Wit and the Writing of History

Wit and the Writing of History PDF

Author: Paul Plass

Publisher: Univ of Wisconsin Press

Published: 1988

Total Pages: 198

ISBN-13: 9780299118044

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Wit has many uses in political discourse--to entertain, to underscore or unmask, to hinder or enhance insight. Wit and the Writing of History focuses on how this potential is realized in the historiography of the earlier Principate. Preeminently in Tacitus, to a lesser degree in Suetonius and Dio Cassius, wit is a vehicle for political understanding and judgment of the historical account. As part of Roman political life, hostile anecdotal or epigrammatic wit was deeply embedded in the sources used by historians and is reflected in the rhetoric of their narratives. Some anecdotes may, in fact, have been mere jests later taken as fact, hence the frequent problem of credulity. But what is historically false can be politically true. Not only were political jokes a weapon for making some fair points against the Principate; ancient rhetorical theory recognized that wit in general arises from a violation of normal, expected ways of thinking. What is "funny" is thus disturbing in a serious way as well as amusing, and in the hands of Tacitus wit becomes scalpel as well as sword.

The Wit and Wisdom of Mark Twain

The Wit and Wisdom of Mark Twain PDF

Author: Mark Twain

Publisher: Courier Corporation

Published: 2013-01-01

Total Pages: 194

ISBN-13: 048648923X

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"Familiarity breeds contempt — and children." "When angry, count to four; when very angry, swear." "Heaven for climate. Hell for company." This attractive paperback gift edition of the renowned American humorist's epigrams and witticisms features hundreds of quips on life, love, history, culture, travel, and other topics from his fiction, essays, letters, and autobiography.

Wit

Wit PDF

Author: Margaret Edson

Publisher: Farrar, Straus and Giroux

Published: 2014-05-20

Total Pages: 96

ISBN-13: 1466871830

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Winner of the 1999 Pulitzer Prize for Drama, the New York Drama Critics Circle Award, the Drama Desk Award, the Outer Critics Circle Award, the Lucille Lortel Award, and the Oppenheimer Award Margaret Edson's powerfully imagined Pulitzer Prize–winning play examines what makes life worth living through her exploration of one of existence's unifying experiences—mortality—while she also probes the vital importance of human relationships. What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, "The play is not about doctors or even about cancer. It's about kindness, but it shows arrogance. It's about compassion, but it shows insensitivity." In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end? The immediacy of the presentation, and the clarity and elegance of Edson's writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

Women's Wit and Wisdom: A Book Of Quotations

Women's Wit and Wisdom: A Book Of Quotations PDF

Author: Susan L. Rattiner

Publisher: Courier Corporation

Published: 2012-05-22

Total Pages: 81

ISBN-13: 0486111857

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Over 400 memorable quotes from the last 2,500 years by Sappho, Queen Elizabeth I, Harriet Tubman, Susan B. Anthony, Eleanor Roosevelt, Erma Bombeck, Oprah Winfrey, and many others. A delight!

Great Presidential Wit

Great Presidential Wit PDF

Author: Robert J. Dole

Publisher: Simon and Schuster

Published: 2001

Total Pages: 250

ISBN-13: 0743203925

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The former senator and presidential candidate collects bipartisan presidential humor from famous, and not-so-famous, chief executives, from Washington to Clinton.

Humorous History

Humorous History PDF

Author: A. G. Mogan

Publisher:

Published: 2018-08-06

Total Pages: 122

ISBN-13: 9781718063556

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This is a little book to read instead of the newspaper over your morning coffee. It is meant to--hopefully--put a smile on your face.History should not always be so serious. For it is but the record of the public and official acts of human beings. It is our objective, therefore, to humanize our history and deal with people past and present; people who ate and possibly drank; people who were born, flourished, and died. And if we cannot laugh at ourselves, then we are condemned to repeat the very same deeds of the past.*** The paperback contains black & white illustrations

A Woman of Noble Wit

A Woman of Noble Wit PDF

Author: Rosemary Griggs

Publisher: Troubador Publishing Ltd

Published: 2021-09-08

Total Pages: 200

ISBN-13: 1800466110

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Few women of her time lived to see their name in print. But Katherine was no ordinary woman. She was Sir Walter Raleigh’s mother. This is her story.

Ruse and Wit

Ruse and Wit PDF

Author: Dominic Parviz Brookshaw

Publisher:

Published: 2012

Total Pages: 0

ISBN-13: 9780674066700

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These essays examine a millennium of humorous and satirical writing in the Islamic world. Humor in Arabic, Persian, and Turkish narrative emerges here as a culturally modulated phenomenon that demands examination with reference to its historical framework and that, in turn, communicates as much about its producers as it does about its audience.