Visualizing American Empire
Author: David Brody
Publisher: University of Chicago Press
Published: 2010-09
Total Pages: 227
ISBN-13: 0226075346
DOWNLOAD EBOOK →Includes bibliographical references (p. 174-203) and index.
Author: David Brody
Publisher: University of Chicago Press
Published: 2010-09
Total Pages: 227
ISBN-13: 0226075346
DOWNLOAD EBOOK →Includes bibliographical references (p. 174-203) and index.
Author: Rebecca Peabody
Publisher: Getty Publications
Published: 2021-01-19
Total Pages: 202
ISBN-13: 1606066684
DOWNLOAD EBOOK →An exploration of how an official French visual culture normalized France’s colonial project and exposed citizens and subjects to racialized ideas of life in the empire. By the end of World War I, having fortified its colonial holdings in the Caribbean, Latin America, Africa, the Indian Ocean, and Asia, France had expanded its dominion to the four corners of the earth. This volume examines how an official French visual culture normalized the country’s colonial project and exposed citizens and subjects alike to racialized ideas of life in the empire. Essays analyze aspects of colonialism through investigations into the art, popular literature, material culture, film, and exhibitions that represented, celebrated, or were created for France’s colonies across the seas. These studies draw from the rich documents and media—photographs, albums, postcards, maps, posters, advertisements, and children’s games—related to the nineteenth- and twentieth-century French empire that are held in the Getty Research Institute’s Association Connaissance de l’histoire de l’Afrique contemporaine (ACHAC) collections. ACHAC is a consortium of scholars and researchers devoted to exploring and promoting discussions of race, iconography, and the colonial and postcolonial periods of Africa and Europe.
Author: Daniela Bleichmar
Publisher: University of Chicago Press
Published: 2012-10-08
Total Pages: 299
ISBN-13: 0226058557
DOWNLOAD EBOOK →Between 1777 and 1816, botanical expeditions crisscrossed the vast Spanish empire in an ambitious project to survey the flora of much of the Americas, the Caribbean, and the Philippines. While these voyages produced written texts and compiled collections of specimens, they dedicated an overwhelming proportion of their resources and energy to the creation of visual materials. European and American naturalists and artists collaborated to manufacture a staggering total of more than 12,000 botanical illustrations. Yet these images have remained largely overlooked—until now. In this lavishly illustrated volume, Daniela Bleichmar gives this archive its due, finding in these botanical images a window into the worlds of Enlightenment science, visual culture, and empire. Through innovative interdisciplinary scholarship that bridges the histories of science, visual culture, and the Hispanic world, Bleichmar uses these images to trace two related histories: the little-known history of scientific expeditions in the Hispanic Enlightenment and the history of visual evidence in both science and administration in the early modern Spanish empire. As Bleichmar shows, in the Spanish empire visual epistemology operated not only in scientific contexts but also as part of an imperial apparatus that had a long-established tradition of deploying visual evidence for administrative purposes.
Author: Lena Hill
Publisher: Cambridge University Press
Published: 2014-02-17
Total Pages: 295
ISBN-13: 1107659647
DOWNLOAD EBOOK →Negative stereotypes of African Americans have long been disseminated through the visual arts. This original and incisive study examines how black writers use visual tropes as literary devices to challenge readers' conceptions of black identity. Lena Hill charts two hundred years of African American literary history, from Phillis Wheatley to Ralph Ellison, and engages with a variety of canonical and lesser-known writers. Chapters interweave literary history, museum culture, and visual analysis of numerous illustrations with close readings of Booker T. Washington, Gwendolyn Bennett, Zora Neale Hurston, Melvin Tolson, and others. Together, these sections register the degree to which African American writers rely on vision - its modes, consequences, and insights - to demonstrate black intellectual and cultural sophistication. Hill's provocative study will interest scholars and students of African American literature and American literature more broadly.
Author: Jocelyn Hackforth-Jones
Publisher: John Wiley & Sons
Published: 2008-04-15
Total Pages: 246
ISBN-13: 1405153067
DOWNLOAD EBOOK →Edges of Empire is a timely reassessment of the history and legacy of Orientalist art and visual culture through its focus on the intersection between modernization, modernism and Orientalism. Covers indigenous art and agency, contemporary practices of collection and display, and a survey of key Orientalist tropes Contains original essays on new perspectives for scholars and students of art history, architecture, museum studies and cultural and postcolonial studies Highlights contested identities and new definitions of self through topics such as 19th century monuments to Empire, cultural cross-dressing, performance and display at the international exhibitions, and contemporary museological practice.
