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Vampire Films of the 1970s

Author: Gary A. Smith

Publisher: McFarland

Published: 2017-02-06

Total Pages: 240

ISBN-13: 147662559X

The 1970s were turbulent times and the films made then reflected the fact. Vampire movies—always a cinema staple—were no exception. Spurred by the worldwide success of Hammer Film’s Dracula Has Risen from the Grave (1969), vampire movies filled theaters for the next ten years—from the truly awful to bonafide classics. Audiences took the good with the bad and came back for more. Providing a critical review of the genre’s overlooked Golden Age, this book explores a mixed bag from around the world, including The Vampire Lovers (1970), Dracula Versus Frankenstein (1971), Scream, Blacula, Scream (1973), ’Salem’s Lot (1975), Dracula Sucks (1978) and Love at First Bite (1979) and many others.

Horror Films of the 1970s

Author: John Kenneth Muir

Publisher: McFarland

Published: 2012-11-22

Total Pages: 682

ISBN-13: 0786491566

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The seventies were a decade of groundbreaking horror films: The Exorcist, Carrie, and Halloween were three. This detailed filmography covers these and 225 more. Section One provides an introduction and a brief history of the decade. Beginning with 1970 and proceeding chronologically by year of its release in the United States, Section Two offers an entry for each film. Each entry includes several categories of information: Critical Reception (sampling both '70s and later reviews), Cast and Credits, P.O.V., (quoting a person pertinent to that film's production), Synopsis (summarizing the film's story), Commentary (analyzing the film from Muir's perspective), Legacy (noting the rank of especially worthy '70s films in the horror pantheon of decades following). Section Three contains a conclusion and these five appendices: horror film cliches of the 1970s, frequently appearing performers, memorable movie ads, recommended films that illustrate how 1970s horror films continue to impact the industry, and the 15 best genre films of the decade as chosen by Muir.

Vampire Films of the 1970s

Author: Gary A. Smith

Publisher: McFarland

Published: 2017-01-13

Total Pages: 241

ISBN-13: 0786497793

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The 1970s were turbulent times and the films made then reflected the fact. Vampire movies--always a cinema staple--were no exception. Spurred by the worldwide success of Hammer Film's Dracula Has Risen from the Grave (1969), vampire movies filled theaters for the next ten years--from the truly awful to bonafide classics. Audiences took the good with the bad and came back for more. Providing a critical review of the genre's overlooked Golden Age, this book explores a mixed bag from around the world, including The Vampire Lovers (1970), Dracula Versus Frankenstein (1971), Scream, Blacula, Scream (1973), 'Salem's Lot (1975), Dracula Sucks (1978) and Love at First Bite (1979) and many others.

Television Fright Films of the 1970s

Author: David Deal

Publisher: McFarland

Published: 2015-01-27

Total Pages: 231

ISBN-13: 0786455144

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If the made-for-television movie has long been regarded as a poor stepchild of the film industry, then telefilm horror has been the most uncelebrated offspring of all. Considered unworthy of critical attention, scary movies made for television have received little notice over the years. Yet millions of fans grew up watching them--especially during the 1970s--and remember them fondly. This exhaustive survey addresses the lack of critical attention by evaluating such films on their own merits. Covering nearly 150 made-for-TV fright movies from the 1970s, the book includes credits, a plot synopsis, and critical commentary for each. From the well-remembered Don't Be Afraid of the Dark to the better-forgotten Look What's Happened to Rosemary's Baby, it's a trustworthy and entertaining guide to the golden age of the televised horror movie.

Vampires on the Silent Screen

Author: David Annwn Jones

Publisher: Springer Nature

Published: 2023-10-17

Total Pages: 236

ISBN-13: 3031386434

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This book is the first study of the vampires in silent cinema, presenting a detailed academic yet accessible discussion of the films themselves and their sources. For the very first time, The Fire Elemental from the Wharton brothers’ The Mysteries of Myra (1916) is identified as cinema’s original vampire, his appearance initiating a rich and variegated period of film production that is currently missing from studies of horror cinema. Exciting and ground-breaking, Vampires on the Silent Screen also discusses Drakula Halála / Dracula’s death (1920), the first ever filmic female vampire in Erich Kober’s Lilith and Ly (1919), and the Dracula lookalike, Count Merlin in Alexander Korda’s Magic (1917) as well as many other productions. A socio-cultural framework with critical highlighting of eco-horror theory is used throughout to draw these unique discoveries together. This project is a must read for any horror enthusiasts out there.

