Violent Modernists

Violent Modernists PDF

Author: Kai Evers

Publisher: Northwestern University Press

Published: 2013-10-31

Total Pages: 0

ISBN-13: 9780810129627

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Accounts of rape, murder, mutilation, and torture run like a bloodred thread through modernist literature in the German language. Previous accounts of German literary modernism have linked its fascination with violent destruction either to the militant avant-garde on the left or to fascist modernism on the right. Critics have noted that high modernists depicted violence through its impact on their own victimized protagonists. But by minimizing and ignoring the often disturbing attraction to aggression in the works of Franz Kafka and others, these prevalent readings have filtered out much of the provocative and productive potential of German modernism. Kai Evers’s Violent Modernists: The Aesthetics of Destruction in Twentieth-Century German Literature develops a new understanding of German modernism that moves beyond the oversimplified dichotomy of an avant-garde prone to aggression on the one hand and a modernism opposed to violence on the other. Analyzing works by Robert Musil, Franz Kafka, Karl Kraus, Walter Benjamin, Elias Canetti, and others, Evers argues that these authors are among the most innovative thinkers on violence and its impact on contemporary concepts of the self, history, and society.

Violent Minds

Violent Minds PDF

Author: Matthew Levay

Publisher: Cambridge University Press

Published: 2019-01-03

Total Pages: 251

ISBN-13: 110842886X

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Levay analyzes representations of the criminal in British and American modernism from the late nineteenth century to the 1950s.

Modernism and the Aesthetics of Violence

Modernism and the Aesthetics of Violence PDF

Author: Paul Sheehan

Publisher: Cambridge University Press

Published: 2013-06-24

Total Pages: 243

ISBN-13: 1107355621

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The notion that violence can give rise to art - and that art can serve as an agent of violence - is a dominant feature of modernist literature. In this study Paul Sheehan traces the modernist fascination with violence to the middle decades of the nineteenth century, when certain French and English writers sought to celebrate dissident sexualities and stylized criminality. Sheehan presents a panoramic view of how the aesthetics of transgression gradually mutates into an infatuation with destruction and upheaval, identifying the First World War as the event through which the modernist aesthetic of violence crystallizes. By engaging with exemplary modernists such as Joyce, Conrad, Eliot and Pound, as well as lesser-known writers including Gautier, Sacher-Masoch, Wyndham Lewis and others, Sheehan shows how artworks, so often associated with creative well-being and communicative self-expression, can be reoriented toward violent and bellicose ends.

Modernism, War, and Violence

Modernism, War, and Violence PDF

Author: Marina MacKay

Publisher: Bloomsbury Publishing

Published: 2017-05-18

Total Pages: 208

ISBN-13: 1472590090

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The modernist period was an era of world war and violent revolution. Covering a wide range of authors from Joseph Conrad and Thomas Hardy at the beginning of the period to Elizabeth Bowen and Samuel Beckett at the end, this book situates modernism's extraordinary literary achievements in their contexts of historical violence, while surveying the ways in which the relationships between modernism and conflict have been understood by readers and critics over the past fifty years. Ranging from the colonial conflicts of the late 19th century to the world wars and the civil wars in between, and concluding with the institutionalization of modernism in the Cold War, Modernism, War, and Violence provides a starting point for readers who are new to these topics and offers a comprehensive and up-to-date survey of the field for a more advanced audience.

Violent Minds

Violent Minds PDF

Author: Matthew Levay

Publisher: Cambridge University Press

Published: 2019-01-03

Total Pages: 251

ISBN-13: 1108658571

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Just as cultural attitudes toward criminality were undergoing profound shifts in the late nineteenth and early twentieth centuries, modernist authors became fascinated by crime and its perpetrators, as well as the burgeoning genre of crime fiction. Throughout the period, a diverse range of British and American novelists took the criminal as a case study for experimenting with forms of psychological representation while also drawing on the conventions of crime fiction in order to imagine new ways of conceptualizing the criminal mind. Matthew Levay traces the history of that attention to criminal psychology in modernist fiction, placing understudied authors like Wyndham Lewis, Dorothy Sayers, Graham Greene, and Patricia Highsmith in dialogue with more canonical contemporaries like Joseph Conrad, Henry James, Dashiell Hammett, and Gertrude Stein. Levay demonstrates criminality's pivotal role in establishing quintessentially modernist forms of psychological representation and brings to light modernism's deep but understudied connections to popular literature, especially crime fiction.

At the Violet Hour

At the Violet Hour PDF

Author: Sarah Cole

Publisher: Oxford University Press

Published: 2012-11-29

Total Pages: 392

ISBN-13: 0195389611

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At the Violet Hour offers a richly historicized, trenchant look at the interlocking of literature with violence in British and Irish modernist texts.

Crowd Violence in American Modernist Fiction

Crowd Violence in American Modernist Fiction PDF

Author: Benjamin S. West

Publisher: McFarland

Published: 2013-03-21

Total Pages: 202

ISBN-13: 147660276X

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This study explores numerous depictions of crowd violence, literal and figurative, found in American Modernist fiction, and shows the ways crowd violence is used as a literary trope to examine issues of racial, gender, national, and class identity during this period. Modernist writers consistently employ scenes and images of crowd violence to show the ways such violence is used to define and enforce individual identity in American culture. James Weldon Johnson, William Faulkner, Richard Wright, Ernest Hemingway, F. Scott Fitzgerald, and John Steinbeck, for example, depict numerous individuals as victims of crowd violence and other crowd pressures, typically because they have transgressed against normative social standards. Especially important is the way that racially motivated lynching, and the representation of such lynchings in African American literature and culture, becomes a noteworthy focus of canonical Modernist fiction composed by white authors.

Desire, Violence & Divinity in Modern Southern Fiction

Desire, Violence & Divinity in Modern Southern Fiction PDF

Author: Gary M. Ciuba

Publisher: LSU Press

Published: 2007

Total Pages: 301

ISBN-13: 080713175X

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"In this study, Gary M. Ciuba examines how four of the South's most probing writers of twentieth-century fiction - Katherine Anne Porter, Flannery O'Connor, Cormac McCarthy, and Walker Percy - expose the roots of violence in southern culture. Ciuba draws on the paradigm of mimetic violence developed by cultural and literary critic Rene Girard, who maintains that individual human nature is shaped by the desire to imitate a model."--BOOK JACKET.

Islam and Violence in the Modern Era

Islam and Violence in the Modern Era PDF

Author: Beverley Milton-Edwards

Publisher: Springer

Published: 2006-03-21

Total Pages: 236

ISBN-13: 0230625576

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This book examines dimensions of Islam and violence within wider debates about politics, history, faith, power and struggle both within Muslims' realms and outside. It explores the motif of violence in its myriad aspects including debates about sacrifice, private and public violence, responses and reactions, as well as suicide and martyrdom.