Weirdies 26: Color A Weirdie A Day !

Weirdies 26: Color A Weirdie A Day ! PDF

Author: Maria Wedel

Publisher: Weirdies

Published: 2019-08-21

Total Pages: 126

ISBN-13: 9788772011684

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Welcome to my world of Weirdies This series of drawings are dedicated to all the weird, whimsical, wacky and totally amazing people in the world ! The Weirdie's is a Weirdie a day Challenge on Color A Weirdie A Day, the Weirdies in here will be colored live Daily in February 2020 ! Hopefully they will put a smile on your face, and hours of fun to color... This is the second book of the third years collection of Weirdies which will have volume 25 to 36, 1 book for each month, in the books I include the upside down Weirdies too... I hope you will enjoy my Weirdie World ! Sending out a huge embrace to all of you ! Maria Wedel

Pirate Cinema

Pirate Cinema PDF

Author: Cory Doctorow

Publisher: Tor Teen

Published: 2012-10-02

Total Pages: 386

ISBN-13: 1429943181

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From the New York Times bestselling author of Little Brother, Cory Doctorow, comes Pirate Cinema, a new tale of a brilliant hacker runaway who finds himself standing up to tyranny. Trent McCauley is sixteen, brilliant, and obsessed with one thing: making movies on his computer by reassembling footage from popular films he downloads from the net. In the dystopian near-future Britain where Trent is growing up, this is more illegal than ever; the punishment for being caught three times is that your entire household's access to the internet is cut off for a year, with no appeal. Trent's too clever for that too happen. Except it does, and it nearly destroys his family. Shamed and shattered, Trent runs away to London, where he slowly learns the ways of staying alive on the streets. This brings him in touch with a demimonde of artists and activists who are trying to fight a new bill that will criminalize even more harmless internet creativity, making felons of millions of British citizens at a stroke. Things look bad. Parliament is in power of a few wealthy media conglomerates. But the powers-that-be haven't entirely reckoned with the power of a gripping movie to change people's minds.... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Buyology

Buyology PDF

Author: Martin Lindstrom

Publisher: Currency

Published: 2010-02-02

Total Pages: 274

ISBN-13: 0385523890

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NEW YORK TIMES BESTSELLER • “A fascinating look at how consumers perceive logos, ads, commercials, brands, and products.”—Time How much do we know about why we buy? What truly influences our decisions in today’s message-cluttered world? In Buyology, Martin Lindstrom presents the astonishing findings from his groundbreaking three-year, seven-million-dollar neuromarketing study—a cutting-edge experiment that peered inside the brains of 2,000 volunteers from all around the world as they encountered various ads, logos, commercials, brands, and products. His startling results shatter much of what we have long believed about what captures our interest—and drives us to buy. Among the questions he explores: • Does sex actually sell? • Does subliminal advertising still surround us? • Can “cool” brands trigger our mating instincts? • Can our other senses—smell, touch, and sound—be aroused when we see a product? Buyology is a fascinating and shocking journey into the mind of today's consumer that will captivate anyone who's been seduced—or turned off—by marketers' relentless attempts to win our loyalty, our money, and our minds.

American Independent Cinema

American Independent Cinema PDF

Author: Geoff King

Publisher: Bloomsbury Publishing

Published: 2014-09-08

Total Pages: 324

ISBN-13: 0857737333

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The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.

A Supplement to the Oxford English Dictionary

A Supplement to the Oxford English Dictionary PDF

Author: R. W. Burchfield

Publisher: Oxford [Oxfordshire] : Clarendon Press

Published: 1972

Total Pages: 1490

ISBN-13:

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These volumes replace the 1933 Supplement to the OED. The vocabulary treated is that which came into use during the publication of the successive sections of the main Dictionary -- that is, between 1884, when the first fascicle of the letter A was published, and 1928, when the final section of the Dictionary appeared -- together with accessions to the English language in Britain and abroad from 1928 to the present day. Nearly all the material in the 1933 Supplement has been retained here, though in revised form (Preface).

The Book

The Book PDF

Author: Говард Лавкрафт

Publisher: Litres

Published: 2022-01-29

Total Pages: 6

ISBN-13: 5457668916

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"The Book" is an unfinished short story H.P. Lovecraft, believed to have been written in late 1933. It was first published in the journal in 1938, after Lovecraft's death. In the story fragment, the narrator is given an ancient book by a strange bookseller, and when he takes it home and examines it, weird and sinister events ensue.

