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Visual Culture and Public Policy

Author: Victor Bekkers

Publisher: Routledge

Published: 2014-08-21

Total Pages: 258

ISBN-13: 1317689569

Traditionally, images have played an important role in politics and policy making, mostly in relation to propaganda and public communication. However, contemporary society is inundated with visual material due to the increasing ubiquity of media and visual technologies that facilitate the production, distribution and consumption of images in new and innovative ways. As such, a visual culture has emerged, and a number of authors have written on visual culture and the technologies which underlie it. However, a clear link to policy making is still lacking. This books links the emergence of this visual culture to policy making and explores how visual culture (and the growing number of technologies used to create and distribute images) influence the course, content and outcome of public policy making. It examines how visual culture and policy making in contemporary society are intertwined, elaborating concepts such as power, framing and storytelling. It then links this to technology, and the way this can enhance power, transparency, registration, surveillance and communication. Dealing with the entire cycle of public policy making, from agenda-setting, to policy design, decision making to evaluation, the book contains diverse international case studies including water management, risk management, live-stock diseases, minority integration, racism, freedom of speech, healthcare, disaster evaluation and terrorism.

Visual Culture and Public Policy

Author: Victor Bekkers

Publisher: Routledge

Published: 2014-08-21

Total Pages: 268

ISBN-13: 1317689550

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Beyond Photo Ops and Propaganda: The Role of Visual Culture in the Development of Policy in the Public Sphere

Author: Sue E. Carlton

Publisher:

Published: 2011

Total Pages: 192

ISBN-13:

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The role of the visual is largely unrecognized in the analysis of political behavior. The contemporary emphasis on the theoretical and analytic should not overlook the obvious routines of daily by which art informs the public sphere.

Information Politics, Protests, and Human Rights in the Digital Age

Author: Mahmood Monshipouri

Publisher: Cambridge University Press

Published: 2016-06-09

Total Pages: 327

ISBN-13: 1316654265

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We live in a highly complex and evolving world that requires a fuller and deeper understanding of how modern technological tools, ideas, practices, and institutions interact, and how different societies adjust themselves to emerging realities of the digital age. This book conveys such issues with a fresh perspective and in a systematic and coherent way. While many studies have explained in depth the change in the aftermath of the unrests and uprisings throughout the world, they rarely mentioned the need for constructing new human rights norms and standards. This edited collection provides a balanced conceptual framework to demonstrate not only the power of autonomous communication networks but also their limits and the increasing setbacks they encounter in different contexts.

The Oxford Handbook of Communist Visual Cultures

Author: Aga Skrodzka

Publisher: Oxford University Press, USA

Published: 2020-06-18

Total Pages: 799

ISBN-13: 019088553X

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Stereotypes often cast communism as a defunct, bankrupt ideology and a relic of the distant past. However, recent political movements like Europe's anti-austerity protests, the Arab Spring, and Occupy Wall Street suggest that communism is still very much relevant and may even hold the key to a new, idealized future. In The Oxford Handbook of Communist Visual Cultures, contributors trace the legacies of communist ideology in visual culture, from buildings and monuments, murals and sculpture, to recycling campaigns and wall newspapers, all of which work to make communism's ideas and values material. Contributors work to resist the widespread demonization of communism, demystifying its ideals and suggesting that it has visually shaped the modern world in undeniable and complex ways. Together, contributors answer curcial questions like: What can be salvaged and reused from past communist experiments? How has communism impacted the cultures of late capitalism? And how have histories of communism left behind visual traces of potential utopias? An interdisciplinary look at the cultural currency of communism today, The Oxford Handbook of Communist Visual Cultures demonstrates the value of revisiting the practices of the past to form a better vision of the future.

The Aesthetics of Global Protest

Author: Aidan McGarry

Publisher: Protest and Social Movements

Published: 2019-12-09

Total Pages: 0

ISBN-13: 9789463724913

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Protestors across the world use aesthetics in order to communicate their ideas and ensure their voices are heard. This book looks at protest aesthetics, which we consider to be the visual and performative elements of protest, such as images, symbols, graffiti, art, as well as the choreography of protest actions in public spaces. Through the use of social media, protestors have been able to create an alternative space for people to engage with politics that is more inclusive and participatory than traditional politics. This volume focuses on the role of visual culture in a highly mediated environment and draws on case studies from Europe, Thailand, South Africa, USA, Argentina, and the Middle East in order to demonstrate how protestors use aesthetics to communicate their demands and ideas. It examines how digital media is harnessed by protestors and argues that all protest aesthetics are performative and communicative.

Circulation and Control

Author: Marie-Stéphanie Delamaire

Publisher: Open Book Publishers

Published: 2021-10-08

Total Pages: 334

ISBN-13: 1800641494

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The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age.

Visual Culture

Author: Jessica Evans

Publisher: SAGE

Published: 1999-08-09

Total Pages: 512

ISBN-13: 9780761962472

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" This collection of classic essays in the study of visual culture fills a major gap in this new and expanding intellectual field. Its major strength is its insistence on the importance of three central aspects of the study of visual culture: the sign, the institution and the viewing subject. It will provide readers, teachers and students with an essential text in visual and cultural studies." - "Janet Wolff, University of Rochester""" Visual Culture: The Reader provides an invaluable resource of over 30 key statements from a wide range of disciplines. Although underpinned by a focus on contemporary cultural theory, this reader puts issues of visual culture and the rhetoric of the image at centre stage. Divided into three parts, The Culture of the Visual, Regulating Photographic Meaning, Looking and Subjectivity, this reader enables students to make hitherto unmade connections across art, film and photography history and theory, semiotics, history, semiotics and communications, media studies, and cultural theory. The key statements are from the work of: Visual Culture: The Reader sets the agenda for the study of Visual Culture and will be an essential sourcebook for researchers and students alike.This is the reader for the module "The Image and Visual Culture" (D850) - part of The Open University Masters in Social Sciences Programme.

Visual Culture: Spaces of visual culture

Author: Joanne Morra

Publisher: Taylor & Francis

Published: 2006

Total Pages: 434

ISBN-13: 9780415326445

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These texts represent both the formation of visual culture, and the ways in which it has transformed, and continues to transform, our understanding and experience of the world as a visual domain.

Virtual Knowledge

Author: Paul Wouters

Publisher: MIT Press

Published: 2013

Total Pages: 273

ISBN-13: 0262517914

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An examination of emerging forms of knowledge creation using Web-based technologies, analyzed from an interdisciplinary perspective.