Mexploitation Cinema

Author: Doyle Greene

Publisher: McFarland

Published: 2015-01-28

Total Pages: 203

ISBN-13: 1476600724

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Thanks in large part to an exploitation film producer and distributor named K. Gordon Murray, a unique collection of horror films from Mexico began to appear on American late-night television and drive-in screens in the 1960s. Ranging from monster movies clearly owing to the heyday of Universal Studios to the lucha libre horror films featuring El Santo and the "Wrestling Women," these low-budget "Mexploitation" films offer plenty of campy fun and still inspire cult devotion, yet they also reward close study in surprising ways. This work places Mexploitation films in their historical and cultural context and provides close textual readings of a representative sample, showing how they can be seen as important documents in the cultural debate over Mexico's past, present and future. Stills accompany the text, and a selected filmography and bibliography complete the volume.

The Vampire Film

Author: Alain Silver

Publisher: Amadeus Press

Published: 1993

Total Pages: 276

ISBN-13:

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"Focusing on [recent films] from the United States and abroad that found inspiration in the vampire theme ..., the authors consider and analyze each picture in detail: its style and approach, plot, acting, cinematography, set design, special effects--and finally its quality of achievement"--Page 4 of cover.

Celluloid Vampires

Author: Stacey Abbott

Publisher: University of Texas Press

Published: 2009-03-06

Total Pages: 279

ISBN-13: 029278449X

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In 1896, French magician and filmmaker George Méliès brought forth the first celluloid vampire in his film Le manoir du diable. The vampire continues to be one of film's most popular gothic monsters and in fact, today more people become acquainted with the vampire through film than through literature, such as Bram Stoker's classic Dracula. How has this long legacy of celluloid vampires affected our understanding of vampire mythology? And how has the vampire morphed from its folkloric and literary origins? In this entertaining and absorbing work, Stacey Abbott challenges the conventional interpretation of vampire mythology and argues that the medium of film has completely reinvented the vampire archetype. Rather than representing the primitive and folkloric, the vampire has come to embody the very experience of modernity. No longer in a cape and coffin, today's vampire resides in major cities, listens to punk music, embraces technology, and adapts to any situation. Sometimes she's even female. With case studies of vampire classics such as Nosferatu, Martin, Blade, and Habit, the author traces the evolution of the American vampire film, arguing that vampires are more than just blood-drinking monsters; they reflect the cultural and social climate of the societies that produce them, especially during times of intense change and modernization. Abbott also explores how independent filmmaking techniques, special effects makeup, and the stunning and ultramodern computer-generated effects of recent films have affected the representation of the vampire in film.

The Vampire Film

Author: Jeffrey Weinstock

Publisher: Columbia University Press

Published: 2012-04-03

Total Pages: 153

ISBN-13: 0231850034

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This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Méliès' early cinematic experiments to Twilight and Let the Right One In, the history of vampires in cinema can be organised by a handful of governing principles that help make sense of this movie monster's remarkable fecundity. Among these principles are that the cinematic vampire is invariably about sex and the vexed human relationship with technology, and that the vampire is always an overdetermined body condensing what a culture considers other. This volume includes in-depth studies of films including Powell's A Fool There Was, Franco's Vampyros Lesbos, Cronenberg's Rabid, Kümel's Daughters of Darkness, and Merhige's Shadow of the Vampire.

Rovers

Author: Richard Lange

Publisher: Hachette UK

Published: 2021-07-27

Total Pages: 239

ISBN-13: 0316541974

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Two immortal brothers crisscross the American Southwest to elude a murderous biker gang and protect a young woman in this “utter triumph and delight” from award-winning author Richard Lange (Jonathan Ames, author of A Man Named Doll). Summer, 1976. Jesse and his brother, Edgar, are on the road in search of victims. They’re rovers, nearly indestructible nocturnal beings who must consume human blood in order to survive. For seventy years they’ve lurked on the fringes of society, roaming from town to town, dingy motel to dingy motel, stalking the transients, addicts, and prostitutes they feed on. This hard-boiled supernatural hell ride kicks off when the brothers encounter a young woman who disrupts their grim routine, forcing Jesse to confront his past and plunging his present into deadly chaos as he finds himself scrambling to save her life. The story plays out through the eyes of the brothers, a grieving father searching for his son’s murderer, and a violent gang of rover bikers, coming to a shattering conclusion in Las Vegas on the eve of America’s Bicentennial. Gripping, relentless, and ferocious, Rovers demonstrates once again why Richard Lange has been hailed as an “expert writer, his prose exact, his narrative tightly controlled” (Steph Cha, Los Angeles Times). Finalist for the 2022 Killer Nashville Silver Falchion Award