Weird Lullabies

Weird Lullabies PDF

Author: Betty Jay

Publisher: Peter Lang

Published: 2008

Total Pages: 230

ISBN-13: 9783039118397

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This book focuses on the mother-daughter relationship as it features in a number of films from the 1990s onwards. Bringing the insights of psychoanalysis and feminism to bear on a diverse and compelling range of representations of the mother-daughter dynamic, the author addresses a range of questions relating to the social, historical and cultural conditions which go to inform the female experience. These include, in relation to Dolores Claiborne, Heavenly Creatures and The Others, an exploration of different forms of familial violence and resistance to it and in One True Thing, Stepmom and Pieces of April, questions about the construction of the ideal mother and her loss. From The Piano's engagement with French feminism and Losing Chase's reworking of the life and work of Virginia Woolf to the depiction of cross-racial relationships during apartheid in Friends, the films that go to make up this study all share a central concern with both the literal and symbolic forms that the mother-daughter relationship encompasses.

Hush Little Baby

Hush Little Baby PDF

Author: Sylvia Long

Publisher: Chronicle Books

Published: 2010-07-01

Total Pages: 28

ISBN-13: 1452103763

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Hush little baby, don't say a word, Mama's going to show you a hummingbird. If that hummingbird should fly, Mama's going to show you the evening sky. From award-winning artist Sylvia Long comes a touching version of the well-known lullaby, Hush Little Baby. Each spread reveals a tender scene as a mama bunny lulls her baby bunny to sleep by enlisting a parade of bedtime wonders—the beauty of a hummingbird in flight; the magic of a harvest moon; the reassurance of a parent's hug, all these and more combine to create a classic volume sure to be treasured for generations to come.

Melanie Klein and Beyond

Melanie Klein and Beyond PDF

Author: Harry Karnac

Publisher: Routledge

Published: 2018-05-01

Total Pages: 198

ISBN-13: 0429916167

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'Did Melanie Klein ever think that 50 years after her death her ideas would be spreading world-wide in such a fruitful and productive way? In one sense she would be surprised, but in another, I think she might have regarded it as just to be expected. She had a very high regard for her own work, and enormous confidence that she was on to something new. At the same time she was fatefully resigned to being misunderstood and rejected - just as Freud had been, of course. But now, here is the evidence of her success: two thousand plus references, and climbing. Klein's ideas are truly international now, and perhaps wherever Freud is there Klein shall be, to adapt a well-known phrase. Of course this is in the context of other schools which also spread slipperily across the globe, thanks now to the web. But the author's bibliography is a proper published document, and is of immense potential use for clinicians, students, and researchers.

Somatic Cinema

Somatic Cinema PDF

Author: Luke Hockley

Publisher: Routledge

Published: 2013-10-30

Total Pages: 184

ISBN-13: 1134745591

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Films can hold personal psychological meanings that are often at odds with their narratives. Examining the intersections between mental health and the cinema, Somatic Cinema represents the cutting edge of film theory, evaluating the significance of this phenomenon both in therapy and in the everyday world. Luke Hockley draws on the insights of phenomenological and Jungian film theory and applies them alongside more established psychoanalytic approaches. The result is to combine the idea of affective bodily experience with unconscious processes as a means to explore a new ontology of the cinema. The emphasis is therefore shifted from pure intellectual insight to greater inclusion of personally constructed meanings and experiences. Several key concepts are developed and explored throughout the book. These include: The idea of the ‘Third Image’, occupying the intersubjective space between viewer and screen, and therapist and client The concept of the Cinematic Frame (as opposed to the Film Frame), the container of the psychological relationship between viewer and screen The use of the Cinematic Experience to encapsulate the somatic expression of unconscious effects that develop while a film is viewed and which are central to the creation of personal psychological meanings. With a focus on examining why we develop a personal relationship with films, Somatic Cinema is ideal for academics and students of film studies, media studies and analytical psychology.

Bion in Film Theory and Analysis

Bion in Film Theory and Analysis PDF

Author: Carla Ambrósio Garcia

Publisher: Taylor & Francis

Published: 2016-12-01

Total Pages: 168

ISBN-13: 1317274539

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In Bion in Film Theory and Analysis: The Retreat in Film, Carla Ambrósio Garcia introduces the rich potential of the thinking of British psychoanalyst Wilfred Bion for film theory. By so doing, she rethinks the space of the cinema as a space of retreat, and brings new insights into the representation of retreat in film. Presented in two parts, the book seeks to deepen our understanding of the film experience and psychical growth. Part I places Bion’s view on the importance of the epistemophilic instinct at the heart of a critique of the pleasure-centred theories of the cinematic apparatus of Jean-Louis Baudry, Christian Metz and Gaylyn Studlar, proposing an idea of cinema as ‘thoughts in search of a thinker’. Garcia then moves from Bion’s epistemological period to his later work, which draws on mysticism, in order to posit an emotional experience in the cinema through which the subject can be or become real (or at one with ‘O’). Part II examines representations of retreat in four European films, directed by Ingmar Bergman, Pier Paolo Pasolini, Georges Perec and Bernard Queysanne, and Manoel de Oliveira, showing them to articulate a gesture of retreat as an emotionally turbulent transitional stage in the development of the psyche – what Bion conceptualizes as caesura. Through its investigation of the retreat in cinema, the book challenges common understandings of retreat as a regressive movement by presenting it as a gesture and space that can also be future-oriented. Bion in Film Theory and Analysis will be of significant interest to academics and students of psychoanalysis, psychotherapy, and film and media studies, as well as psychoanalysts and psychotherapists.