Van Gogh, Cézanne, Matisse, Hodler

Van Gogh, Cézanne, Matisse, Hodler PDF

Author: Bettina Hahnloser

Publisher:

Published: 2020

Total Pages: 0

ISBN-13: 9783777434384

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The Hahnloser Collection was created in the early twentieth century in close friendly exchange between the collectors Arthur and Hedy Hahnloser-Bühler and their famous artist friends. The publication presents some 120 works providing an overview of this unique international collection of Swiss and French modernism as well as illustrating its exemplary cultural-political character.00The catalogue sheds light on the collectors? close contact with their artist friends including Pierre Bonnard, Ferdinand Hodler, Henri Matisse and Félix Vallotton. It provides an insight into unknown aspects of the artists? lives, their creative work and the motivation and passions of the collectors themselves. Today the collection is largely in the possession of the collectors? heirs or has been donated to the art museums of Bern and Winterthur.00Exhibition: Albertina Museum, Wien, Austria (22.02. - 23.05.2020).

German Expressionist Painting

German Expressionist Painting PDF

Author: Peter Selz

Publisher: Univ of California Press

Published: 2023-04-28

Total Pages: 550

ISBN-13: 0520341503

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Published in 1957, German Expressionist Painting was the first comprehensive study of one of the most pivotal movements in the art of this century. When it was written, however, German Expressionism seemed like an eccentric manifestation far removed from what was then considered the mainstream of modern art. But as historians well know, each generation alters the concept of mainstream to encompass those aspects of the past which seem most relevant to the present. The impact of German Expressionism on the art and thought of later generations could never have been anticipated at the time of the original writing of this book. During the subsequent years an enormous body of scholarly research and an even larger number of popular books on German expressionist art has been printed. Numerous monographs and detailed studies on most of the artists exist now and countless exhibitions with accompanying catalogues have taken place. Much of this new research could have been incorporated in a revised edition and the bibliography certainly could have been greatly expanded to include the important writings which have been published in Germany, the United States and elsewhere since this book was originally issued. The author, however, was faced with the choice of reprinting the original text with only the most necessary alterations-such as updating the captions to indicate present locations of the paintings-or the preparation of a revised text and bibliography. Desirable as a revision appeared, present printing costs would have priced the paperback out of reach for students. It is for this reason that I decided to reissue the original text which stands on its own as a primary investigation of German Expressionist Painting.

Toward Modern Art

Toward Modern Art PDF

Author: Palazzo Grassi

Publisher: Rizzoli International Publications

Published: 2002

Total Pages: 572

ISBN-13:

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This catalogue of the major exhibition at the Palazzo Grassi in Venice presents a groundbreaking interpretatioin of the birth of modern art. Serge Lemoine, curator of the exhibition and director of the Musee d'Orsay, proposes that "modern art does not descend, as is commonly thought, from Manet and Impressionism, but from . . . the French painter Pierre Puvis de Chavannes (1824-1898)." The author of monumental mural decorations in such civic buildings as the museums of Amiens, Lyons, Rouen, the Pantheon and the Sorbonne, Puvis de Chavannes had a remarkable influence on his contemporaries in France and abroad, including Seurat, Gauguin and Cezanne, as well as on later generations of artists. Equally indebted to Puvis de Chavannes are the great European symbolist painters, from Munch to Hodler. However, perhaps his most prestigious modern acolytes were Picasso and Matisse, who remained loyal to him all their lives. This volume features detailed scholarly contributions analyzing Puvis de Chavannes's work and all his affiliations, as well as offering rich critical and documentary data on his numerous and notable disciples. Accompanied by over five hundred illustrations, this volume is a superb evocation of a period of great artistic ferment and outstanding creativity. A landmark study, "Toward Modern Art" makes the bold argument that modern art does not descend, as is commonly described, from Manet and Impressionism, but rather from the unlikely figure of French painter Pierre Puvis de Chavannes (1824-1898). This gorgeously illustrated volume with over 500 full color illustrations, was organized by Serge Lemoine, director of Musee d'Orsay in Paris, and includes over 15 essays bydistinguished writers. Lemoine's side-by-side comparisons and expert commentary bear witness to his groundbreaking thesis.

