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Vignettes from the Late Ming

Author:

Publisher: University of Washington Press

Published: 2011-07-01

Total Pages: 191

ISBN-13: 029580226X

This anthology presents seventy translated and annotated short essays, or hsiao-p’in, by fourteen well-known sixteenth- and seventeenth-century Chinese writers. Hsiao-p’in, characterized by spontaneity and brevity, were a relatively informal variation on the established classical prose style in which all scholars were trained. Written primarily to amuse and entertain the reader, hsiao-p’in reflect the rise of individualism in the late Ming period and collectively provide a panorama of the colorful life of the age. Critics condemned the genre as escapist because of its focus on life’s sensual pleasures and triviality, and over the next two centuries many of these playful and often irreverent works were officially censored. Today, the essays provide valuable and rare accounts of the details over everyday life in Ming China as well as displays of wit and delightful turns of phrase.

Qian Qianyi's Reflections on Yellow Mountain

Author: Stephen McDowall

Publisher: Hong Kong University Press

Published: 2009-01-01

Total Pages: 237

ISBN-13: 9622090842

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Qian Qianyi's Reflections on Yellow Mountain is a close examination of travel writing in seventeenth-century China, presenting an innovative reading of the youji genre. Taking the 'Account of My Travels at Yellow Mountain' by the noted poet, official andliterary historian Qian Qianyi (1582-1664) as his focus, Stephen McDowall departs from traditional readings of youji, by reading the landscape of Qian's essay as the product of a complex representational tradition, rather than as an empirically verifiable space. Drawing from a broad range of materials including personal anecdotes, traditional cosmographical sources, gazetteers, Daoist classics, paintings and woodblock prints, this book explores the fascinating world of late-Ming Jiangnan, highlighting the extent to which this one scholar's depiction of Yellow Mountain is informed, not so much by first-hand observation, as by the layers of meaning left by generations of travelers before him. McDowall includes the first complete English-language translation of Qian Qianyi's account, and presents the first full-length critical study to appear in any language. The ideas explored here make this book essential reading for scholars and students of late imperial Chinese history and literature, and also offer thought-provoking new insights for anyone interested in travel writing, human geography, the sociology of tourism, and visual culture.

Short Essays of the Ming and Qing Dynasties

Author: Wang Hong

Publisher: Paths International Ltd

Published: 2013-01-01

Total Pages: 250

ISBN-13: 1844642348

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The late Ming Dynasty (1572-1644) and the early Qing Dynasty (1644-1722) saw the true splendour of short essays in China. No other period in the history of short essays in ancient China can match them in the quality and number of works, literary schools, or the variety of styles. Compared with those written before or after, the short essays in these periods were richer in the choice of topics, and freer in form, focusing not only on real social life, but also on worldly experience and life's little delights. They are a rich and vital part of China's literary and cultural heritage.The 127 short essays in this wonderful book are considered to be the very best examples from an era of China's history that's synonymous with beautifully crafted short essays. 82 essays are from the Ming Dynasty and 45 essays are from the Qing Dynasty, written by more than a hundred different Chinese authors from both dynasties. These are arranged in the order of the authors' birth dates and tenderly translated into English by leading Chinese translators Wang Hong and Zhang Shunsheng, who have faithfully represented the styles and literary achievements made by the featured essayists. It's a wonderful book that will delight fans of classic Chinese short essays, as well as providing the perfect introduction to readers new to the genre.Professor Wang Hong is a prolific and accomplished translator of ancient Chinese classics. Many of his translations have been included in the Library of Chinese Classics, such as Mozi, Brush Talks from Dream Brook (also publishing by Paths International), The Discourses of the States and The Classic of Mountains of Seas.This is the first ever English language version of The Short Essays of the Ming and Qing Dynasties to be published either inside or outside of China.

