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Who's Afraid of Conceptual Art?

Author: Peter Goldie

Publisher: Routledge

Published: 2009-10-16

Total Pages: 161

ISBN-13: 1135234876

What is conceptual art? Is it really a kind of art in its own right? Is it clever – or too clever? Of all the different art forms it is perhaps conceptual art which at once fascinates and infuriates the most. In this much-needed book Peter Goldie and Elisabeth Schellekens demystify conceptual art using the sharp tools of philosophy. They explain how conceptual art is driven by ideas rather than the manipulation of paint and physical materials; how it challenges the very basis of what we can know about art, as well as our received ideas of beauty; and why conceptual art requires us to rethink concepts fundamental to art and aesthetics, such as artistic interpretation and appreciation. Including helpful illustrations of the work of celebrated conceptual artists from Marcel Duchamp, Joseph Kosuth and Piero Manzoni to Dan Perjovschi and Martin Creed, Who’s Afraid of Conceptual Art? is a superb starting point for anyone intrigued but perplexed by conceptual art - and by art in general. It will be particularly helpful to students of philosophy, art and visual studies seeking an introduction not only to conceptual art but fundamental topics in art and aesthetics.

Edward Albee's Who's Afraid of Virginia Woolf?

Author: Edward Albee

Publisher: Dramatists Play Service Inc

Published: 1990

Total Pages: 108

ISBN-13: 9780822212492

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THE STORY: George, a professor at a small college, and his wife, Martha, have just returned home, drunk from a Saturday night party. Martha announces, amidst general profanity, that she has invited a young couple--an opportunistic new professor at t

Who's Afraid of Idealism?

Author: Luis M. Augusto

Publisher:

Published: 2005

Total Pages: 0

ISBN-13: 9780761832973

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In Who's Afraid of Idealism the philosophical concept of idealism, the extent to which reality is mind-made, is examined in new light. Author Luis Augusto explores epistemological idealism, which is at the source of all other kinds of idealism, from the viewpoints of Immanuel Kant and Friedrich Nietzsche, two philosophers who spent a large part of their lives denigrating the very concept. Working from Kant and Nietzsche's viewpoints that idealism was a scandal to philosophy and the cause of nihilism, Augusto evaluates these philosophers and their role in shaping epistemological idealism. Using textual evidence from their writings and their reactions to western philosophers such as Plato, Descartes, and Hegel's, Who's Afraid of Idealism? argues that in fact Kant and Nietzsche were really idealists at heart. In accessible prose, this text puts forward a theory that goes against current scholarly opinion, and even Kant and Nietzsche's opinions of themselves.

Who's Afraid of Relativism? (The Church and Postmodern Culture)

Author: James K. A. Smith

Publisher: Baker Academic

Published: 2014-04-15

Total Pages: 229

ISBN-13: 1441245766

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Following his successful Who's Afraid of Postmodernism? leading Christian philosopher James K. A. Smith introduces the philosophical sources behind postliberal theology. Offering a provocative analysis of relativism, Smith provides an introduction to the key voices of pragmatism: Ludwig Wittgenstein, Richard Rorty, and Robert Brandom. Many Christians view relativism as the antithesis of absolute truth and take it to be the antithesis of the gospel. Smith argues that this reaction is a symptom of a deeper theological problem: an inability to honor the contingency and dependence of our creaturehood. Appreciating our created finitude as the condition under which we know (and were made to know) should compel us to appreciate the contingency of our knowledge without sliding into arbitrariness. Saying "It depends" is not the equivalent of saying "It's not true" or "I don't know." It is simply to recognize the conditions of our knowledge as finite, created, social beings. Pragmatism, says Smith, helps us recover a fundamental Christian appreciation of the contingency of creaturehood. This addition to an acclaimed series engages key thinkers in modern philosophy with a view to ministry and addresses the challenge of relativism in a creative, original way.

Who's Afraid of Postmodernism? (The Church and Postmodern Culture)

Author: James K. A. Smith

Publisher: Baker Academic

Published: 2006-04-01

Total Pages: 160

ISBN-13: 1441200398

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The philosophies of French thinkers Derrida, Lyotard, and Foucault form the basis for postmodern thought and are seemingly at odds with the Christian faith. However, James K. A. Smith claims that their ideas have been misinterpreted and actually have a deep affinity with central Christian claims. Each chapter opens with an illustration from a recent movie and concludes with a case study considering recent developments in the church that have attempted to respond to the postmodern condition, such as the "emerging church" movement. These case studies provide a concrete picture of how postmodern ideas can influence the way Christians think and worship. This significant book, winner of a Christianity Today 2007 Book Award, avoids philosophical jargon and offers fuller explanation where needed. It is the first book in the Church and Postmodern Culture series, which provides practical applications for Christians engaged in ministry in a postmodern world.

