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Author: Margaret C. Conrads
Publisher: Princeton Univ Department of Art &
Published: 2001
Total Pages: 252
ISBN-13: 9780691070995
DOWNLOAD EBOOK →Homer's luminous watercolors and outdoor portraits are some of the most recognizable works in art history. This collection paints Homer as an integral part of the New York art scene who both embraced, and challenged, the American aesthetic of art. Color illustrations.
Author: Margaret C. Conrads
Publisher: Princeton Univ Department of Art &
Published: 2001
Total Pages: 252
ISBN-13: 9780691074306
DOWNLOAD EBOOK →"Winslow Homer's luminous watercolor seascapes and highly spirited portraits of children and outdoorsmen are some of the most recognizable and cherished works in the history of American art. This catalogue, published in conjunction with a major traveling exhibition, examines his pictures from the 1870s, the least-studied period of this perennially popular American artist. Debunking the common myth that Homer worked in isolation, Margaret Conrads reveals him as a controversial artist who was an integral part of the dizzying New York art scene of the 1870s. Indeed, Homer was the American artist most frequently discussed by the press at this time - often with simultaneous commendation and vilification." "By viewing Homer's works of the 1870s through the lens of contemporaneous criticism, the author explains how and why the painter embodied the critics' high hopes for an art that expressed national values. She finds reflected in his vivid images an ongoing struggle to meet these expectations, even as he challenged and helped to redefine the artistic conventions governing American aesthetics." "This handsome volume is a remarkable record of an important period not only in Winslow Homer's career but also in the fascinating art world of late-nineteenth-century America."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Jennifer A. Greenhill
Publisher: Univ of California Press
Published: 2012-08-01
Total Pages: 254
ISBN-13: 0520272455
DOWNLOAD EBOOK →Outgrowth of the author's thesis (Yale University, 2007) under the title: The plague of jocularity: contesting humor in American art and culture, 1863-1893.
Author: David Tatham
Publisher: Syracuse University Press
Published: 2020-10-15
Total Pages: 138
ISBN-13: 9780815637004
DOWNLOAD EBOOK →When Winslow Homer sailed to England in March of 1881, he was already well established as a leading member of his generation of American artists. Critics often referred to him as the “most American of American artists,” combining praise with the implication that his work was provincial compared to that of his more European-trained American contemporaries. However, upon his return, after a year and a half spent in the seaside village of Cullercoats, Homer’s work garnered rave reviews and gained a new appreciation among art dealers. In this book, Tatham’s detailed account of Homer’s time in Cullercoats offers a perceptive reappraisal of both the village’s influence on his work and the paintings themselves. In his Cullercoats paintings, Homer took as his main subject the lives and labors of the village’s women and their strong sense of community. In many ways, these paintings stand among Homer’s most original and perceptive depictions of women, but they also display his masterly uses of watercolor. The Cullercoats paintings show Homer in a new light, and Tatham’s revelatory account provides the long-overdue attention they deserve.
Author: Sterling and Francine Clark Art Institute
Publisher: Sterling and Francine Clark Art Museum
Published: 2013
Total Pages: 0
ISBN-13: 9781935998129
DOWNLOAD EBOOK →"Winslow Homer (1836-1910) is one of the core figures of 19th-century American art. While most well-known for his oil paintings of Civil War scenes and the windswept Atlantic coastline, Homer's oeuvre encompasses a variety of themes, ranging from childhood games through the life-and-death struggles of man and nature. The Clark Art Institute holds one of the greatest collections of Homer's work across all media, including wood engravings, etchings, watercolors, drawings, and paintings from nearly all phases of his career. The collection was assembled predominately by Robert Sterling Clark (1877-1956), who purchased his first Winslow Homer painting in 1915, followed by Two Guides in 1916 and maintained a passion for the artist throughout the rest of his collecting career, acquiring the small oil Playing a Fish in 1955. This book examines Robert Sterling Clark as a collector of Homer and the Clark's extensive holdings of the artist. Over thirty entries discuss the role of individual works in Homer's oeuvre and their larger significance to the art world. An illustrated checklist provides information on titles, dates, and media for the entire collection."--Publisher description.
Author: Margaret C. Conrads
Publisher: Hudson Hills
Published: 1990
Total Pages: 232
ISBN-13: 9781555950507
DOWNLOAD EBOOK →68 treasures of Massachusetts museum: Homer, Sargent, Cassatt, Inness, Remington in depth.
Author: Deborah Solomon
Publisher: Macmillan
Published: 2013-11-05
Total Pages: 513
ISBN-13: 0374113092
DOWNLOAD EBOOK →"The long-awaited biography of the defining illustrator of the twentieth century by a celebrated art critic"--
Author: Martha Tedeschi
Publisher: Yale University Press
Published: 2008-02-26
Total Pages: 228
ISBN-13: 0300223862
DOWNLOAD EBOOK →American painter Winslow Homer (1836–1910) created some of the most breathtaking and influential watercolors in the history of the medium. This handsome volume provides a comprehensive look at Homer’s technical and artistic practice as a watercolorist, and at the experiences that shaped his remarkable development. Focusing on 25 rarely seen watercolors from the Art Institute’s collection, along with 75 other related watercolors, gouaches, drawings, and paintings––including many of the artist’s characteristic subjects––the book proposes a new understanding of Homer’s techniques as they evolved over his career. Accessibly written essays consider each of the featured works in detail, examining the relationship between monochrome drawing and watercolor and the artist’s lifelong interest in new optical and color theories. In particular, they show how his sojourn in England—where he encountered leading British marine watercolorists and the dynamic avant-garde art scene—precipitated an abrupt change in technique and subject matter upon his return home. Conservators address the fragility of these watercolors, which are prone to fading due to light exposure, and demonstrate, through pioneering research on Homer’s pigments and computer-assisted imaging, how the works have changed over time. Several of Homer’s greatest watercolors are digitally “restored,” providing an exhilarating glimpse of the original impact of Homer’s groundbreaking color experiments.
