Author: Salah M. Hassan
Publisher: Africa Research and Publications
Published: 1997
Total Pages: 136
ISBN-13:
DOWNLOAD EBOOK →A collection of work by six prominent artists accompanied by critical essays which place the work in the context of the artists' socio-cultural backgrounds. All six artists are of African origin but work in the West: Ethiopian painter Elisabeth T Atnafu; US fibre and mixed-media artist Xenobia Bailey; Jamaican photographer Renee Cox; Cameroon photographer Angele Essamba; painter Houria Niati from Algeria; and Ethiopian sculptor Etiye Dimma Poulsen.
Author: Zimbabwe Women's Resource Centre and Network
Publisher:
Published: 1996
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOK →Author: Karen Milbourne
Publisher:
Published: 2019-09-20
Total Pages: 160
ISBN-13: 9780965600187
DOWNLOAD EBOOK →Author: Joyce Jenje-Makwenda
Publisher:
Published: 2005
Total Pages: 204
ISBN-13:
DOWNLOAD EBOOK →Zimbabwe Township Music is a celebration of age-old popular music, which was evolved by the early urban settlers as far back as the 1930's. Urban culture in those days was a product of mixed traditional, contemporary and Western influences, which all moulded into the unique township music. It is therefore the musical off-spring and melodic fusion of several tribal and cultural urban settlers in the early Black townships; typified by such variants as kwe la, tsabatsaba, marabiand afro-jazz.Township Music often became a symbol of identity and dissent in the Black townships, which did not go so well with the authorities of the day. As the political situation became tense, the music went under around 1963, when the Federation of Rhodesia and Nyasaland came to an end. At Zimbabwe's independence in 1980, Township Music resurfaced and trickled slowly back into the country, to a much awaited reception and revival. Today the Township Music craze is gripping the country, drawing even youthful enthusiasts in its wake. It would be painstaking to list the numerous pace-setters along the milestones of this musical odyssey. It suffices to mention only a representative few: Josaya Hadebe, Kenneth and Lina Mattaka, Evelyn and Simon Juba, Augustine Musarurwa, Moses Mphahlo-Mafuruse, Sonny Sondo, Simanga Tutani, John White, Andrew Chakanyuka, Dorothy Masuka, Faith Dauti, Paul Lunga, Tanga wekwa Sando, Prudence Katomeni Mbofana and Duduzile Manhenga.
Author: Allen Scott
Publisher: Indiana University Press
Published: 2015-06-01
Total Pages: 518
ISBN-13: 0253014565
DOWNLOAD EBOOK →Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Author: Timothy Burke
Publisher: Duke University Press
Published: 1996
Total Pages: 316
ISBN-13: 9780822317623
DOWNLOAD EBOOK →How do people come to need products they never even knew they wanted? How, for example, did indigenous Zimbabweans of the 1940s begin to believe that they required Lifebuoy soap? Offering a glimpse into the intimate workings of modern colonialism and global capitalism, Timothy Burke takes up these questions in Lifebuoy Men, Lux Women, a study of post-World War II commodity culture in Zimbabwe. With particular attention to cosmetic products and the contrast between colonial and pre-colonial ideas of cleanliness, Burke examines the role played by commodity culture, changing patterns of consumption, and the spread of advertising in the making of modern Zimbabwe. His work combines history, anthropology, and political economy to show how the development of commodification in the region relates to the social history of hygiene. Within this framework, and drawing on a wide variety of historical sources, Burke explores dense interactions between commodity culture and embodied aspects of race, gender, sexuality, domesticity, health, and aesthetics in a colonial society. Rather than viewing the production of needs simply as an imposition from above, Lifebuoy Men, Lux Women shows what heterogeneous and complex processes, involving the aims and histories of both colonizers and colonized, produced these changes in Zimbabwean society. Integrating political economy, cultural studies, and a wide range of the social sciences, Lifebuoy Men, Lux Women will find readers among scholars of colonialism, African history, and ethnography as well those for whom the problem of commodification is a significant theoretical issue.
Author: Betty LaDuke
Publisher: Africa Research and Publications
Published: 1991
Total Pages: 172
ISBN-13:
DOWNLOAD EBOOK →Portraits of twelve artists from Africa and the Diaspora.
Author: Gitti Salami
Publisher: John Wiley & Sons
Published: 2013-12-24
Total Pages: 650
ISBN-13: 1444338374
DOWNLOAD EBOOK →Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across Africa Includes original and previously unpublished fieldwork-based material Features new and complex theoretical arguments about the nature of modernity and Modernism Addresses a widely acknowledged gap in the literature on African Art