The Dreaming Mind and the End of the Ming World

Author: Lynn A. Struve

Publisher: University of Hawaii Press

Published: 2021-05-31

Total Pages: 334

ISBN-13: 0824893018

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From the mid-sixteenth through the end of the seventeenth century, Chinese intellectuals attended more to dreams and dreaming—and in a wider array of genres—than in any other period of Chinese history. Taking the approach of cultural history, this ambitious yet accessible work aims both to describe the most salient aspects of this “dream arc” and to explain its trajectory in time through the writings, arts, and practices of well-known thinkers, religionists, litterateurs, memoirists, painters, doctors, and political figures of late Ming and early Qing times. The volume’s encompassing thesis asserts that certain associations of dreaming, grounded in the neurophysiology of the human brain at sleep—such as subjectivity, irrationality, the unbidden, lack of control, emotionality, spontaneity, the imaginal, and memory—when especially heightened by historical and cultural developments, are likely to pique interest in dreaming and generate florescences of dream-expression among intellectuals. The work thus makes a contribution to the history of how people have understood human consciousness in various times and cultures. The Dreaming Mind and the End of the Ming World is the most substantial work in any language on the historicity of Chinese dream culture. Within Chinese studies, it will appeal to those with backgrounds in literature, religion, philosophy, political history, and the visual arts. It will also be welcomed by readers interested in comparative dream cultures, the history of consciousness, and neurohistory.

The Ming World

Author: Kenneth M Swope

Publisher: Routledge

Published: 2019-08-08

Total Pages: 845

ISBN-13: 1000134660

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The Ming World draws together scholars from all over the world to bring China’s Ming Dynasty (1368-1662) to life, exploring recent scholarly trends and academic debates that highlight the dynamism of the Ming and its key place in the early modern world. The book is designed to replicate the structure of popular Ming-era unofficial histories that gathered information and gossip from a wide variety of fields and disciplines. Engaging with a broad array of primary and secondary sources, the authors build upon earlier scholarship while extending the field to embrace new theories, methodologies, and interpretive frameworks. It is divided into five thematically linked sections: Institutions, Ideas, Identities, Individuals, and Interactions. Unique in its breadth and scope, The Ming World is essential reading for scholars and postgraduates of early modern China, the history of East Asia and anyone interested in gaining a broader picture of the colorful Ming world and its inhabitants.

Stories to Caution the World

Author:

Publisher: University of Washington Press

Published: 2012-09-01

Total Pages: 792

ISBN-13: 0295801298

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Stories to Caution the World is the first complete translation of Jingshi tongyan, the second of Feng Menglong's three collections of stories which were pivotal in the development of Chinese vernacular fiction. These tales, whose importance in the Chinese literary canon and in world literature is without question, have been compared to Boccaccio's Decameron and the stories of A Thousand and One Nights. Peopled with scholars, emperors, ministers, generals, and a gallery of ordinary men and women in their everyday surroundings -- merchants and artisans, prostitutes and courtesans, matchmakers and fortune-tellers, monks and nuns, servants and maids, thieves and imposters -- the stories in this collection provide a vivid panorama of the bustling world of imperial China before the end of the Ming dynasty. Feng Menglong collected popular stories from a variety of sources (some dating back centuries) and circulated them via the flourishing seventeenth-century publishing industry. He not only saved them from oblivion but elevated the status of vernacular literature and provided material for authors of the great late-Ming and Qing novels to draw upon. As in their translation of the first collection of Feng's trilogy, Stories Old and New, Shuhui and Yunqin Yang include all forty stories as well as Feng's interlinear and marginal comments and all of the verse woven throughout the stories. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html

The Figurative Works of Chen Hongshou (1599?652)

