself might seem alien, so the book also considers the interface between traditional Catholicism, new forms of Protestantism, and Greek and Russian orthodoxy. But it also finds that the concept of Christendom was under threat in other places, some much nearer to home. Edges of Christendom could be found in areas that were or had been pagan, such as Rome itself and the Danelaw, which once covered northern England; they could even be found in English homes and gardens, where imported foreign flowers and exotic new ingredients challenged the concept of what was native and natural.

Shakespeare's Imaginary Constitution

Author: Paul Raffield

Publisher: Bloomsbury Publishing

Published: 2010-10-28

Total Pages: 272

ISBN-13: 1847316069

DOWNLOAD EBOOK →

Through an examination of six plays by Shakespeare, the author presents an innovative analysis of political developments in the last decade of Elizabethan rule and their representation in poetic drama of the period. The playhouses of London in the 1590s provided a distinctive forum for discourse and dissemination of nascent political ideas. Shakespeare exploited the unique capacity of theatre to humanise contemporary debate concerning the powers of the crown and the extent to which these were limited by law. The autonomous subject of law is represented in the plays considered here as a sentient political being whose natural rights and liberties found an analogue in the narratives of common law, as recorded in juristic texts and law reports of the early modern era. Each chapter reflects a particular aspect of constitutional development in the late-Elizabethan state. These include abuse of the royal prerogative by the crown and its agents; the emergence of a politicised middle class citizenry, empowered by the ascendancy of contract law; the limitations imposed by the courts on the lawful extent of divinely ordained kingship; the natural and rational authority of unwritten lex terrae; the poetic imagination of the judiciary and its role in shaping the constitution; and the fusion of temporal and spiritual jurisdiction in the person of the monarch. The book advances original insights into the complex and agonistic relationship between theatre, politics, and law. The plays discussed offer persuasive images both of the crown's absolutist tendencies and of alternative polities predicated upon classical and humanist principles of justice, equity, and community. 'It is now canon in progressive U.S. legal scholarship that to focus solely on the text of our Constitution is myopic. We look as well for "constitutional moments", moments when the zeitgeist is so transformed that our fundamental legal charter changes with it. In this breathtakingly erudite book, Paul Raffield argues that the late-Elizabethan period was such a "constitutional moment" in England, a moment literally "played out" for the polity by the greatest dramatist of all time. A lawyer and a thespian, Raffield handles both legal and literary sources with exquisite care. As with the works of the Old Masters, one dwells pleasurably on each detail until their cumulative force presses one backward to see the canvas in its sudden, glorious entirety. A major achievement.' Kenji Yoshino Chief Justice Earl Warren Professor of Constitutional Law, NYU School of Law

Cultures of Diplomacy and Literary Writing in the Early Modern World

Author: Tracey A. Sowerby

Publisher: Oxford University Press, USA

Published: 2019-06-20

Total Pages: 300

ISBN-13: 0198835698

DOWNLOAD EBOOK →

This interdisciplinary volume explores core emerging themes in the study of early modern literary-diplomatic relations, developing essential methods of analysis and theoretical approaches that will shape future research in the field. Contributions focus on three intimately related areas: the impact of diplomatic protocol on literary production; the role of texts in diplomatic practice, particularly those that operated as 'textual ambassadors'; and the impact of changes in the literary sphere on diplomatic culture. The literary sphere held such a central place because it gave diplomats the tools to negotiate the pervasive ambiguities of diplomacy; simultaneously literary depictions of diplomacy and international law provided genre-shaped places for cultural reflection on the rapidly changing and expanding diplomatic sphere. Translations exemplify the potential of literary texts both to provoke competition and to promote cultural convergence between political communities, revealing the existence of diplomatic third spaces in which ritual, symbolic, or written conventions and semantics converged despite particular oppositions and differences. The increasing public consumption of diplomatic material in Europe illuminates diplomatic and literary communities, and exposes the translocal, as well as the transnational, geographies of literary-diplomatic exchanges. Diplomatic texts possessed symbolic capital. They were produced, archived, and even redeployed in creative tension with the social and ceremonial worlds that produced them. Appreciating the generic conventions of specific types of diplomatic texts can radically reshape our interpretation of diplomatic encounters, just as exploring the afterlives of diplomatic records can transform our appreciation of the histories and literatures they inspired.