Old-Time Music Makers of New York State

Old-Time Music Makers of New York State PDF

Author: Simon J. Bronner

Publisher: Syracuse University Press

Published: 1988-01-01

Total Pages: 278

ISBN-13: 9780815602163

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Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.

The Old Songs are Always New

The Old Songs are Always New PDF

Author: Genevieve Campbell

Publisher: Sydney University Press

Published: 2023-07-01

Total Pages: 362

ISBN-13: 1743328761

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It’s really great. It’s like they’re all here. I hear all of these voices and I sing with them, you know? — Yikliya Eustace Tipiloura, senior songman and Elder Perhaps the most defining feature of Tiwi song is the importance placed on the creative innovation of the individual singer/composer. Tiwi songs are fundamentally new, unique and occasion specific, and yet sit within a continuum of an oral artistic tradition. Performed in ceremony, at public events, for art and for fun, songs form the core of the Tiwi knowledge system and historical archive. Held by song custodians and taught through sung and danced ritual, generations of embodied practice are still being created and accumulated as people continue to sing. In 2009 Genevieve Campbell and eleven Tiwi colleagues travelled to Canberra to reclaim over 1300 recordings of Tiwi songs, made between 1912 and 1981, that are held in the archives at the Australian Institute of Aboriginal and Torres Strait Islander Studies (AIATSIS). The Old Songs are Always New explores the return home of these recordings to the Tiwi Islands and describes the musical and vocal characteristics, performance context and cultural function of the twelve Tiwi song types, giving an overview of the linguistic and poetic devices used by Tiwi composers. For the past 16 years Campbell has been working closely with Tiwi song custodians, studying contemporary Tiwi song culture in the context of the maintenance of traditions and the development of new music forms. Their musical collaboration has resulted in public performances, community projects and recordings featuring current senior singers and the voices of the repatriated recordings. For this publication, Elders have enabled the transcription of many song texts and melodies for the first time, shedding light on how generations of Tiwi singers have connected the past with the present in a continuum of knowledge transmission and arts practice.

Old Scores and New Readings: Discussions on Music & Certain Musicians

Old Scores and New Readings: Discussions on Music & Certain Musicians PDF

Author: John F. Runciman

Publisher: Good Press

Published: 2019-12-09

Total Pages: 174

ISBN-13:

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"Old Scores and New Readings: Discussions on Music & Certain Musicians" is a collection of essays on the greatest musicians of all times and their creations. The book is full of interesting details about different moments in the lives of the great masters. It contains a professional analysis of some of the greatest music works, such as "Lohengrin" or "Tristan and Isolda."

Harp Exercises for Agility and Speed

Harp Exercises for Agility and Speed PDF

Author: Deborah Friou

Publisher: Hal Leonard Corporation

Published: 1989

Total Pages: 93

ISBN-13: 9780962812033

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(Harp). This book was designed to help harp players develop and maintain strength, suppleness, and agility in the fingers and hands. It is intended for use by players of all levels. The repetition of patterns common to the harp should enable the player to perform with greater ease and confidence.

Building New Banjos for an Old-Time World

Building New Banjos for an Old-Time World PDF

Author: Richard Jones-Bamman

Publisher: University of Illinois Press

Published: 2017-09-11

Total Pages: 288

ISBN-13: 0252099907

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Banjo music possesses a unique power to evoke a bucolic, simpler past. The artisans who build banjos for old-time music stand at an unusual crossroads ”asked to meet the modern musician's needs while retaining the nostalgic qualities so fundamental to the banjo's sound and mystique. Richard Jones-Bamman ventures into workshops and old-time music communities to explore how banjo builders practice their art. His interviews and long-time personal immersion in the musical culture shed light on long-overlooked aspects of banjo making. What is the banjo builder's role in the creation of a specific musical community? What techniques go into the styles of instruments they create? Jones-Bamman explores these questions and many others while sharing the ways an inescapable sense of the past undergirds the performance and enjoyment of old-time music. Along the way he reveals how antimodernism remains integral to the music's appeal and its making.