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Author: K. Durga Bhavani
Publisher: Cambridge India
Published: 2010
Total Pages: 122
ISBN-13: 8175967684
DOWNLOAD EBOOK →Contributed articles presented at a national seminar on "Women in/and Media" on women in mass media conducted at Osmania University, Hyderabad.
Author: Juliette Merritt
Publisher: University of Toronto Press
Published: 2004-01-01
Total Pages: 170
ISBN-13: 9780802035400
DOWNLOAD EBOOK →Theories of sight and spectatorship captivated many writers and philosophers of the eighteenth century and, in turn, helped to define both sexual politics and gender identity. Eliza Haywood was thoroughly engaged in the social, philosophical, and political issues of her time, and she wrote prolifically about them, producing over seventy-five works of literature - plays, novels, and pamphlets - during her lifetime. Examining a number of works from this prodigious canon, Juliette Merritt focuses on Haywood's consideration of the myriad issues surrounding sight and seeing and argues that Haywood explored strategies to undermine the conventional male spectator/female spectacle structure of looking. Combining close readings of Haywood's work with twentieth-century debates among feminist and psychoanalytic theorists concerning the visual dynamics of identity and gender formation, Merritt explores insights into how the gaze operates socially, epistemologically, and ontologically in Haywood's writing, ultimately concluding that Haywood's own strategy as an author involved appropriating the spectator position as a means of exercising female power. Beyond Spectacle will cement Haywood's deservedly prominent place in the canon of eighteenth-century fiction and position her as a writer whose work speaks not only to female agency, but to eighteenth-century writers, gender relations, and power politics as well.
Author: E. Deidre Pribram
Publisher:
Published: 1988
Total Pages: 228
ISBN-13:
DOWNLOAD EBOOK →Feminist thinking on cinema has been dominated by approaches which emphasize how meanings are produced in films, and how this process hinges on sexual differences and prileges the masculine. The essays in this collection have been written by feminist film-makers and theorists on both sides of the Atlantic. Together, they provide a picture of feminist film criticism in teh 1980s, perspective readings of individual films and TV programs, and insights from women in the business of making films today.--Adapted from book jacket.
Author: Michele Aaron
Publisher: Wallflower Press
Published: 2007
Total Pages: 156
ISBN-13: 9781905674015
DOWNLOAD EBOOK →Michele Aaron cuts a lucid path through the dense undergrowth of the debate on spectatorship. She revisits the classics of Hollywood and explores films from beyond the mainstream, such as 'Dogme 95' to explore the nature of seeing and spectatorship.
Author: Dr. K.M. Johnson
Publisher: Co-Text Publishers
Published: 2022-01-12
Total Pages: 333
ISBN-13: 8195225330
DOWNLOAD EBOOK →Author: Abigail Geneé Hughes Manzella
Publisher:
Published: 2002
Total Pages:
ISBN-13:
DOWNLOAD EBOOK →For twenty-somethings today the 1982 musical movie Annie is an often mentioned piece of their cultural history. As one viewer recently mentioned, "not knowing many of those tunes is like not knowing happy birthday." With the realization of Annie's continued presence in our lexicon even twety years after its first release, I thought I should look more closely at thie piece of pop culture that girls relished when it came out and still refer to today. What was Annie giving to these girls that allowed Annie to be almost as highly recognized as McDonld's hamburgers, and what did these girls take away from the movie? With the aid of the web, I will be able to show the sights and sounds that affected these viewers as I study the representations of the female characters while comparing this to spectators' receptions. Although Annie often seems to demonstrate views in concordance with the need for gender specific roles, females as objects, and the dependence of women romantically and economically on men, this project will demonstrate the ability of girls as spectators to take something from the spectacle--for them to find strength in a world that often only gives them hard-knocks.
Author: Sue Thornham
Publisher: NYU Press
Published: 1999-04
Total Pages: 367
ISBN-13: 0814782442
DOWNLOAD EBOOK →For the past twenty-five years, cinema has been a vital terrain on which feminist debates about culture, representation, and identity have been fought. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Feminist Film Theory maps the impact of major theoretical developments on this growing field-from structuralism and psychoanalysis in the 1970s, to post-colonial theory, queer theory, and postmodernism in the 1990s. Covering a wide range of topics, including oppressive images, "woman" as fetishized object of desire, female spectatorship, and the cinematic pleasures of black women and lesbian women, Feminist Film Theory is an indispensable reference for scholars and students in the field. Contributors include Judith Butler, Carol J. Clover, Barbara Creed, Michelle Citron, Mary Ann Doane, Teresa De Lauretis, Jane Gaines, Christine Gledhill, Molly Haskell, bell hooks, Claire Johnston, Annette Kuhn, Julia Lesage, Judith Mayne, Tania Modleski, Laura Mulvey, B. Ruby Rich, Kaja Silverman, Sharon Smith, Jackie Stacey, Janet Staiger, Anna Marie Taylor, Valerie Walkerdine, and Linda Williams.
Author: Jill Dolan
Publisher: University of Michigan Press
Published: 2012-10-24
Total Pages: 213
ISBN-13: 0472035193
DOWNLOAD EBOOK →This groundbreaking work in gender and performance, with a new introduction and updated bibliography
Author: Susan A. Glenn
Publisher: Harvard University Press
Published: 2009-07-01
Total Pages: 336
ISBN-13: 0674037669
DOWNLOAD EBOOK →When the French actress Sarah Bernhardt made her first American tour in 1880, the term feminism had not yet entered our national vocabulary. But over the course of the next half-century, a rising generation of daring actresses and comics brought a new kind of woman to center stage. Exploring and exploiting modern fantasies and fears about female roles and gender identity, these performers eschewed theatrical convention and traditional notions of womanly modesty. They created powerful images of themselves as ambitious, independent, and sexually expressive New Women. Female Spectacle reveals the theater to have been a powerful new source of cultural authority and visibility for women. Ironically, theater also provided an arena in which producers and audiences projected the uncertainties and hostilities that accompanied changing gender relations. From Bernhardt's modern methods of self-promotion to Emma Goldman's political theatrics, from the female mimics and Salome dancers to the upwardly striving chorus girl, Glenn shows us how and why theater mattered to women and argues for its pivotal role in the emergence of modern feminism.
Author: Laura Mulvey
Publisher: Koenig Books
Published: 2016
Total Pages: 64
ISBN-13: 9783863359652
DOWNLOAD EBOOK →Since it first appeared in Screen in 1975, Laura Mulvey's essay "Visual Pleasure and Narrative Cinema" has been an enduring point of reference for artists, filmmakers, writers and theorists. Mulvey's compelling polemical analysis of visual pleasure has provoked and encouraged others to take positions, challenge preconceived ideas and produce new works that owe their possibility to the generative qualities of this key essay. In this book, the celebrated New York-based video artist Rachel Rose (born 1986) has produced an innovative work that extends and adds to the essay's frame of reference. Drawing on 18th- and 19th-century fairy tales, and observing how their flat narratives matched the flatness of their depictions, Rose created collages that connect these pre-cinematic illustrations to what Mulvey describes in her essay--cinema flattening sexuality into visuality.