Art in Zion

Art in Zion PDF

Author: Dalia Manor

Publisher: Routledge

Published: 2004-12-03

Total Pages: 279

ISBN-13: 1134367821

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Art in Zion deals with the link between art and national ideology and specifically between the artistic activity that emerged in Jewish Palestine in the first decades of the twentieth century and the Zionist movement. In order to examine the development of national art in Jewish Palestine, the book focuses on direct and indirect expressions of Zionist ideology in the artistic activity in the yishuv (the Jewish community in Palestine). In particular, the book explores two major phases in the early development of Jewish art in Palestine: the activity of the Bezalel School of Art and Crafts, and the emergence during the 1920s of a group of artists known as the Modernists.

Cézanne and America

Cézanne and America PDF

Author: John Rewald

Publisher: Princeton University Press

Published: 2023-08-15

Total Pages: 352

ISBN-13: 0691252270

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The classic work by internationally acclaimed Cézanne scholar John Rewald In Cézanne and America, John Rewald presents a full account of how Paul Cézanne’s reputation and influence became established in America between 1891 and 1921, and of how some of the world’s largest collections of his works were formed in the United States. This is the fascinating story of enthusiastic young American artists who took up Cézanne’s cause after they discovered him in Paris. It is also the story of the discerning early American collectors of his work—Leo and Gertrude Stein, the Havemeyers, and John Quinn, among others—many of whom made their first purchases from Cézanne’s wily dealer Ambroise Vollard in Paris, or from the dealer Alfred Stieglitz in New York, and of the beginning of the famous collection of Dr. Albert C. Barnes. Each chapter is illustrated not only with Cézanne’s works but also with portraits of collectors and critics and with previously unpublished pages from diaries, dealers’ ledgers, and Cézanne’s own correspondence.

Van Gogh

Van Gogh PDF

Author: Vincent van Gogh

Publisher: Parkstone International

Published: 2011-07-01

Total Pages: 256

ISBN-13: 178042227X

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Vincent van Gogh’s life and work are so intertwined that it is hardly possible to observe one without thinking of the other. Van Gogh has indeed become the incarnation of the suffering, misunderstood martyr of modern art, the emblem of the artist as an outsider. An article, published in 1890, gave details about van Gogh’s illness. The author of the article saw the painter as “a terrible and demented genius, often sublime, sometimes grotesque, always at the brink of the pathological.” Very little is known about Vincent’s childhood. At the age of eleven he had to leave “the human nest”, as he called it himself, for various boarding schools. The first portrait shows us van Gogh as an earnest nineteen year old. At that time he had already been at work for three years in The Hague and, later, in London in the gallery Goupil & Co. In 1874 his love for Ursula Loyer ended in disaster and a year later he was transferred to Paris, against his will. After a particularly heated argument during Christmas holidays in 1881, his father, a pastor, ordered Vincent to leave. With this final break, he abandoned his family name and signed his canvases simply “Vincent”. He left for Paris and never returned to Holland. In Paris he came to know Paul Gauguin, whose paintings he greatly admired. The self-portrait was the main subject of Vincent’s work from 1886c88. In February 1888 Vincent left Paris for Arles and tried to persuade Gauguin to join him. The months of waiting for Gauguin were the most productive time in van Gogh’s life. He wanted to show his friend as many pictures as possible and decorate the Yellow House. But Gauguin did not share his views on art and finally returned to Paris. On 7 January, 1889, fourteen days after his famous self-mutilation, Vincent left the hospital where he was convalescing. Although he hoped to recover from and to forget his madness, but he actually came back twice more in the same year. During his last stay in hospital, Vincent painted landscapes in which he recreated the world of his childhood. It is said that Vincent van Gogh shot himself in the side in a field but decided to return to the inn and went to bed. The landlord informed Dr Gachet and his brother Theo, who described the last moments of his life which ended on 29 July, 1890: “I wanted to die. While I was sitting next to him promising that we would try to heal him. [...], he answered, ‘La tristesse durera toujours (The sadness will last forever).’”