Twentieth Century Opera in England and the United States
Author: Cameron Northouse
Publisher: G. K. Hall
Published: 1976
Total Pages: 400
ISBN-13: 9780860430025
DOWNLOAD EBOOK →Author: Cameron Northouse
Publisher: G. K. Hall
Published: 1976
Total Pages: 400
ISBN-13: 9780860430025
DOWNLOAD EBOOK →Author: Mervyn Cooke
Publisher: Cambridge University Press
Published: 2005-12-08
Total Pages: 430
ISBN-13: 9780521780094
DOWNLOAD EBOOK →This Companion celebrates the extraordinary riches of the twentieth-century operatic repertoire in a collection of specially commissioned essays written by a distinguished team of academics, critics and practitioners. Beginning with a discussion of the century's vital inheritance from late-romantic operatic traditions in Germany and Italy, the text embraces fresh investigations into various aspects of the genre in the modern age, with a comprehensive coverage of the work of individual composers from Debussy and Schoenberg to John Adams and Harrison Birtwistle. Traditional stylistic categorizations (including symbolism, expressionism, neo-classicism and minimalism) are reassessed from new critical perspectives, and the distinctive operatic traditions of Continental and Eastern Europe, Russia and the Soviet Union, the United Kingdom and United States are subjected to fresh scrutiny. The volume includes essays devoted to avant-garde music theatre, operettas and musicals, filmed opera, and ends with a discussion of the position of the genre in today's cultural marketplace.
Author: Ethan Mordden
Publisher: Oxford University Press, USA
Published: 1978
Total Pages: 378
ISBN-13:
DOWNLOAD EBOOK →This is the only history of twentieth-century opera available in English today. Traces the rise of modern music drama from its nineteenth-century Wagnerian peak, and shows how modern opera has evolved.
Author: George Whitney Martin
Publisher: Hal Leonard Corporation
Published: 1999
Total Pages: 732
ISBN-13: 9780879102753
DOWNLOAD EBOOK →(Limelight). Martin provides a guide to opera that is sweeping in its scope, thorough in its detail, and authoritative in its commentary. He recalls a century of achievement in an art form that today enjoys unprecedented popularity and that has been generously enriched by challenging works in many cases yet to be fully recognized of the modern era.
Author: Irene Morra
Publisher: Routledge
Published: 2016-02-17
Total Pages: 146
ISBN-13: 1317005856
DOWNLOAD EBOOK →This book is the first to examine in depth the contributions of major British authors such as W. H. Auden and E. M. Forster, as critics and librettists, to the rise of British opera in the twentieth century. The perceived literary values of British authors, as much as the musical innovations of British composers, informed the aesthetic development of British opera. Indeed, British opera emerged as a simultaneously literary and musical project. Too often, operatic adaptations are compared superficially to their original sources. This is a particular problem for British opera, which has become increasingly defined artistically by the literary sophistication of its narrative sources. The resulting collaborations between literary figures and composers have crucial implications for the development of both opera and literature. Twentieth-Century British Authors and the Rise of Opera in Britain reveals the importance of this literary involvement in operatic adaptation to literature and literary studies, to music and musicology, and to cultural and theoretical studies.
Author: Harry Perry Robinson
Publisher: Good Press
Published: 2023-10-04
Total Pages: 222
ISBN-13:
DOWNLOAD EBOOK →"The Twentieth Century American" by Harry Perry Robinson. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Author: George Martin
Publisher: Trafalgar Square Publishing
Published: 1992
Total Pages: 654
ISBN-13: 9780719547676
DOWNLOAD EBOOK →Author: Nicholas E. Limansky
Publisher: YBK Publishers
Published: 2016-04
Total Pages: 298
ISBN-13: 9781936411436
DOWNLOAD EBOOK →Historical recordings by opera singers have proven since 1900 to offer much reward to the singer, student, listener, and collector alike. In the first book of this kind to appear in decades, Nicholas Limansky explains why critical listening is important and describes the merits of analyzing and comparing the recordings of previous generations of singers with those of the present. He also recounts how markedly record collecting has changed through the decades-especially in large cities like New York-mainly due to technological advance. He not only treats collecting 78 rpm disks, but LPs and CDs as well. Expired copyright now enables many of these early recordings to easily be acquired and collected, enabling the broad-scale comparison of style, technique, and vocal quality among the famous performers of earlier eras. The author points out what to look for among these differences in style, technique, and ability-both good and bad. (On occasion, the most famous are not the best ) With emphasis on today's student and collector, Limansky provides information about where, how, and on what labels given recordings can be found. He discusses printed resources that offer the interested even more information. Beginners and veterans alike will find much of interest in this far-ranging book. Nicholas Limansky studied voice at Peabody Conservatory in Baltimore and has a performance degree from the University of West Virginia. He has sung with major professional choral groups in New York City that include The Bach Aria Group, Musica Sacra, New York Choral Artists (NY Philharmonic), Opera Orchestra of New York, The Netherlands Ballet, and Alvin Ailey (Revelations, Rainbow). He has written performance reviews for the Italian publication, "Rassegna Melodrammatic," and reviewed new vocal releases of historical singers for "Opera News, The Record Collector, Classical Singer, " and "Opera Quarterly." He lectures at the New York Vocal Record Collectors Society and is a member of its board of directors.