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Apostles of Rock

Author: Jay R. Howard

Publisher: University Press of Kentucky

Published: 2014-07-11

Total Pages: 312

ISBN-13: 0813148057

Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.

Calling Evil Good

Author: Spencer Smith

Publisher:

Published: 2018-01-25

Total Pages: 135

ISBN-13: 9781977003461

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Contemporary Christian music-it is the innovation of the hour in our age of church history. It has taken the Bible believing church by storm. When a fundamental church institutes CCM as it's musical style, it always moves into the new evangelical hemisphere. Where CCM comes, new evangelicalism follows, as certainly as the tail follows the dog. Reverent worship disappears, sound doctrine declines, and the holy living is despised. Why does this happen? This wonderfully written book will give you the answer. Missionary Spencer Smith confronts the issues with a loving approach that instructs the reader on public and private Biblical standards concerning music. In his research, he even met many CCM "artists" that reinforce the case being presented and many of those stories are laid out for you. Although our world may be changing and many church services have become similar to that of a circus, God has not left us without a musical blueprint to practice. Although some may attempt to muddy the waters, this book washes away all the filth, so that we might see Jesus. This excellent volume should be read, reread, and applied. Brian R. Jackson, Senior Pastor, Broadway Baptist Church

What about Christian Rock?

Author: Dan Peters

Publisher:

Published: 1986

Total Pages: 238

ISBN-13:

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What are the REAL issues that should be faced by parents, Christian educators and young people? The beat? The volume? The clothing? After hundreds of hours of background research and interviews with musicians, managers, parents, and Christian leaders, the authors present basic guidelines for thought and discussion.

Why Should the Devil Have All the Good Music?

Author: Gregory Thornbury

Publisher: National Geographic Books

Published: 2018-03-20

Total Pages: 0

ISBN-13: 110190707X

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The riveting, untold story of the “Father of Christian Rock” and the conflicts that launched a billion-dollar industry at the dawn of America’s culture wars. In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus. Billboard called Norman “the most important songwriter since Paul Simon,” and his music would go on to inspire members of bands as diverse as U2, The Pixies, Guns ‘N Roses, and more. To a young generation of Christians who wanted a way to be different in the American cultural scene, Larry was a godsend—spinning songs about one’s eternal soul as deftly as he did ones critiquing consumerism, middle-class values, and the Vietnam War. To the religious establishment, however, he was a thorn in the side; and to secular music fans, he was an enigma, constantly offering up Jesus to problems they didn’t think were problems. Paul McCartney himself once told Larry, “You could be famous if you’d just drop the God stuff,” a statement that would foreshadow Norman’s ultimate demise. In Why Should the Devil Have all the Good Music?, Gregory Alan Thornbury draws on unparalleled access to Norman’s personal papers and archives to narrate the conflicts that defined the singer’s life, as he crisscrossed the developing fault lines between Evangelicals and mainstream American culture—friction that continues to this day. What emerges is a twisting, engrossing story about ambition, art, friendship, betrayal, and the turns one’s life can take when you believe God is on your side.

Raised by Wolves

Author: John Joseph Thompson

Publisher: ECW Press

Published: 2000

Total Pages: 261

ISBN-13: 1550224212

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An insider's look at the birth, evolution and growing popularity of Christian rock music. Unprecendented sales for music groups such as DC Talk and the Supertones, as well as the recent successes of crossover artists such as Jars of Clay, MxPx and Sixpence none the Richer have inspired interest and further investigation in this very underrated area of Rock.

Apostles of Rock

Author: Jay R. Howard

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 362

ISBN-13: 0813183960

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The Devil’s Music

Author: Randall J. Stephens

Publisher: Harvard University Press

Published: 2018-03-19

Total Pages: 330

ISBN-13: 0674919726

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When rock ’n’ roll emerged in the 1950s, ministers denounced it from their pulpits and Sunday school teachers warned of the music’s demonic origins. The big beat, said Billy Graham, was “ever working in the world for evil.” Yet by the early 2000s Christian rock had become a billion-dollar industry. The Devil’s Music tells the story of this transformation. Rock’s origins lie in part with the energetic Southern Pentecostal churches where Elvis, Little Richard, James Brown, and other pioneers of the genre worshipped as children. Randall J. Stephens shows that the music, styles, and ideas of tongue-speaking churches powerfully influenced these early performers. As rock ’n’ roll’s popularity grew, white preachers tried to distance their flock from this “blasphemous jungle music,” with little success. By the 1960s, Christian leaders feared the Beatles really were more popular than Jesus, as John Lennon claimed. Stephens argues that in the early days of rock ’n’ roll, faith served as a vehicle for whites’ racial fears. A decade later, evangelical Christians were at odds with the counterculture and the antiwar movement. By associating the music of blacks and hippies with godlessness, believers used their faith to justify racism and conservative politics. But in a reversal of strategy in the early 1970s, the same evangelicals embraced Christian rock as a way to express Jesus’s message within their own religious community and project it into a secular world. In Stephens’s compelling narrative, the result was a powerful fusion of conservatism and popular culture whose effects are still felt today.

No Sympathy for the Devil

Author: David Ware Stowe

Publisher: Univ of North Carolina Press

Published: 2011

Total Pages: 305

ISBN-13: 0807834580

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In this cultural history of evangelical Christianity and popular music, David Stowe demonstrates how mainstream rock of the 1960s and 1970s has influenced conservative evangelical Christianity through the development of Christian pop music. For an earlier

Why I Left the Contemporary Christian Music Movement

Author: Dan Lucarini

Publisher: EP BOOKS

Published: 2002

Total Pages: 141

ISBN-13: 9780852345177

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For many churches today, music has become one of the most important factors in attempting to reach unbelievers with the gospel. Writing from his own personal experience as a former worship leader, Dan Lucarini questions the use of contemporary music in the worship of our Lord and Saviour Jesus Christ.

Body Piercing Saved My Life

Author: Andrew Beaujon

Publisher: Da Capo Press

Published: 2007-04-02

Total Pages: 304

ISBN-13: 0306815982

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Body Piercing Saved My Life is the first in-depth journalistic investigation into a subculture so large that it's erroneous to even call it a subculture: Christian rock. Christian rock culture is booming, not only with bands but with extreme teen Bibles, skateboarding ministries, Christian tattoo parlors, paintball parks, coffeehouses, and nightclubs,encouraging kids to form their own communities apart from the mainstream. Profiling such successful Christian rock bands as P.O.D., Switchfoot, Creed, Evanescence, and Sixpence None the Richer, as well as the phenomenally successful Seattle Christian record label Tooth & Nail, enormous Christian rock festivals, and more, Spin journalist Andrew Beaujon lifts the veil on a thriving scene that operates beneath the secular world's radar. Revealing, sympathetic, and groundbreaking, Body Piercing Saved My Life (named for a popular Christian rock T-shirt depicting Christ's wounds) is a fascinating look into the hearts and minds of an enormous, and growing, youth culture.