The New Wallace Stevens Studies

The New Wallace Stevens Studies PDF

Author: Bart Eeckhout

Publisher: Cambridge University Press

Published: 2021-07-08

Total Pages: 259

ISBN-13: 1108833292

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This book offers a wide-ranging display of innovative critical perspectives on the poetry of the American modernist Wallace Stevens.

Wallace Stevens, New York, and Modernism

Wallace Stevens, New York, and Modernism PDF

Author: Lisa Goldfarb

Publisher: Routledge

Published: 2012

Total Pages: 202

ISBN-13: 0415899109

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This collection of critical essays considers the impact of New York City on the life and works of Wallace Stevens. Recent criticism of the poet has sought to understand how Stevens interacted with the literary, artistic, and cultural forces of his time to forge his inimitable aesthetic, with its peculiar mix of post-romantic responses to nature and a metropolitan cosmopolitanism. This book examines New York's influence at both the biographical and poetic levels, deepening our understanding of the poet.

Wallace Stevens

Wallace Stevens PDF

Author: Albert Gelpi

Publisher: Cambridge University Press

Published: 1990-05-25

Total Pages: 176

ISBN-13: 9780521386999

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In this volume, seven renowned critics present different views of Wallace Stevens' place in the evolution of Modernist poetry. The essays offer a fresh scrutiny of the poet's work and influence, re-examining the critical consensus that has developed since Stevens first gained the attention of critics in the fifties. The collection traces both the development of Modernist poetics and Stevens' place in it, from the poet's relation to such contemporaries as Ezra Pound, William Carlos Williams and Marianne Moore to his influence on current writers such as John Ashbery and Robert Duncan. The contributions examine the cultural influences, or 'context', from which Stevens emerges: the Symbolist and Imagist traditions, the social and political context of the war years, and contemporary movements in the visual arts. Finally, two essays investigate the influence of Stevens on later poets.

Poetry and Poetics After Wallace Stevens

Poetry and Poetics After Wallace Stevens PDF

Author: Bart Eeckhout

Publisher: Bloomsbury Publishing USA

Published: 2016-11-17

Total Pages: 289

ISBN-13: 1501313487

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"This collection of essays examines the different lines that may be drawn between the work of Wallace Stevens and a wide range of poetry from the second half of the twentieth century up to the present moment"--

Modernism from Right to Left

Modernism from Right to Left PDF

Author: Alan Filreis

Publisher: Cambridge University Press

Published: 1994-07-29

Total Pages: 412

ISBN-13: 9780521453844

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A study of relations between American radicalism and modernism in the 1930s, focusing on Wallace Stevens.

Wallace Stevens and the Demands of Modernity

Wallace Stevens and the Demands of Modernity PDF

Author: Charles Altieri

Publisher:

Published: 2013

Total Pages: 0

ISBN-13: 9780801451676

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Altieri focuses his attention on the poetry of Wallace Stevens, arguing that critics have failed to appreciate the degree to which modernist poetry, like modernist art, breaks from the epistemology that arose from cultures of empiricism.

Making the Poem

Making the Poem PDF

Author: George S. Lensing

Publisher: LSU Press

Published: 2018-06-09

Total Pages: 263

ISBN-13: 0807168955

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Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet’s progress in the creation of his body of work, considering its development, composition, and reception. Drawing on little-known sources and nuanced readings of Stevens’ texts, Lensing expands the customary view of the poet’s creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens’ work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem “Sea Surface Full of Clouds”—viewing it alongside his wife Elsie’s journal describing the sea voyage that inspired the poem—and an extensive, multiperspective treatment of the widely anthologized “The Idea of Order at Key West,” as well as a careful excavation of the poem “Mozart, 1935” in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens’ work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens’ Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.

Wallace Stevens and the Realities of Poetic Language

Wallace Stevens and the Realities of Poetic Language PDF

Author: Stefan Holander

Publisher: Routledge

Published: 2008-02-19

Total Pages: 251

ISBN-13: 1135914001

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This study examines Wallace Stevens' ideas and practice of poetic language with a focus on the 1930s, an era in which Stevens persistently thematized a keenly felt pressure for the possible social involvement and political utility of poetic language. The argument suggests how mutually implicated elements of his poetry such as diction, prosody and metaphor are relied on to signify or enact aesthetic closure; both in the negative terms of expressive impotence and unethical isolation and the positive ones of imaginative and linguistic change. In this respect, the study deals closely with the epistemologically and ethically fraught issue of the ambiguous and volatile role of non-semantic elements and linguistic difficulty in Stevens' language. Assuming that these facets are not exclusive to this period but receive a very clear, and therefore instructive, formulation in it, the discussion outlines some of Stevens' most central tropes for poetic creativity at this stage of his career, suggesting ways in which they came to form part of his later discourse on poetic functionality, when polemical concepts for the imagination, such as "evasion" and "escapism," became central. Stevens' prosody is discussed from within an eclectic analytical framework in which cumulative rhythmics is complemented by traditional metrics as a way of doing justice to his rich, varied and cognitively volatile use of verse language. The expressive potency of prosodic patterning is understood both as an effect of its resistance to semantic interpretation and by assuming a formal drive to interpret them in relation to the semantic and metaphoric staging of individual poems. A poem, in turn, is understood both as a strategic, stylistically deviant response to the challenges of a particular historical moment, and as an attempt to communicate through creating a sense of linguistic resistance and otherness.

Wallace Stevens and the Aesthetics of Abstraction

Wallace Stevens and the Aesthetics of Abstraction PDF

Author: Edward Ragg

Publisher: Cambridge University Press

Published: 2010-07-15

Total Pages:

ISBN-13: 1139489992

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Edward Ragg's study was the first to examine the role of abstraction throughout the work of Wallace Stevens. By tracing the poet's interest in abstraction from Harmonium through to his later works, Ragg argues that Stevens only fully appreciated and refined this interest within his later career. Ragg's detailed close-readings highlight the poet's absorption of late nineteenth century and early twentieth century painting, as well as the examples of philosophers and other poets' work. Wallace Stevens and the Aesthetics of Abstraction will appeal to those studying Stevens as well as anyone interested in the relations between poetry and painting. This valuable study embraces revealing philosophical and artistic perspectives, analyzing Stevens' place within and resistance to Modernist debates concerning literature, painting, representation and 'the imagination'.