Writing Art History

Writing Art History PDF

Author: Margaret Iversen

Publisher: University of Chicago Press

Published: 2010-12

Total Pages: 256

ISBN-13: 0226388263

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Since art history is having a major identity crisis as it struggles to adapt to contemporary global and mass media culture, this book intervenes in the struggle by laying bare the troublesome assumptions and presumptions at the field's foundations in a series of essays.

Principles of Art History Writing

Principles of Art History Writing PDF

Author: David Carrier

Publisher: Penn State Press

Published: 1991

Total Pages: 268

ISBN-13: 9780271038483

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"Principles of Art History Writing traces the changes in the way in which writers about art represent the same works. These differ in such deep ways as to raise the question of whether those at the beginning of the process even saw the same things as those at the end did. Carrier uses four case studies to identify and explain changing styles of restoration and the history of interpretation of selected works by Piero, Caravaggio, and van Eyck." -- Back cover

Creative Writing and Art History

Creative Writing and Art History PDF

Author: Catherine Grant

Publisher: John Wiley & Sons

Published: 2012-03-19

Total Pages: 209

ISBN-13: 1444350390

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Creative Writing and Art History considers the ways in which the writing of art history intersects with creative writing. Essays range from the analysis of historical examples of art historical writing that have a creative element to examinations of contemporary modes of creative writing about art. Considers the ways in which the writing of art history intersects with creative writing Covers a diverse subject matter, from late Neolithic stone circles to the writing of a sentence by Flaubert The collection both contains essays that survey the topic as well as more specialist articles Brings together specialist contributors from both sides of the Atlantic

The Art of History

The Art of History PDF

Author: Christopher Bram

Publisher: Graywolf Press

Published: 2016-07-05

Total Pages: 175

ISBN-13: 1555979394

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One has to look no further than the audiences hungry for the narratives served up by Downton Abbey or Wolf Hall to know that the lure of the past is as seductive as ever. But incorporating historical events and figures into a shapely narrative is no simple task. The acclaimed novelist Christopher Bram examines how writers as disparate as Gabriel García Márquez, David McCullough, Toni Morrison, Leo Tolstoy, and many others have employed history in their work. Unique among the "Art Of" series, The Art of History engages with both fiction and narrative nonfiction to reveal varied strategies of incorporating and dramatizing historical detail. Bram challenges popular notions about historical narratives as he examines both successful and flawed passages to illustrate how authors from different genres treat subjects that loom large in American history, such as slavery and the Civil War. And he delves deep into the reasons why War and Peace endures as a classic of historical fiction. Bram's keen insight and close reading of a wide array of authors make The Art of History an essential volume for any lover of historical narrative.

The End of Diversity in Art Historical Writing

The End of Diversity in Art Historical Writing PDF

Author: James Elkins

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-12-07

Total Pages: 221

ISBN-13: 311072247X

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The End of Diversity in Art Historical Writing is the most globally informed book on world art history, drawing on research in 76 countries. In addition some chapters have been crowd sourced: posted on the internet for comments, which have been incorporated into the text. It covers the principal accounts of Eurocentrism, center and margins, circulations and atlases of art, decolonial theory, incommensurate cultures, the origins and dissemination of the "October" model, problems of access to resources, models of multiple modernisms, and the emergence of English as the de facto lingua franca of art writing.

What Is Interesting Writing in Art History?

What Is Interesting Writing in Art History? PDF

Author: James Elkins

Publisher:

Published: 2017-08-09

Total Pages: 164

ISBN-13: 9781387154784

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This is a book about how art history is written. It includes detailed analyses of a dozen important texts, and theories about what counts as "interesting" or "experimental" writing on art. There are chapters on texts by Rosalind Krauss, T.J. Clark, Alexander Nemerov, Gilles Deleuze, Helene Cixous, Leo Steinberg, Jean-Louis Schefer, and others; a chapter on institutions that teach experimental writing on art; analyses of rival concepts of the essay; and chapters on the absence of literary criticism in the disciplines of art history, visual studies, art theory, and art criticism.

This Little Artist

This Little Artist PDF

Author: Joan Holub

Publisher: Simon and Schuster

Published: 2019-09-10

Total Pages: 26

ISBN-13: 1534442944

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Learn all about artists who changed history in this engaging and colorful board book perfect for creators-in-training! Painting, shaping, making art. With creative joy, hands, and heart. Little artists have great big imaginations. In this follow up to This Little President, This Little Explorer, This Little Trailblazer, and This Little Scientist now even the youngest readers can learn all about great and empowering artists in history! Highlighting ten memorable artists who paved the way, parents and little ones alike will love this creativity primer full of fun, age-appropriate facts and bold illustrations.

Prefacing the Image

Prefacing the Image PDF

Author: David J. Roxburgh

Publisher: BRILL

Published: 2001

Total Pages: 304

ISBN-13: 9789004113763

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"Readership: All those interested in the history and theory of art, and histories of Persian literature and culture in the premodern Islamic world."--BOOK JACKET.

Art History: A Very Short Introduction

Art History: A Very Short Introduction PDF

Author: Dana Arnold

Publisher: OUP Oxford

Published: 2004-01-22

Total Pages: 158

ISBN-13: 0191577596

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This clear and concise new introduction examines all the major debates and issues using a wide range of well-known examples. It discusses the challenge of using verbal and written language to analyse a visual form. Dana Arnold also examines the many different ways of writing about art, and the changing boundaries of the subject of art history. Topics covered include the canon of Art History, the role of the gallery, 'blockbuster' exhibitions, the emergence of social histories of art (Feminist Art History or Queer Art History, for example), the impact of photography, and the development of Art History using artefacts such as the altarpiece, the portrait, or pornography, to explore social and cultural issues such as consumption, taste, religion, and politics. Importantly, this book explains how the traditional emphasis on periods and styles originates in western art production and can obscure other critical approaches, as well as art from non western cultures. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.