Author: TamaraHeimarck Bentley

Publisher: Routledge

Published: 2017-07-05

Total Pages: 363

ISBN-13: 135154456X

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Despite the importance of Chen Hongshou (1599-1652) as an artist and scholar of the Ming period, until now no full length study in English has focused on his work. Author Tamara H. Bentley takes a broadly interdisciplinary approach, treating Chen's oeuvre in relation to literary themes and economic changes, and linking these larger concerns to visual analyses. Considering Chen's paintings and prints alongside Chen's romance drama commentaries and prefaces and his collected writings (particularly poetry), Bentley sheds new light not only on Chen, but also on an important cultural moment in the first half of the seventeenth century. Through analysis of Chen's figure paintings and print designs, Bentley examines the artist's engagement with the values of "authenticity" and "emotion," which were part of a larger discourse stressing idiosyncrasy, the individual voice, and vernacular literature. She contrasts these values with the commercial aspects of his production, geared at an expanding art market of well-to-do buyers, excavating the apparent contradiction inherent in the two pursuits. In the end, she suggests, the emphasis on the "authentic" voice was marketed to a broad field of anonymous buyers. Though her primary focus is on Chen Hongshou, Bentley's investigation ultimately concerns not only this individual artist, but also the effect of early modern changes on an artist's mode of working and his self-image, in the West as well as the East. The study touches upon expanding international trade and the rise of middle class art markets (including print markets), not only in China but also in the Dutch Republic in circa 1630-1650. Bentley investigates the specific rhetoric of different categories of images, including Chen's non-literal figurative works; literal commemorative portraits; his printed romance-drama illustrations; and his printed playing cards. Bentley's investigation takes in issues of studio practice (including various types of image replicati

Strange Eventful Histories

Author: Shiamin Kwa

Publisher: BRILL

Published: 2020-10-26

Total Pages: 290

ISBN-13: 1684170648

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When it comes to really knowing a person, is what you see really what you get? Is it ever all you get? In this first critical study and annotated translation of the dramatic masterpiece Four Cries of a Gibbon by the late-Ming dynasty Chinese playwright Xu Wei, author Shiamin Kwa considers the ways that people encounter and understand each other in extraordinary circumstances. With its tales of crimes redressed in the next world and girls masquerading as men to achieve everlasting fame, Four Cries of a Gibbon complicated issues of self and identity when it appeared in the late Ming dynasty, paving the way for increasingly nuanced reflections on such questions in late Ming and early Qing fiction and drama. Beyond their historical context, Xu Wei’s influential plays serve as testimony to what Kwa argues are universal strategies found within drama. The heroes and heroines in these plays glide back and forth across the borders of life and death, of male and female, as they seek to articulate who they truly are. As the actors sort out these truths onstage, the members of the audience are invited to consider the truths that they live with offstage.

The Book of Swindles

Author: Yingyu Zhang

Publisher: Columbia University Press

Published: 2017-09-05

Total Pages: 267

ISBN-13: 0231545649

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This is an age of deception. Con men ply the roadways. Bogus alchemists pretend to turn one piece of silver into three. Devious nuns entice young women into adultery. Sorcerers use charmed talismans for mind control and murder. A pair of dubious monks extorts money from a powerful official and then spends it on whoring. A rich student tries to bribe the chief examiner, only to hand his money to an imposter. A eunuch kidnaps boys and consumes their "essence" in an attempt to regrow his penis. These are just a few of the entertaining and surprising tales to be found in this seventeenth-century work, said to be the earliest Chinese collection of swindle stories. The Book of Swindles, compiled by an obscure writer from southern China, presents a fascinating tableau of criminal ingenuity. The flourishing economy of the late Ming period created overnight fortunes for merchants—and gave rise to a host of smooth operators, charlatans, forgers, and imposters seeking to siphon off some of the new wealth. The Book of Swindles, which was ostensibly written as a manual for self-protection in this shifting and unstable world, also offers an expert guide to the art of deception. Each story comes with commentary by the author, Zhang Yingyu, who expounds a moral lesson while also speaking as a connoisseur of the swindle. This volume, which contains annotated translations of just over half of the eighty-odd stories in Zhang's original collection, provides a wealth of detail on social life during the late Ming and offers words of warning for a world in peril.

A Concise History of Chinese Literature

Author: Yuming Luo

Publisher: BRILL

Published: 2011

Total Pages: 1025

ISBN-13: 9004203664

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Adopting new theoretical perspectives and using updated research, this book by a leading Chinese scholar seeks to provide a coherent, panoramic description of the development of premodern Chinese literature and its major characteristics.