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Author: Niall Slater
Publisher: BRILL
Published: 2016-10-18
Total Pages: 456
ISBN-13: 9004329730
DOWNLOAD EBOOK →Voice and Voices in Antiquity surveys the changing concept of voice and voices in oral traditions and subsequent literary genres of antiquity, both fictional (authorial and characterized) and historical, and from Greece and the Near East to the western Roman Empire.
Author: Anna Marmodoro
Publisher: Oxford University Press
Published: 2013-10
Total Pages: 439
ISBN-13: 0199670560
DOWNLOAD EBOOK →Explores the persona of the author in classical Greek and Latin authors from a range of disciplines and considers authority and ascription in relation to the authorial voice.
Author: André Lardinois
Publisher: Princeton University Press
Published: 2001-03-25
Total Pages: 320
ISBN-13: 9780691004662
DOWNLOAD EBOOK →This collection attempts to recover the voices of women in antiquity from a variety of perspectives: how they spoke, where they could be heard, and how their speech was adopted in literature and public discourse. Rather than confirming the old model of binary oppositions in which women's speech was viewed as insignificant and subordinate to male discourse, these essays reveal a dynamic and potentially explosive interrelation between women's speech and the realm of literary production, religion, and oratory. The contributors use a variety of methodologies to mine a diverse array of sources, from Homeric epic to fictional letters of the second sophistic period and from actual letters written by women in Hellenistic Egypt to the poetry of Sappho. Throughout, the term "voice" is used in its broadest definition. It includes not only the few remaining genuine women's voices but also the ways in which male authors render women's speech and the social assumptions such representations reflect and reinforce. These essays therefore explore how fictional female voices can serve to negotiate complex social, epistemological, and aesthetic issues. The contributors include Josine Blok, Raffaella Cribiore, Michael Gagarin, Mark Griffith, André Lardinois, Richard Martin, Lisa Maurizio, Laura McClure, D. M. O'Higgins, Patricia Rosenmeyer, Marilyn Skinner, Eva Stehle, and Nancy Worman.
Author: Elizabeth Minchin
Publisher: BRILL
Published: 2011-12-09
Total Pages: 287
ISBN-13: 9004217746
DOWNLOAD EBOOK →This ninth Orality and Literacy volume considers oral composition, performance, reception, and the mutual interplay between oral performance and written text. Authors under consideration are Homer, Hesiod, Plato, Isocrates, orators of the Second Sophistic, and Proclus. Cross-cultural studies are included.
Author: Jill Gordon
Publisher: Indiana University Press
Published: 2022-09-06
Total Pages: 463
ISBN-13: 0253062845
DOWNLOAD EBOOK →Hearing, Sound, and the Auditory in Ancient Greece represents the first wide-ranging philosophical study of the role of sound and hearing in the ancient Greek world. Because our modern western culture is a particularly visual one, we can overlook the significance of the auditory which was so central to the Greeks. The fifteen chapters of this edited volume explore "hearing" as being philosophically significant across numerous texts and figures in ancient Greek philosophy. Through close analysis of the philosophy of such figures as Homer, Heraclitus, Pythagoreans, Sophocles, Empedocles, Socrates, Plato, Aristotle, Hearing, Sound, and Auditory in Ancient Greece presents new and unique research from philosophers and classicists that aims to redirect us to the ways in which sound, hearing, listening, voice, and even silence shaped and reflected the worldview of ancient Greece.
Author: Andromache Karanika
Publisher: JHU Press
Published: 2014-04-01
Total Pages: 317
ISBN-13: 142141256X
DOWNLOAD EBOOK →The songs of working women are reflected in Greek poetry and poetics. In ancient Greece, women's daily lives were occupied by various forms of labor. These experiences of work have largely been forgotten. Andromache Karanika has examined Greek poetry for depictions of women working and has discovered evidence of their lamentations and work songs. Voices at Work explores the complex relationships between ancient Greek poetry, the female poetic voice, and the practices and rituals surrounding women’s labor in the ancient world. The poetic voice is closely tied to women’s domestic and agricultural labor. Weaving, for example, was both a common form of female labor and a practice referred to for understanding the craft of poetry. Textile and agricultural production involved storytelling, singing, and poetry. Everyday labor employed—beyond its socioeconomic function—the power of poetic creation. Karanika starts with the assumption that there are certain forms of poetic expression and performance in the ancient world which are distinctively female. She considers these to be markers of a female “voice” in ancient Greek poetry and presents a number of case studies: Calypso and Circe sing while they weave; in Odyssey 6 a washing scene captures female performances. Both of these instances are examples of the female voice filtered into the fabric of the epic. Karanika brings to the surface the words of women who informed the oral tradition from which Greek epic poetry emerged. In other words, she gives a voice to silence.
Author: C. B. R. Pelling
Publisher: Oxford University Press, USA
Published: 2014
Total Pages: 289
ISBN-13: 0199597367
DOWNLOAD EBOOK →Introduction to twelve authors from classical antiquity, whose works still address some of our most fundamental concerns in the world today.
Author: André Lardinois
Publisher: Princeton University Press
Published: 2018-06-05
Total Pages: 317
ISBN-13: 0691187592
DOWNLOAD EBOOK →This collection attempts to recover the voices of women in antiquity from a variety of perspectives: how they spoke, where they could be heard, and how their speech was adopted in literature and public discourse. Rather than confirming the old model of binary oppositions in which women's speech was viewed as insignificant and subordinate to male discourse, these essays reveal a dynamic and potentially explosive interrelation between women's speech and the realm of literary production, religion, and oratory. The contributors use a variety of methodologies to mine a diverse array of sources, from Homeric epic to fictional letters of the second sophistic period and from actual letters written by women in Hellenistic Egypt to the poetry of Sappho. Throughout, the term "voice" is used in its broadest definition. It includes not only the few remaining genuine women's voices but also the ways in which male authors render women's speech and the social assumptions such representations reflect and reinforce. These essays therefore explore how fictional female voices can serve to negotiate complex social, epistemological, and aesthetic issues. The contributors include Josine Blok, Raffaella Cribiore, Michael Gagarin, Mark Griffith, André Lardinois, Richard Martin, Lisa Maurizio, Laura McClure, D. M. O'Higgins, Patricia Rosenmeyer, Marilyn Skinner, Eva Stehle, and Nancy Worman.
Author: Patrick Peebles
Publisher: M.E. Sharpe
Published: 2012-02-17
Total Pages: 208
ISBN-13: 0765634821
DOWNLOAD EBOOK →Author: Leslie C. Dunn
Publisher: Cambridge University Press
Published: 1994
Total Pages: 278
ISBN-13: 9780521585835
DOWNLOAD EBOOK →As a material link between body and culture, self and other, the voice has been endlessly fascinating to artists and critics. Yet it is the voices of women that have inspired the greatest fascination, as well as the deepest ambivalence, because the female voice signifies sexual otherness as well as sexual and cultural power. Embodied Voices explores cultural manifestations of female vocality in the light of current theories of subjectivity, the body and sexual difference. The fourteen essays collected here examine a wide spectrum of discourses, including myth, literature, music, film, psychoanalysis, and critical theory. Though diverse in their critical approaches, the essays are united in their attempt to articulate the compelling yet problematic intersections of gender, voice, and embodiment as they have shaped the textual representation of women and women's self-expression in performance.
