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William S. Burroughs vs. The Qur'an

Author: Michael Muhammad Knight

Publisher: Catapult

Published: 2012-03-01

Total Pages: 232

ISBN-13: 1593764766

When Michael Muhammad Knight sets out to write the definitive biography of his “Anarcho-Sufi” hero and mentor, writer Peter Lamborn Wilson (aka Hakim Bey), he makes a startling discovery that changes everything. At the same time that he grows disillusioned with his idol, Knight finds that his own books have led to American Muslim youths making a countercultural idol of him, placing him on the same pedestal that he had given Wilson. In an attempt to forge his own path, Knight pledges himself to an Iranian Sufi order that Wilson had almost joined, attempts to write the Great American Queer Islamo-Futurist Novel, and even creates his own mosque in the wilderness of West Virginia. He also employs the “cut-up” writing method of Bey’s friend, the late William S. Burroughs, to the Qur’an, subjecting Islam’s holiest scripture to literary experimentation. William S. Burroughs vs. the Qur’an is the struggle of a hero-worshiper without heroes and the meeting of religious and artistic paths, the quest of a writer as spiritual seeker.

William S. Burroughs vs. The Qur'an

Author: Michael Muhammad Knight

Publisher: Catapult

Published: 2012-04-17

Total Pages: 289

ISBN-13: 1593764154

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William S. Burroughs and the Cult of Rock 'n' Roll

Author: Casey Rae

Publisher: University of Texas Press

Published: 2021-10-05

Total Pages: 313

ISBN-13: 1477322590

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William S. Burroughs's fiction and essays are legendary, but his influence on music's counterculture has been less well documented—until now. Examining how one of America's most controversial literary figures altered the destinies of many notable and varied musicians, William S. Burroughs and the Cult of Rock 'n' Roll reveals the transformations in music history that can be traced to Burroughs. A heroin addict and a gay man, Burroughs rose to notoriety outside the conventional literary world; his masterpiece, Naked Lunch, was banned on the grounds of obscenity, but its nonlinear structure was just as daring as its content. Casey Rae brings to life Burroughs's parallel rise to fame among daring musicians of the 1960s, '70s, and '80s, when it became a rite of passage to hang out with the author or to experiment with his cut-up techniques for producing revolutionary lyrics (as the Beatles and Radiohead did). Whether they tell of him exploring the occult with David Bowie, providing Lou Reed with gritty depictions of street life, or counseling Patti Smith about coping with fame, the stories of Burroughs's backstage impact will transform the way you see America's cultural revolution—and the way you hear its music.

Tripping with Allah

Author: Michael Muhammad Knight

Publisher: Catapult

Published: 2013-03-01

Total Pages: 179

ISBN-13: 1593764995

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If Tripping with Allah is a road book, it’s a road book in the tradition of 2001: A Space Odyssey, rather than On the Road. Amazonian shamanism meets Christianity meets West African religion meets Islam in this work of reflection and inward adventure. Knight, the “Hunter S. Thompson of Islamic literature” seeks reconciliation between his Muslim identity and his drinking of ayahuasca, a psychedelic tea that has been used in the Amazon for centuries. His experience becomes an opportunity to investigate complex issues of drugs, religion, and modernity. Though essential for readers interested in Islam or the growing popularity of ayahuasca, this book is truly about neither Islam nor ayahuasca. Tripping with Allah provides an accessible look into the construction of religion, the often artificial borders dividing these constructions, and the ways in which religion might change in an increasingly globalized world. Finally, Tripping with Allah not only explores Islam and drugs, but also Knight’s own process of creativity and discovery.

William S. Burroughs ve Kur'an-ı Kerim

Author: Michael Muhammad Knight

Publisher: altikirkbes, Altıkırkbeş Yayın

Published:

Total Pages:

ISBN-13: 6059878040

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"Dünyanın sonu Kur'an-ı Kerim'in intihar notudur" der, Muhammad Knight -kaldı ki haksız da değildir! Kâbe'nin, İslamiyet'in Disney Land'i olduğunu dile getirirken aslında gerçek Müslümanın içinde hissettiği acıya da dokunur: İnşaat sektörünce parsellenmiş bir Beyt'ullah, Muhammed Resulün zorluklarla sınanmamızı istediği uzun Hac yolculukları ile yan yana gelemez elbet! William Burroughs'un "İslam Anonim Şirketi" ifadesini Knight "İslami Koka Kola" fikriyle genişletir. Öte yandan Hakim Bey'in tradisyonellerden çalıp sitüasyonistçe saptırdığı irfana kattıklarını alır ve sokak punkına bular. Evet karşınızda başka bir kusmuk var, karşı-kültür eklektiği bir İslam! Muhammad Knight öldürülmediğine göre yazdıkları istediği kıvama hala gelememiş. Belki Müslümanlar da biraz deli sayıklaması yerine derinlikli bir saldırıyı tercih ediyorlardır. Ya da sadece Danimarka yahut Fransa'da yaşayan karikatüristlerin Muhammed çizimlerine takıldılar.

