What Is Cinema?

What Is Cinema? PDF

Author: André Bazin

Publisher: Univ of California Press

Published: 2005

Total Pages: 212

ISBN-13: 9780520242272

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These two volumes have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism.

Defining Cinema

Defining Cinema PDF

Author: Peter Lehman

Publisher: Rutgers University Press

Published: 1997

Total Pages: 230

ISBN-13: 9780813523026

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On film studies

The German Cinema Book

The German Cinema Book PDF

Author: Tim Bergfelder

Publisher: Bloomsbury Publishing

Published: 2020-02-20

Total Pages: 625

ISBN-13: 1911239422

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This comprehensively revised, updated and significantly extended edition introduces German film history from its beginnings to the present day, covering key periods and movements including early and silent cinema, Weimar cinema, Nazi cinema, the New German Cinema, the Berlin School, the cinema of migration, and moving images in the digital era. Contributions by leading international scholars are grouped into sections that focus on genre; stars; authorship; film production, distribution and exhibition; theory and politics, including women's and queer cinema; and transnational connections. Spotlight articles within each section offer key case studies, including of individual films that illuminate larger histories (Heimat, Downfall, The Lives of Others, The Edge of Heaven and many more); stars from Ossi Oswalda and Hans Albers, to Hanna Schygulla and Nina Hoss; directors including F.W. Murnau, Walter Ruttmann, Wim Wenders and Helke Sander; and film theorists including Siegfried Kracauer and Béla Balázs. The volume provides a methodological template for the study of a national cinema in a transnational horizon.

Challenges to Integrating Diversity, Equity, and Inclusion Programs in Organizations

Challenges to Integrating Diversity, Equity, and Inclusion Programs in Organizations PDF

Author: Griffen, Aaron J.

Publisher: IGI Global

Published: 2020-10-30

Total Pages: 269

ISBN-13: 1799840948

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Throughout the past several years, diversity, equity, and inclusion initiatives have been a part of a growing phenomenon to address the diverse needs of organizations. However, the act of diversity training and implementation in programs has traditionally been reactive as a result of a scandal rather than proactive. As more industries see the benefits of diversity, equity, and inclusion training, we will continue to see the benefits of a sustainable, healthy working environment for all. Challenges to Integrating Diversity, Equity, and Inclusion Programs in Organizations is an essential reference source that shares the challenges and opportunities faced by diversity, equity, and inclusion officers who are leading their organizations to becoming more diverse, equitable, and inclusive working environments. Featuring research on topics such as institutional equity, organizational culture, and diverse workplace, this book is ideally designed for administrators, human resource specialists, researchers, business professionals, academicians, and students, as well as organizations looking to make the intentional shifts necessary to develop and foster a more inclusive working and learning environment.

The Cinema Effect

The Cinema Effect PDF

Author: Sean Cubitt

Publisher: Mit Press

Published: 2005

Total Pages: 0

ISBN-13: 9780262532778

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A history of images in motion that explores the"special effect" of cinema.

The History of Cinema

The History of Cinema PDF

Author: Geoffrey Nowell-Smith

Publisher: Oxford University Press

Published: 2017

Total Pages: 145

ISBN-13: 0198701772

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Geoffrey Nowell-Smith defines the field of cinema, and explores its fascinating history within the cultural and aesthetic sphere. Considering the influences of the other art forms from which it arose, he looks at how technological advances have opened up new horizons for the cinema industry.

Cinema and Painting

Cinema and Painting PDF

Author: Angela Dalle Vacche

Publisher: University of Texas Press

Published: 1996

Total Pages: 324

ISBN-13: 9780292715837

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The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.

Cinema and Landscape

Cinema and Landscape PDF

Author: Graeme Harper

Publisher: Intellect Books

Published: 2010

Total Pages: 324

ISBN-13:

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The notion of landscape is a complex one, but it has been central to the art and artistry of the cinema. After all, what is the French New Wave without Paris? What are the films of Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee without New York? Cinema and Landscape frames contemporary film landscapes across the world, in an exploration of screen aesthetics and national ideology, film form and cultural geography, cinematic representation and the human environment. Written by well-known cinema scholars, this volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the humanities and social sciences.

Contemporary Cinema

Contemporary Cinema PDF

Author: John Orr

Publisher:

Published: 1998

Total Pages: 243

ISBN-13: 9780748608362

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Analyses the influential forms of a cinema of poetry in 1970s features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta, and Tarkovsky.

The Intervals of Cinema

The Intervals of Cinema PDF

Author: Jacques Ranciere

Publisher: Verso Books

Published: 2019-09-03

Total Pages: 161

ISBN-13: 1788736605

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Cinema, like language, can be said to exist as a system of differences. In his latest book, acclaimed philosopher Jacques Rancière looks at cinematic art in comparison to its corollary forms in literature and theatre. From literature, he argues, cinema takes its narrative conventions, while at the same time effacing literature’s images and philosophy; and film rejects theatre, while also fulfilling theatre’s dream. Built on these contradictions, the cinema is the real, material space in which one is moved by the spectacle of shadows. Thus, for Rancière, film is the perpetually disappointed dream of a language of images.