American Independent Cinema

American Independent Cinema PDF

Author: Yannis Tzioumakis

Publisher:

Published: 2006

Total Pages: 302

ISBN-13: 0748618678

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This introduction to American Independent Cinema offers both a comprehensive industrial and economic history of the sector from the early twentieth century to the present and a study of key individual films, filmmakers and film companies. Readers will develop an understanding of the complex dynamic relations between independent and mainstream American cinema.The main argument revolves around the idea that independent American cinema has developed alongside mainstream Hollywood cinema with institutional, industrial and economic changes in the latter shaping and informing the former. Consequently the term ‘independent’ has acquired different meanings at different points in the history of Hollywood cinema, evolving according to the impact of changing conditions in the American film industry. These various meanings are examined in the course of the book.The book is ordered chronologically, beginning with Independent Filmmaking in the Studio Era (examining both top-rank and low-end independent film production), moving to the 1950s and 1960s (discussing both the adoption of independent filmmaking as the main method of production as well as exploitation filmmaking) and finishing with contemporary American Independent cinema (exploring areas such as the New Hollywood, the rise of mini-major and major independent companies and the institutionalisation of independent cinema in the 1990s). Each chapter includes case studies which focus on specific films and/or filmmakers, while independent production and distribution companies are also discussed in the text.Films, filmmakers and film companies examined include:*Cagney Productions and Johnny Come Lately, Blood on the Sunand The Time of Your Life*The Charlie Chan series*Lomitas Productions, Stanley Kramer and The Defiant Ones, On the Beachand Inherit the Wind*Sam Katzman and Rock Around the Clock*Roger Corman and The Wild Angels*John Cassavetes and

In the Wake of the Surge

In the Wake of the Surge PDF

Author: Michael J. Totten

Publisher:

Published: 2011-08-01

Total Pages: 248

ISBN-13: 9780615508405

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In the Wake of the Surge is a gripping first-person narrative that tells the story of the Kurds, the Arabs, and the Americans in Iraq during one of the most violent and wrenching periods in that country's history. Award-winning foreign correspondent Michael J. Totten visited Iraq seven times between 2005 and 2009, first as a "unilateral" freelance journalist without a gun in the Kurdish autonomous region, and then as an embedded reporter with the U.S. Army and Marine Corps in Baghdad, Sadr City, Ramadi, and Fallujah. He was there at the beginning, in the middle, and at the end of General David Petraeus' "surge" of combat troops to Iraq and saw first-hand how young men from places like Florida and Texas pacified a relentless insurgency-an insurgency that most people, during the darkest days of the war, assumed would be victorious. In the Wake of the Surge is a bracing story of war in a tormented country by a writer who has spent enough time in the Middle East to know there are few happy endings, but who nevertheless was a witness when Iraqis and Americans drove each other to the brink of the abyss before managing, against all odds and at the very last second, to pull back and save themselves from utter catastrophe. Praise for Michael J. Totten "I think of only a certain number of people as having risen to the intellectual and journalistic challenges of the last few years, and Michael J. Totten is one of them." - Paul Berman, author of Terror and Liberalism "Michael J. Totten...practices journalism in the tradition of Orwell: morally imaginative, partisan in the best sense of the word, and delivered in crackling, rapid-fire prose befitting the violent realities it depicts. An unabashed classical liberal, Totten brings his political commitments and emotional intelligence to bear on the dramatic events he witnesses. As a result, he ends up far more clearsighted than the many analysts who claim 'objectivity' but share neither his love of the region and its inhabitants nor his concern for its future." - Sohrab Ahmari, Commentary "Michael J. Totten is a one of a rare breed. Moving from front to front, he brings experience and context and the willingness to go where few men dare." - Michael Yon, author of Moment of Truth in Iraq "Michael J. Totten, to my mind, is one of the world's most acute observers of Middle East politics. He is also an absolutely fearless reporter, both physically-he has explored the darkest corners of Middle East extremism-and morally." - Jeffrey Goldberg, author of Prisoners: A Story of Friendship and Terror Praise for The Road to Fatima Gate "A terrific book about a terrifying and beautiful part of the world." - Benjamin Kerstein, Jewish Ideas Daily columnist "It is extremely rare to read such an accurate account of anything to which one was oneself a witness." - Christopher Hitchens, author of God is Not Great "A thriller in which a daredevil reporter puts himself in harm's way in search of the inside story of some of the most dangerous outfits in the world." - Amir Taheri, Asharq al-Awsat "Outstanding...it grabbed me so quickly that I ended up lost in it." - Claire Berlinski, Ricochet

Containment Culture

Containment Culture PDF

Author: Alan Nadel

Publisher: Duke University Press

Published: 1995

Total Pages: 356

ISBN-13: 9780822316992

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Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history. Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch–22 and The Man Who Shot Liberty Valence. An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation’s cultural agenda and a source of meaning for its citizenry.