Journey to the End of Islam

Author: Michael Muhammad Knight

Publisher: Catapult

Published: 2009-12-10

Total Pages: 260

ISBN-13: 1593765525

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In Journey to the End of Islam, Michael Muhammad Knight — whose work has led to him being hailed as both the Jack Kerouac and Hunter S. Thompson of American Islam — wanders through Muslim countries, navigating between conflicting visions of his religion. Visiting holy sites in Pakistan, Syria, Egypt, and Ethiopia, Knight engages both the puritanical Islam promoted by Saudi globalization and the heretical strands of popular folk Islam: shrines, magic, music, and drugs. The conflict of “global” and “local” Islam speaks to Knight’s own experience approaching the Islamic world as a uniquely American Muslim with his own sources: the modern mythologies of the Nation of Islam and Five Percenters, as well as the arguments of Progressive Muslim thinkers for feminism and reform. Knight’s travels conclude at Islam’s spiritual center, the holy city of Mecca, where he performs the hajj required of every Muslim. During the rites of pilgrimage, he watches as all variations of Islam converge in one place, under the supervision of Saudi Arabia’s religious police. What results is a struggle to separate the spiritual from the political, Knight searching for a personal relationship to Islam in the context of how it's defined by the external world.

The Taqwacores

Author: Michael Muhammad Knight

Publisher: Catapult

Published: 2008-12-23

Total Pages: 186

ISBN-13: 1593763182

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A Muslim punk house in Buffalo, New York, inhabited by burqa-wearing riot girls, mohawked Sufis, straightedge Sunnis, Shi’a skinheads, Indonesian skaters, Sudanese rude boys, gay Muslims, drunk Muslims, and feminists. Their living room hosts parties and prayers, with a hole smashed in the wall to indicate the direction of Mecca. Their life together mixes sex, dope, and religion in roughly equal amounts, expressed in devotion to an Islamo-punk subculture, “taqwacore,” named for taqwa, an Arabic term for consciousness of the divine. Originally self-published on photocopiers and spiralbound by hand, The Taqwacores has now come to be read as a manifesto for Muslim punk rockers and a “Catcher in the Rye for young Muslims.” There are three different cover colors; red, white, and blue.

Why I Am a Salafi

Author: Michael Muhammad Knight

Publisher: Catapult

Published: 2015-08-01

Total Pages: 157

ISBN-13: 1619026317

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The Salafi movement invests supreme Islamic authority in the precedents of the Salaf, the first three generations of Muslims, who represent a “Golden Age” from which all subsequent eras can only decline. In Why I Am a Salafi, Michael Muhammad Knight confronts the problem of origins, questioning the possibility of accessing pure Islam through its canonical texts. Why I Am a Salafi is also a confrontation of Knight’s own origins as a Muslim. Reconsidering Salafism, Knight explores the historical processes that informed Islam as he once knew it, having converted to a Salafi vision of Islam in 1994. In the decades since, he has drifted away from Salafism in favor of an alternative Islam that celebrates the freaks, misfits, and heretical innovators. What happens to Islam when everything’s up for grabs, and can an anything-goes Islam allow space for reputedly intolerant Salafism? In Why I Am a Salafi, Knight explores not only Salafism’s valorization of the origins, but takes the Salafi project further than its advocates are willing to go, and reflects upon the consequences of surrendering the origins forever.

Blue-Eyed Devil

Author: Michael Muhammad Knight

Publisher: Catapult

Published: 2009-03-25

Total Pages: 246

ISBN-13: 1593763514

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Michael Muhammad Knight embarks on a quest for an indigenous American Islam in a series of interstate odysseys. Traveling 20,000 miles by Greyhound in sixty days, he squats in run-down mosques, pursues Muslim romance, is detained at the U.S.-Canadian border with a trunkload of Shia literature, crashes Islamic Society of North America conventions, stink-palms Cat Stevens, and limps across Chicago to find the grave of Noble Drew Ali, filling dozens of notebooks along the way. The result is this semi-autobiographical book, with multiple histories of Fard and the landscape of American Islam woven into Knight’s own story. In the course of his adventures, Knight sorts out his own relationship to Islam as he journeys from punk provocateur to a recognized voice in the community, and watches first-hand the collapse of a liberal Islamic dream. The book’s extensive cast of characters includes anarchist Sufi heretics, vegan kungfu punks, tattoo-sleeved converts in hard-core bands, spiritual drug dealers, Islamic feminists, slick media entrepreneurs, sages of the street, the grandsons of Elijah Muhammad and Malcolm X, and a group called Muslims for Bush.

Word Cultures

Author: Robin Lydenberg

Publisher: University of Illinois Press

Published: 1987

Total Pages: 232

ISBN-13: 9780252014130

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In this pioneering study, Robin Lydenberg focuses upon the stylistic accomplishments of this controversial and experimental writer. In doing so, she skillfully demonstrates that the ideas we now recognize as characteristic of post-structuralism and deconstruction were being developed independently by Burroughs long ago.