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Destruction Was My Beatrice

Author: Jed Rasula

Publisher: Basic Books

Published: 2015-06-02

Total Pages: 384

ISBN-13: 0465066941

In 1916, as World War I raged around them, a group of bohemians gathered at a small nightclub in Zurich, Switzerland for a series of bizarre performances. Three readers simultaneously recited a poem in three languages; a monocle-wearing teenager performed a spell from New Zealand; another young man flung bits of papier-mâché into the air and glued them into place where they landed. One of these artists called the sessions “both buffoonery and a requiem mass.” Soon they would be known by a more evocative name: Dada. In Destruction Was My Beatrice, modernist scholar Jed Rasula presents the first narrative history of the emergence, decline, and legacy of Dada, showing how this strange artistic phenomenon spread across Europe and then the world in the wake of the Great War, fundamentally reshaping modern culture in ways we’re still struggling to understand today.

Man Ray in Paris

Author: Erin C. Garcia

Publisher: Getty Publications

Published: 2011

Total Pages: 130

ISBN-13: 1606060600

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American artist Man Ray spend the most productive years of his career, during the 1920s and 1930s, in Paris.

Dada and Existentialism

Author: Elizabeth Benjamin

Publisher: Springer

Published: 2016-08-30

Total Pages: 237

ISBN-13: 1137563680

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Offering new critical approaches to Dada as quintessential part of the Avant-Garde, Dada and Existentialism: the Authenticity of Ambiguity reassesses the movement as a form of (proto-) Existentialist philosophy. Dada is often dismissed as an anti-art movement with a merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Moreover, neither was nonsensical or meaningless; both reveal a rich individualist ethics aimed at the amelioration of the individual and society. The first major comparative study of Dada and Existentialism, this text contributes new perspectives on Dada as movement, historical legacy, and field of study. Analysing Dada works through Existentialist literature across the themes of choice, alienation, responsibility, freedom and truth, the text posits that Dada and Existentialism both advocate the creation of a self that aims for authenticity through ambiguity.

Dada

Author: Leah Dickerman

Publisher: National Gallery of Art, Washington/D.A.P.

Published: 2005

Total Pages: 542

ISBN-13:

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Edited by Leah Dickerman. Essays by Brigid Doherty, Sabine T. Kriebel, Dorothea Dietrich, Michael R. Taylor, Janine Mileaf and Matthew S. Witkovsky. Foreword by Earl A. Powell III.

The Dada Painters and Poets

Author: Robert Motherwell

Publisher: Harvard University Press

Published: 1989

Total Pages: 466

ISBN-13: 9780674185005

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Presents a collection of essays, manifestos, and illustrations that provide an overview of the Dada movement in art, describing its convictions, antics, and spirit, through the words and art of its principal practitioners.

Dada Presentism

Author: Maria Stavrinaki

Publisher: Stanford University Press

Published: 2016-04-20

Total Pages: 120

ISBN-13: 080479815X

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Dada is often celebrated for its strategies of shock and opposition, but in Dada Presentism, Maria Stavrinaki provides a new picture of Dada art and writings as a lucid reflection on history and the role of art within it. The original (Berlin-based) Dadaists' acute historical consciousness and their modern experience of time, she contends, anticipated the formulations of major historians such as Reinhart Koselleck and, more recently, François Hartog. The book explores Dada temporalities and concepts of history in works of art, artistic discourse, and in the photographs of the Berlin Dada movement. These photographs—including the famous one of the First International Dada Fair—are presented not as simple, transparent documents, but as formal deployments conforming to a very concrete theory of history. This approach allows Stavrinaki to link Dada to more contemporary artistic movements and practices interested in history and the archive. At the same time, she investigates what seems to be a real oxymoron of the movement: its simultaneous claim to the ephemeral and its compulsive writing of its own history. In this way, Dada Presentism also interrogates the limits between history and fiction.

Dada and Surrealism: A Very Short Introduction

Author: David Hopkins

Publisher: OUP Oxford

Published: 2004-04-08

Total Pages: 208

ISBN-13: 0191577693

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The avant-garde movements of Dada and Surrealism continue to have a huge influence on cultural practice, especially in contemporary art, with its obsession with sexuality, fetishism, and shock tactics. In this new treatment of the subject, Hopkins focuses on the many debates surrounding these movements: the Marquis de Sade's Surrealist deification, issues of quality (How good is Dali?), the idea of the 'readymade', attitudes towards the city, the impact of Freud, attitudes to women, fetishism, and primitivism. The international nature of these movements is examined, covering the cities of Zurich, New York, Berlin, Cologne, Barcelona, Paris, London, and recenlty discovered examples in Eastern Europe. Hopkins explores the huge range of media employed by both Dada and Surrealism (collage, painting, found objects, performance art, photography, film) , whilst at the same time establishing the aesthetic differences between the movements. He also examines the Dadaist obsession with the body-as-mechanism in relation to the Surrealists' return to the fetishized/eroticized body. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

Women in Dada

Author: Naomi Sawelson-Gorse

Publisher: MIT Press

Published: 2001

Total Pages: 720

ISBN-13: 9780262692601

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his book is the first to make the case that women's changing role in European and American society was critical to Dada.

Champs Délicieux

Author: Man Ray

Publisher: Coach House Books

Published: 2000

Total Pages: 63

ISBN-13: 9781552450871

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In 1921, an up-and-coming artist named Man Ray convinced his patron, Ferdinand Howald, to pay his fare from New York to Paris and to support him there for a year. He quickly fell in with the Dadaists, and his art changed. He pioneered a new art form, a cameraless photograph he called the 'Rayograph'. Champs délicieux documents that year in Paris by reproducing the correspondence between Man Ray and Howald and by publishing Howald's personal copy of Ray's album (also Champs délicieux) from that year - the first significant body of Ray's work. By placing these images in the context of the letters, Champs délicieux recreates an important turning point in Ray's career and a definitive moment in art history. This collection, exhibited in the fall of 2000 by co-publisher University of Toronto Art Centre, was edited by Steven Manford, who is currently assembling, with Timothy Baum, a catalogue raisonné of the Rayographs.

Adam Pendleton: Black Dada Reader

Author: Adam Pendleton

Publisher:

Published: 2019-02-13

Total Pages: 352

ISBN-13: 9783960983170

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The Black Dada Reader is a collection of texts and documents that elucidates Black Dada, a term the artist Adam Pendleton uses to define his artistic output.The Reader brings a diverse range of cultural figures into a shared cultural space, including Hugo Ball, W.E.B. Du Bois, Stokely Carmichael, and Gertrude Stein, as well as artists from different generations, such as Joan Jonas and William Pope.L.Originally intended to be an in-studio publication, the Reader has expanded to include essays on the concept of Black Dada and its historical implications.