Author: Mark Storey
Publisher: Oxford University Press, USA
Published: 2021-03-18
Total Pages: 269
ISBN-13: 0198871503
DOWNLOAD EBOOK →This cultural history of the American empire via ancient Rome tracks the way writers and artists have imagined Roman antiquity as an analogy that variously bolsters and critiques American imperial power.
Author: Sarah J. Moore
Publisher: University of Oklahoma Press
Published: 2013-05-31
Total Pages: 254
ISBN-13: 0806188960
DOWNLOAD EBOOK →The world’s fair of 1915 celebrated both the completion of the Panama Canal and the rebuilding of San Francisco following the devastating 1906 earthquake and fire. The exposition spotlighted the canal and the city as gateways to the Pacific, where the American empire could now expand after its victory in the Spanish-American War. Empire on Display is the first book to examine the Panama-Pacific International Exposition through the lenses of art history and cultural studies, focusing on the event’s expansionist and masculinist symbolism. The exposition displayed evidence—visual, spatial, geographic, cartographic, and ideological—of America’s imperial ambitions and accomplishments. Representations of the Panama Canal play a central role in Moore’s argument, much as they did at the fair itself. Embodying a manly empire of global dimensions, the canal was depicted in statues and a gigantic working replica, as well as on commemorative stamps, maps, murals, postcards, medals, and advertisements. Just as San Francisco’s rebuilding symbolized America’s will to overcome the forces of nature, the Panama Canal represented the triumph of U.S. technology and sheer determination to realize the centuries-old dream of opening a passage between the seas. Extensively illustrated, Moore’s book vividly recalls many other features of the fair, including a seventy-five-foot-tall Uncle Sam. American railroads, in their heyday in 1915, contributed a five-acre scale model of Yellowstone, complete with miniature geysers that erupted at regular intervals. A mini–Grand Canyon featured a village where some twenty Pueblo Indians lived throughout the fair. Moore interprets these visual and cultural artifacts as layered narratives of progress, civilization, social Darwinism, and manliness. Much as the globe had ostensibly shrunk with the completion of the Panama Canal, the Panama-Pacific International Exposition compressed the world and represented it in miniature to celebrate a reinvigorated, imperial, masculine, and technologically advanced nation. As San Francisco bids to host another world’s fair, in 2020, Moore’s rich analytic approach gives readers much to ponder about symbolism, American identity, and contemporary parallels to the past.
Author: Martin Jay
Publisher: Duke University Press
Published: 2014-03-14
Total Pages: 686
ISBN-13: 0822378973
DOWNLOAD EBOOK →Empires of Vision brings together pieces by some of the most influential scholars working at the intersection of visual culture studies and the history of European imperialism. The essays and excerpts focus on the paintings, maps, geographical surveys, postcards, photographs, and other media that comprise the visual milieu of colonization, struggles for decolonization, and the lingering effects of empire. Taken together, they demonstrate that an appreciation of the role of visual experience is necessary for understanding the functioning of hegemonic imperial power and the ways that the colonized subjects spoke, and looked, back at their imperial rulers. Empires of Vision also makes a vital point about the complexity of image culture in the modern world: We must comprehend how regimes of visuality emerged globally, not only in the metropole but also in relation to the putative margins of a world that increasingly came to question the very distinction between center and periphery. Contributors. Jordanna Bailkin, Roger Benjamin, Daniela Bleichmar, Zeynep Çelik, David Ciarlo, Natasha Eaton, Simon Gikandi, Serge Gruzinski, James L. Hevia, Martin Jay, Brian Larkin, Olu Oguibe, Ricardo Padrón, Christopher Pinney, Sumathi Ramaswamy, Benjamin Schmidt, Terry Smith, Robert Stam, Eric A. Stein, Nicholas Thomas, Krista A. Thompson
Author: Robert Peckham
Publisher: Cambridge University Press
Published: 2016-04-28
Total Pages: 379
ISBN-13: 1107084687
DOWNLOAD EBOOK →The first history of epidemics in modern Asia. Robert Peckham considers the varieties of responses that epidemics have elicited - from India to China and the Russian Far East - and examines the processes that have helped to produce and diffuse disease across the region.
Author: Alan P. Dobson (1951-2022)
Publisher: Berghahn Books
Published: 2022-04-08
Total Pages: 332
ISBN-13: 1800734808
DOWNLOAD EBOOK →Too often, scholarship on Anglo-American political relations has focused on mutual social and economic interests between Britain and the United States as the basis for cooperation. Breaking new ground, Anglo-American Relations and the Transmission of Ideas instead explores how ideas, on either side of the Atlantic have mutually influenced each other. In those transnational interactions, there forms a shared tradition of political ideas, facilitating “a common cast of mind” that has served as the basis for transatlantic relations and socio-political values for decades.