Visions of Culture

Visions of Culture PDF

Author: Jerry D. Moore

Publisher: Rowman Altamira

Published: 2012-05-24

Total Pages: 376

ISBN-13: 0759122172

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This classic textbook, now in its fourth edition, offers anthropology students a succinct, clear, and balanced introduction to twenty-five major theorists and theoretical developments in the field.

Visions of Culture

Visions of Culture PDF

Author: Jerry D. Moore

Publisher: Rowman Altamira

Published: 2004

Total Pages: 404

ISBN-13: 9780759104112

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This new edition of Jerry D. Moore's Visions of Culture presents introductory anthropology students with a brief, readable, and balanced treatment of theoretical developments in the field. New to this edition are pieces on Sherry Ortner, Pierre Bourdieu, and Eric Wolf, an Epilogue that describes key current debates over theory. This is an ideal text for classes on the theory or the history of anthropology.

Border Visions

Border Visions PDF

Author: Carlos G. Vélez-Ibáñez

Publisher: University of Arizona Press

Published: 1996-11-01

Total Pages: 382

ISBN-13: 0816543852

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The U.S.-Mexico border region is home to anthropologist Carlos Vélez-Ibáñez. Into these pages he pours nearly half a century of searching and finding answers to the Mexican experience in the southwestern United States. He describes and analyzes the process, as generation upon generation of Mexicans moved north and attempted to create an identity or sense of cultural space and place. In today’s border fences he also sees barriers to how Mexicans understand themselves and how they are fundamentally understood. From prehistory to the present, Vélez-Ibáñez traces the intense bumping among Native Americans, Spaniards, and Mexicans, as Mesoamerican populations and ideas moved northward. He demonstrates how cultural glue is constantly replenished by strengthening family ties that reach across both sides of the border. The author describes ways in which Mexicans have resisted and accommodated the dominant culture by creating communities and by forming labor unions, voluntary associations, and cultural movements. He analyzes the distribution of sadness, or overrepresentation of Mexicans in poverty, crime, illness, and war, and shows how that sadness is balanced by creative expressions of literature and art, especially mural art, in the ongoing search for space and place. Here is a book for the nineties and beyond, a book that relates to NAFTA, to complex questions of immigration, and to the expanding population of Mexicans in the U.S.-Mexico border region and other parts of the country. An important new volume for social science, humanities, and Latin American scholars, Border Visions will also attract general readers for its robust narrative and autobiographical edge. For all readers, the book points to new ways of seeing borders, whether they are visible walls of brick and stone or less visible, infinitely more powerful barriers of the mind.

A Culture of Conspiracy

A Culture of Conspiracy PDF

Author: Michael Barkun

Publisher: Univ of California Press

Published: 2003

Total Pages: 260

ISBN-13: 9780520248120

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Unravelling the genealogies and permutations of conspiracist worldviews, this work shows how this web of urban legends has spread among sub-cultures on the Internet and through mass media, and how this phenomenon relates to larger changes in American culture.

Visions of Culture

Visions of Culture PDF

Author: Jerry D. Moore

Publisher: Rowman & Littlefield

Published: 2018-11-05

Total Pages: 528

ISBN-13: 1442270586

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Visions of Culture: A Reader, Second Edition, is an anthology of articles about anthropological theorists.

Visions of Belonging

Visions of Belonging PDF

Author: Judith E. Smith

Publisher: Columbia University Press

Published: 2004

Total Pages: 481

ISBN-13: 0231121717

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-- Elaine May, author of Homeward Bound: American Families in the Cold War Era.

Playful Visions

Playful Visions PDF

Author: Meredith A. Bak

Publisher: MIT Press

Published: 2020-03-17

Total Pages: 297

ISBN-13: 0262358050

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The kaleidoscope, the stereoscope, and other nineteenth-century optical toys analyzed as “new media” of their era, provoking anxieties similar to our own about children and screens. In the nineteenth century, the kaleidoscope, the thaumatrope, the zoetrope, the stereoscope, and other optical toys were standard accessories of a middle-class childhood, used both at home and at school. In Playful Visions, Meredith Bak argues that the optical toys of the nineteenth century were the “new media” of their era, teaching children to be discerning consumers of media—and also provoking anxieties similar to contemporary worries about children's screen time. Bak shows that optical toys—which produced visual effects ranging from a moving image to the illusion of depth—established and reinforced a new understanding of vision as an interpretive process. At the same time, the expansion of the middle class as well as education and labor reforms contributed to a new notion of childhood as a time of innocence and play. Modern media culture and the emergence of modern Western childhood are thus deeply interconnected. Drawing on extensive archival research, Bak discusses, among other things, the circulation of optical toys, and the wide visibility gained by their appearance as printed templates and textual descriptions in periodicals; expanding conceptions of literacy, which came to include visual acuity; and how optical play allowed children to exercise a sense of visual mastery. She examines optical toys alongside related visual technologies including chromolithography—which inspired both chromatic delight and chromophobia. Finally, considering the contemporary use of optical toys in advertising, education, and art, Bak analyzes the endurance of nineteenth-century visual paradigms.

Visions in a Seer Stone

Visions in a Seer Stone PDF

Author: William L. Davis

Publisher: UNC Press Books

Published: 2020-04-08

Total Pages: 265

ISBN-13: 1469655675

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In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.

Embodied Visions

Embodied Visions PDF

Author: Torben Grodal

Publisher: Oxford University Press

Published: 2009-03-17

Total Pages: 336

ISBN-13: 0190451645

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Embodied Visions presents a groundbreaking analysis of film through the lens of bioculturalism, revealing how human biology as well as human culture determine how films are made and experienced. Throughout his study, Torben Grodal uses the breakthroughs of modern brain science to explain central features of film aesthetics and to construct a general model of aesthetic experience-what he terms the PECMA flow model-that demonstrates the movement of information and emotions in the brain when viewing film. Examining a wide array of genres-animation, romance, pornography, fantasy, horror-from evolutionary and psychological perspectives, Grodal also reflects on social issues at the intersection of film theory and neuropsychology. These include moral problems in film viewing, how we experience realism and character identification, and the value of the subjective forms that cinema uniquely elaborates.