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Widows, Pariahs, and Bayadères

Author: Binita Mehta

Publisher: Bucknell University Press

Published: 2002

Total Pages: 294

ISBN-13: 9780838754559

This book analyzes how French dramatists reproduced certain images of India such as the burning widow, the lowly pariah or untouchable, and the exotic 'bayadere' or dancing girl in four plays and one ballet written from the eighteenth century through the twentieth centuries. Addressing questions of Orientalism, the book also argues that it was because the French lost their Indian colonies to the Briish in the eighteenth centuries that India became a part of the French literary imagination.

Widows, Pariahs, and Bayadéres

Author: Binita Mehta

Publisher:

Published: 2002-08-01

Total Pages: 282

ISBN-13: 9781611481242

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Land of spirituality, or land of widow burning? Land of fabulous wealth, or land of dire poverty, the caste system, and untouchability? Western literature has reflected stereotypical and contradictory images of India since antiquity. For centuries, French writers have reproduced images of India such as the widow immolating herself according to the custom of sati, the pariah or untouchable, and the bayadere or temple dancer, in various forms of theatrical representations - tragedies, ballets, operas, and exhibits in world's fairs. The examination of such recurrent images of India in four French plays and one ballet written from the eighteenth through the twentieth century demonstrates how these dramatic representations intervene politically in French society as well as further the aesthetic agendas of the dramatists themselves. India becomes a spectacle, both literally and figuratively, on the French stage. Raising questions of Orientalism, the book argues that it was precisely because the French lost their Indian colonies to the British in the eighteenth century that India became part of the French literary imagination.

"Music and Orientalism in the British Empire, 1780s?940s "

Author: Bennett Zon

Publisher: Routledge

Published: 2017-07-05

Total Pages: 403

ISBN-13: 1351557580

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Filling a significant gap in current scholarship, the fourteen original essays that make up this volume individually and collectively reflect on the relationship between music and Orientalism in the British Empire over the course of the long nineteenth century. The book is in four themed sections. 'Portrayal of the East' traces the routes from encounter to representation and restores the Orient to its rightful place in histories of Orientalism. 'Interpreting Concert Music' looks at one of the principal forms in which Orientalism could be brought to an eager and largely receptive - yet sometimes resistant - mass market. 'Words and Music' investigates the confluence of musical and Orientalist themes in different genres of writing, including criticism, fiction and travel writing. Finally, 'The Orientalist Stage' discusses crucial sites of Orientalist representation - music theatre and opera - as well as tracing similar phenomena in twentieth-century Hindi cinema. These final chapters examine the rendering of the East as 'unachievable and unrecognizable' for the consuming gaze of the western spectator.

The Other Worlds of Hector Berlioz

Author: Inge van Rij

Publisher: Cambridge University Press

Published: 2015-02-19

Total Pages: 371

ISBN-13: 1316239632

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Berlioz frequently explored other worlds in his writings, from the imagined exotic enchantments of New Zealand to the rings of Saturn where Beethoven's spirit was said to reside. The settings for his musical works are more conservative, and his adventurousness has instead been located in his mastery of the orchestra, as both orchestrator and conductor. Inge van Rij's book takes a new approach to Berlioz's treatment of the orchestra by exploring the relationship between these two forms of control – the orchestra as abstract sound, and the orchestra as collective labour and instrumental technology. Van Rij reveals that the negotiation between worlds characteristic of Berlioz's writings also plays out in his music: orchestral technology may be concealed or ostentatiously displayed; musical instruments might be industrialised or exoticised; and the orchestral musicians themselves move between being a society of distinctive individuals and being a machine played by Berlioz himself.

India in the French Imagination

Author: Kate Marsh

Publisher: Routledge

Published: 2015-10-06

Total Pages: 234

ISBN-13: 1317313836

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Examines metropolitan French-language representations of India from the period between the recall of Dupleix to France to the Second Treaty of Paris. This book explores what a European power, territorially peripheral in India, thought of both India and the administrative rule there of its rival, Britain.

Genre, Race, and the Production of Subjectivity in German Romanticism

Author: Stephanie Galasso

Publisher: Northwestern University Press

Published: 2024-04-15

Total Pages: 221

ISBN-13: 0810146819

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Exposes German Romanticism’s entanglements of aesthetic philosophy with racialized models of humanity Late Enlightenment philosophers and writers like Herder, Goethe, and Schiller broke with conventions of form and genre to prioritize an idealized, and racially coded, universality. Newly translated literatures from colonial contexts served as the basis for their evaluations of how to contribute to a distinctly “German” national literary tradition, one that valorized modernity and freedom and thus fortified crucial determinants of modern concepts of whiteness. Through close readings of both canonical and less-studied Romantic texts, Stephanie Galasso examines the intimately entwined histories of racialized subjectivity and aesthetic theory and shows how literary genre is both symptomatic and generative of the cultural violence that underpinned the colonial project. Poetic expression and its generic conventions continue to exert pressure on the framing and reception of the stories that can be told about interpersonal and structural experiences of oppression. Genre, Race, and the Production of Subjectivity in German Romanticism explores how white subjectivity is guarded by symbolic and material forms of violence.

Music and Orientalism in the British Empire, 1780s-1940s

Author: Bennett Zon

Publisher: Routledge

Published: 2017-07-05

Total Pages: 368

ISBN-13: 1351557599

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Desiring India: Representations through British and French Eyes 1584-1857

Author: Niranjan Goswami

Publisher: Jadavpur University Press

Published: 2020-01-01

Total Pages: 256

ISBN-13:

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The reception and construction of the image of India by the Western, in particular French, German and English travellers, writers and thinkers is the theme of this volume, a collection of twelve essays by academics from sundry parts of the globe. Giving a new twist to Indological, philological or postcolonial understanding of travel narratives, the authors here attempt to give fresh impetus to the discovery of India story from perspectives of cultural history, historiography, ethnography, material culture, economic modes of production, fictional travel, epistolary discourse, theatrical representation of widowhood, women in the Mutiny, feminist reading of the Mughal court, colonial painting and classical music. Circumscribed by the dates of the arrival of Ralph Fitch, the first English traveller and the Mutiny, the first War of Indian Independence this anthology revives an interest in the early modern to the colonial appropriation of India in the Western imaginary.

French Theatre, Orientalism, and the Representation of India, 1770-1865

Author: David Hammerbeck

Publisher: Routledge

Published: 2021-11-30

Total Pages: 288

ISBN-13: 1000468747

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This book examines the French theatricalization of India from 1770 to 1865 and how a range of plays not only represented India to the French viewing public but also staged issues within French culture including colonialism, imperialism, race, gender, and national politics. Through examining these texts and available performance history, and incorporating historical texts and cultural theory, David Hammerback analyses these works to illustrate a complex of cultural representations: some contested Orientalism, some participated in Western colonialist discourses, while some can be placed somewhere between these two markers of ideology in Western culture and the arts. He also assesses the works which participated in shaping the theatrical face of Western hegemony, ones directly participating in Orientalism as delineated by Edward Said and others. This book will be of great interest to students and scholars in theatre, French literature, history and cultural studies.