Religion and the Arts: History and Method

Religion and the Arts: History and Method PDF

Author: Diane Apostolos-Cappadona

Publisher: BRILL

Published: 2017-11-06

Total Pages: 92

ISBN-13: 9004361561

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In Religion and the Arts: History and Method, Diane Apostolos-Cappadona analyses the origins and methodological journey of this field though concerns with repatriation, museum exhibitions, and globalization, to offer an indispensable introduction to study of the field.

Religion as Art

Religion as Art PDF

Author: Thomas R. Martland

Publisher: State University of New York Press

Published: 1982-06-30

Total Pages: 238

ISBN-13: 1438412134

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Religion in its most authentic part is an art form. Religion does what art does. This idea is richly illustrated and supported by materials of diverse origin. The vast range of the author's experience in the arts and in religious texts and works of aesthetics allows him to lay hold of a great mass of disparate material and to bring out new dimensions in all of it. He always has just the example he needs at his fingertips, a Tibetan Buddhist text next to a French impressionist painting and a remark about early Banogu counterpoint, and each example is seen in a new and interesting way. Through this gentle yoking together of heterogeneous materials, common roots are discovered. Most studies of art and religion describe and explain them as data. Thomas Martland identifies them as expressions of ideals and asks what they are when they are authentic rather than merely what they are when they are self-identified as art and religion. This is an identification through assessment, not an Aristotelian classification, and the means of assessment are provided.

On the Strange Place of Religion in Contemporary Art

On the Strange Place of Religion in Contemporary Art PDF

Author: James Elkins

Publisher: Psychology Press

Published: 2004

Total Pages: 156

ISBN-13: 9780415969895

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Can contemporary art say anything about spirituality? Answering this question and more, On the Strange Place of Religion in Contemporary Art explores the curious disconnection between spirituality and current art.

Art, Creativity, and the Sacred

Art, Creativity, and the Sacred PDF

Author: Diane Apostolos-Cappadona

Publisher: Crossroad Publishing

Published: 1984

Total Pages: 336

ISBN-13:

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Contributors include: Doug and Linda Altshuler, Mircea Eliade, Langdon Gilkey, Barbara Novak, and many others. "A seminal work... widely adopted". -- Religious Studies Review

Creativity and Spirituality

Creativity and Spirituality PDF

Author: Earle J. Coleman

Publisher: State University of New York Press

Published: 1998-02-27

Total Pages: 264

ISBN-13: 9780791499504

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From the architecture of Frank Lloyd Wright to the rock gardens of Zen Buddhism, Coleman explores applied, fine, and folk arts in order to uncover points of coalescence between art and religion. Drawing from six living faiths (Buddhism, Christianity, Hinduism, Islam, Judaism, and Taoism), this book philosophically analyzes relations between art and religion in order to explain how the concepts "art," "beauty," "creativity," and "aesthetic experience" find their place or counterparts in religious discourse and experience. Coleman repeatedly shows that aesthetic ideas can serve as bridges to spiritual categories, as when he relates aesthetic bliss to "the peace that passes all understanding." The author follows a three-fold approach; first, he examines ideas and motifs from religious classics in world literature, such as Lao Tzu's Tao Te Ching and The Interior Castle by Teresa of Avila, in order to relate them to aesthetic phenomena. Second, he turns to the statements of artists, such as Leo Tolstoy, Vincent van Gogh, Paul Gauguin, Shih-t'ao, and Wassily Kandinsky, for themes and practices that have religious significance. Third, he analyzes and evaluates the writings of various theoreticians—philosophers, theologians, art critics, sociologists, and psychologists—on the relations between art and religion. Coleman demonstrates, for example, that Martin Buber's I-Thou relationship captures much that is central to art, creativity, and aesthetic experience as well as to religious life. Among the themes that receive sustained treatment are: the varieties of union in art and religion, the child as a paradigm for artists and saints, and creativity as essential to religion. Finally, the author critically weighs proposed distinctions between art and religion and between the broader categories of the aesthetic and the spiritual, rejecting some and showing how others are compatible with his proposal that the aesthetic and the spiritual are cognate categories.

Philosophy, Art, and Religion

Philosophy, Art, and Religion PDF

Author: Gordon Graham

Publisher: Cambridge University Press

Published: 2017-09-07

Total Pages: 187

ISBN-13: 1108364128

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At a time when religion and science are thought to be at loggerheads, art is widely hailed as religion's natural spiritual ally. Philosophy, Art, and Religion investigates the extent to which this is true. It charts the way in which modern conceptions of 'Art' often marginalize the sacred arts, construing choral and instrumental music, painting and iconography, poetry, drama, and architecture as 'applied' arts that necessarily fall short of the ideal of 'art for art's sake'. Drawing on both history of art and philosophical aesthetics, Graham sets out the historical context in which the arts came to free themselves from religious patronage, in order to conceptualize the cultural context in which religious art currently finds itself. The book then relocates religious art within the aesthetics of everyday life. Subsequent chapters systematically explore each of the sacred arts, using a wide range of illustrative examples to uncover the ways in which artworks can illuminate religious faith, and religious content can lend artworks a deeper dimension.

Art Religion (Classic Reprint)

Art Religion (Classic Reprint) PDF

Author: Von Ogden Vogt

Publisher: Forgotten Books

Published: 2017-11-24

Total Pages: 286

ISBN-13: 9780331828597

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Excerpt from Art Religion To artists and lovers of the beautiful, I want to speak my definite expectation of a time soon to come again when patrons of the arts will see in the religious institution an incomparable opportunity for the most pervasive influence of beauty upon the people. Every church building in village or city should itself be a noble work of art. And the arts have each a proper place in the fostering of the supreme experience of worship. I am led to say these things by the very oppressive burden of disunity in the spiritual life of the community and the time. There cannot be an age of great artistic brilliance until we reach a more nearly harmonious faith. I am happy in the simple daily work of a parish minister. But I am unhappy and deeply disquieted amidst the discord in the religious world. I wish I could have mental fellowship with the Catholics: I wish I could have it with more of my Protestant brethren: not merely for the easement of my own aesthetic discomfort, but for the sake of countless others. There can be no cure for many souls until we are together. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Re-enchantment of the World

The Re-enchantment of the World PDF

Author: Gordon Graham

Publisher: Oxford University Press on Demand

Published: 2007-11

Total Pages: 210

ISBN-13: 0199265968

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This is a philosophical exploration of the role of art and religion as sources of meaning in an increasingly material world dominated by science. Relating themes in the history of European philosophy to topics in contemporary philosophy, Gordon Graham investigates the idea that art has the potential to re-enchant an irreligious world.