Virginia Woolf and the Aesthetics of Vision

Virginia Woolf and the Aesthetics of Vision PDF

Author: Claudia Olk

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2014-08-19

Total Pages: 212

ISBN-13: 3110340232

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The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.

The Feminist Aesthetics of Virginia Woolf

The Feminist Aesthetics of Virginia Woolf PDF

Author: Jane Goldman

Publisher: Cambridge University Press

Published: 1998-09-17

Total Pages: 6

ISBN-13: 9780521590969

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Jane Goldman offers a revisionary, feminist reading of Woolf's work. Focusing on Woolf's engagement with the artistic theories of her time, Goldman analyzes Woolf's fascination with the Post-Impressionist exhibition of 1920 and the solar eclipse of 1927 by linking her response to a much wider literary and cultural context. Illustrated with color pictures, this book will appeal not only to scholars working on Woolf, but also to students of modernism, art history, and women's studies.

Virginia Woolf, Europe, and Peace

Virginia Woolf, Europe, and Peace PDF

Author: Peter Adkins

Publisher: Liverpool University Press

Published: 2020-07-09

Total Pages: 342

ISBN-13: 1949979385

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This volume asks how Woolf conceptualized peace by exploring various experimental forms she created in response to violence and crisis. Across fifteen chapters written by an international array of scholars, this book draws out theoretical dimensions of Woolf’s aesthetics and deepens our understanding of her writing about war, ethics, feminism and European culture.

Virginia Woolf: The Frames of Art and Life

Virginia Woolf: The Frames of Art and Life PDF

Author: C. Ruth Miller

Publisher: Springer

Published: 1988-11-24

Total Pages: 146

ISBN-13: 1349195952

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An attempt to illuminate Virginia Woolf's aesthetic by providing an original thoery regarding her use of the random frames provided by life. Her novels are shown to use windows, thresholds, mirrors and, less directly, rooms to frame scenes which chart the border between life and art.

Virginia Woolf, Literary Materiality, and Feminist Aesthetics

Virginia Woolf, Literary Materiality, and Feminist Aesthetics PDF

Author: Amber Jenkins

Publisher: Springer Nature

Published: 2023-10-03

Total Pages: 216

ISBN-13: 3031324919

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This book interrogates the relationship between the material conditions of Woolf's writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and composition to hand-printing and binding, this study foregrounds the interactions between Woolf's modernist experimentation and the visual and material aspects of her printed works. By drawing on the field of print culture, as well as the materialist turn in Woolf scholarship, it explores how her experience in print, book-design and publishing underlines her experimental writing, and how her literary texts are conditioned by the context of their production. This book, therefore, provides new ways of reading Woolf's modernism in the context of twentieth-century print, material, and visual cultures. By suggesting that Woolf's work at the Hogarth Press sensitized her to the significant role the visual aspects of a text play in its system of representation, it also considers the extent to which materiality informs both her work, as well as her engagement with Bloomsbury formalist aesthetics, which often exaggerate the distinction between visual and verbal modes of expression.