Who’s Afraid of Philosophy?

Author: Jacques Derrida

Publisher: Stanford University Press

Published: 2002

Total Pages: 228

ISBN-13: 9780804742955

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While addressing specific contemporary political issues on occasion, thus providing insight into the pragmatic deployment of deconstructive analysis, the essays deal mainly with much broader concerns. With his typical rigor and spark, Derrida investigates the genealogy of several central concepts which any debate about teaching and the university must confront.

Who's Afraid of Virginia Woolf?

Author: Edward Albee

Publisher: Penguin

Published: 2006-08-01

Total Pages: 273

ISBN-13: 0451218590

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A bitter marriage unravels in Edward Albee's darkly humorous play—winner of the Tony Award for Best Play. “Twelve times a week,” answered actress Uta Hagen when asked how often she’d like to play Martha in Who’s Afraid of Virginia Woolf? In the same way, audiences and critics alike could not get enough of Edward Albee’s masterful play. A dark comedy, it portrays husband and wife George and Martha in a searing night of dangerous fun and games. By the evening’s end, a stunning, almost unbearable revelation provides a climax that has shocked audiences for years. With its razor-sharp dialogue and the stripping away of social pretense, Newsweek rightly foresaw Who’s Afraid of Virginia Woolf? as “a brilliantly original work of art—an excoriating theatrical experience, surging with shocks of recognition and dramatic fire [that] will be igniting Broadway for some time to come.”

“Who’s Afraid of ISIS?”

Author: Daniel Bertrand Monk

Publisher: Routledge

Published: 2020-04-28

Total Pages: 181

ISBN-13: 0429826907

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"Who’s Afraid of ISIS?" eschews familiar debates about the status of ISIS as an existential threat to the West, with the aim of submitting those types of arguments to a reasoned examination of the political place of anxiety itself. This collection concerns itself with the doxologies that attend such arguments, or with that which, as Bourdieu wrote, "goes without saying becomes it comes without saying" and so become the unexamined points of departure for contentions about ISIS that may, for that very reason, hold entire life worlds together. This book was originally published as a special issue of Critical Studies on Security.

Who’s Afraid of the Unmoved Mover?

Author: Andrew I. Shepardson

Publisher: Wipf and Stock Publishers

Published: 2019-02-12

Total Pages: 205

ISBN-13: 1532656793

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Are postmodern philosophy and Christian theology compatible? A surprising number of Christian philosophers and theologians think so. However, these same thinkers argue that postmodern insights entail the rejection of natural theology, the ability to discover knowledge about the existence and nature of God in the natural world. Postmodernism, they claim, shows that appealing to nature to demonstrate or infer the existence of God is foolish because these appeals rely on modernity's outmoded grounds for knowledge. Moreover, natural theology and apologetics are often hindrances to authentic Christian faith. Notions like objectivity and rationality are forms of idolatry from which Christians should repent. This book carefully examines the nature of truth, rationality, general revelation, and evangelism to show that the postmodern objections fail and that Christians ought to lovingly and faithfully use natural theology and apologetics to defend and commend the Christian faith to a world in need of the knowledge of God.

Who's Afraid of Modern Art?

Author: Daniel A. Siedell

Publisher: Wipf and Stock Publishers

Published: 2015-01-07

Total Pages: 179

ISBN-13: 1625644426

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Modern art can be confusing and intimidating--even ugly and blasphemous. And yet curator and art critic Daniel A. Siedell finds something else, something much deeper that resonates with the human experience. With over thirty essays on such diverse artists as Andy Warhol, Thomas Kinkade, Diego Velazquez, Robyn O'Neil, Claudia Alvarez, and Andrei Rublev, Siedell offers a highly personal approach to modern art that is informed by nearly twenty years of experience as a museum curator, art historian, and educator. Siedell combines his experience in the contemporary art world with a theological perspective that serves to deepen the experience of art, allowing the work of art to work as art and not covert philosophy or theology, or visual illustrations of ideas, meanings, and worldviews. Who's Afraid of Modern Art? celebrates the surprising beauty of art that emerges from and embraces pain and suffering, if only we take the time to listen. Indeed, as Siedell reveals, a painting is much more than meets the eye. So, who's afraid of modern art? Siedell's answer might surprise you.