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Author: Gary Kelly
Publisher: Routledge
Published: 2020-04-15
Total Pages: 394
ISBN-13: 1000749916
DOWNLOAD EBOOK →This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Author: William H. Hazlitt
Publisher:
Published: 2002
Total Pages:
ISBN-13:
DOWNLOAD EBOOK →Varieties of Female Gothic is a major contribution to the recent developments in criticism centring on Romantic women's literature, and makes available a representative selection of the most important types of Female Gothic fiction. The range of texts and the supporting materials will improve understanding of the Female Gothic and its relation to other forms of fiction.
Author: Gary Kelly
Publisher: Routledge
Published: 2020-04-27
Total Pages: 340
ISBN-13: 1000749894
DOWNLOAD EBOOK →This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Author: Gary Kelly
Publisher: Routledge
Published: 2020-04-13
Total Pages: 297
ISBN-13: 1000749940
DOWNLOAD EBOOK →This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Author: Gary Kelly
Publisher: Routledge
Published: 2020-04-14
Total Pages: 2056
ISBN-13: 1000743527
DOWNLOAD EBOOK →This text offers scholarly and critical editions of significant novels of Gothic fiction from the Romantic period. It illustrates the various forms of female Gothic literature as a vehicle for representing the modern forms of subjectivity, or complex and authentic inward experience and identity.
Author: Catherine Spooner
Publisher: Cambridge University Press
Published: 2021-08-19
Total Pages: 555
ISBN-13: 1108652077
DOWNLOAD EBOOK →The third volume of The Cambridge History of the Gothic is the first book to provide an in-depth history of Gothic literature, film, television and culture in the twentieth and twenty-first centuries (c. 1896-present). Identifying key historical shifts from the birth of film to the threat of apocalypse, leading international scholars offer comprehensive coverage of the ideas, events, movements and contexts that shaped the Gothic as it entered a dynamic period of diversification across all forms of media. Twenty-three chapters plus an extended introduction provide in-depth accounts of topics including Modernism, war, postcolonialism, psychoanalysis, counterculture, feminism, AIDS, neo-liberalism, globalisation, multiculturalism, the war on terror and environmental crisis. Provocative and cutting edge, this will be an essential reference volume for anyone studying modern and contemporary Gothic culture.
Author: Catherine Spooner
Publisher: Cambridge History of the G
Published: 2021-08-19
Total Pages: 555
ISBN-13: 1108472729
DOWNLOAD EBOOK →The first volume to provide an interdisciplinary, comprehensive history of twentieth and twenty-first century Gothic culture.
Author: Diane Long Hoeveler
Publisher: University of Wales Press
Published: 2014-05-15
Total Pages: 375
ISBN-13: 1783160497
DOWNLOAD EBOOK →The Gothic Ideology argues that in order to modernize and secularize, the British Protestant imaginary needed an 'other' against which it could define itself as a culture and a nation with distinct boundaries. The 'Gothic ideology' is identified as an intense religious anxiety, produced by the aftershocks of the Protestant reformation, the Catholic Counter-Reformation, and the dynastic upheavals produced by both events in England, Germany, and France, and was played out in hundreds of Gothic texts published throughout Europe between the mid-eighteenth century and 1880. This book is the first to read the Gothic ideology through the historical context of both King Henry VIII's dissolution of the monasteries and the extensive French anti-clerical and pornographic works that were well-known to Horace Walpole and Matthew Lewis. The book argues that Gothic was thoroughly invested in a crude form of anti-Catholicism that fed lower class prejudices against the passage of a variety of Catholic Relief Acts that had been pending in Parliament since 1788 and finally passed in 1829.
Author: Joseph Crawford
Publisher: Bloomsbury Publishing
Published: 2013-09-12
Total Pages: 233
ISBN-13: 1472509951
DOWNLOAD EBOOK →Choice Outstanding Academic Title 2014 This book examines the connections between the growth of'terror fiction' - the genre now known as 'Gothic' - in the late eighteenthcentury, and the simultaneous appearance of the conceptual origins of'terrorism' as a category of political action. In the 1790s, Crawford argues, fourinter-connected bodies of writing arose in Britain: the historical mythology ofthe French Revolution, the political rhetoric of 'terrorism', the genre ofpolitical conspiracy theory, and the literary genre of Gothic fiction, known atthe time as 'terrorist novel writing'. All four bodies of writing drew heavilyupon one another, in order to articulate their shared sense of the radical andmonstrous otherness of the extremes of human evil, a sense which was quite newto the eighteenth century, but has remained central to the ways in which wehave thought and written about evil and violence ever since.
Author: Carol Margaret Davison
Publisher: University of Wales Press
Published: 2009-06-01
Total Pages: 422
ISBN-13: 1783163879
DOWNLOAD EBOOK →This title offers a detailed yet accessible introduction to classic British Gothic literature and the popular sub-category of the Female Gothic designed for the student reader. Works by such classic Gothic authors as Horace Walpole, Matthew Lewis, Ann Radcliffe, William Godwin, and Mary Shelley are examined against the backdrop of eighteenth- and nineteenth-century British social and political history and significant intellectual/cultural developments. Identification and interpretation of the Gothic’s variously reconfigured major motifs and conventions is provided alongside suggestions for further critical reading, a timeline of notable Gothic-related publications, and consideration of various theoretical approaches.
